What is the story of the scythes in brief. Bunin, analysis of the work of the scythe, plan. Feeling of doom, thickening of time

It was a long time ago, in that life that "will not return forever." The narrator was walking along the high road, and in front, in a small birch grove, the peasants were mowing the grass and singing.

The narrator was surrounded by the fields of "middle, primordial Russia."

It seemed that there was no, and there never was, neither time, nor its division into centuries, into years in this forgotten - or blessed - by God country.

The mowers went from afar "through our Oryol places" to even more fertile steppes, helping to cope with the abundant haymaking along the way. They were friendly, carefree and "eager to work". They differed from the local mowers in their dialect, customs and clothing.

A week ago they were mowing in the woods near the narrator's estate. Passing by, he saw how the mowers "came to work" - they drank spring water, stood in a row and let the scythes in a wide semicircle. When the narrator returned, the mowers were having dinner. He noticed that they were eating "fly agaric mushrooms, terrible for their dope", boiled in a pot. The narrator was horrified, and the mowers, laughing, said: “Nothing, they are sweet, pure chicken!”

Now they sang, and the narrator listened and could not understand "what is the marvelous charm of their song." The beauty was in the blood relationship that the narrator felt between himself and these simple mowers, one with the nature around them.

And there was also ... the charm that this homeland, this common home of ours was Russia, and that only her soul could sing like the mowers sang in this birch forest that responded to their every breath.

The singing was like a single breath of a strong young chest. So directly and easily sung only in Russia. The mowers walked, without the slightest effort, "revealing the glades in front of them" and exhaled a song in which they "parted with their dear little side", yearned and said goodbye before death, but still did not believe "in this hopelessness." They knew that there would be no real separation as long as there was “native sky” above them, and boundless Russia around them, spacious, free and full of fabulous riches.

A good fellow cried in a song, and his native land stood up for him, animals and birds rescued him, he received flying carpets and invisibility hats, milk rivers flowed for him and self-collected tablecloths unfolded. He flew out of the dungeon like a clear falcon, and the dense jungle hid him from his enemies.

And there was something else in this song that both the narrator and the mowers felt: endless happiness. These distant days have passed, for nothing lasts forever, "Ancient intercessors abandoned their children ... prayers and spells were desecrated, Mother-Cheese-Earth dried up." The end has come, "the limit of God's forgiveness."

Summary of Bunin's story "Mowers"

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The narrator recalls how they walked along the high road, and in the young birch forest nearby, the mowers mowed and sang. That was a long time ago. And the life that everyone lived at that time will never return. There were fields all around. The old high road, carved with ruts, went into the endless Russian distance. The sun was sinking to the west, a flock of sheep was gray ahead. An old shepherd with a shepherd was sitting on the boundary. It seemed that there is no division into time in this forgotten - or blessed - by God country. And the mowers walked and sang in the midst of this eternal silence, and the birch forest answered just as easily and freely. The mowers were distant, Ryazan, passing through these lands to earn money, moving to more fertile lands. Carefree and friendly, not burdened by anything, they were "hungry" for work. And they were dressed better than the locals. A week ago, the narrator rode on horseback and saw them mow in the nearby forest. They came to work in the afternoon: they sweetly drank spring water from wooden jugs and cheerfully ran to the place. The braids were launched at once, playfully. And then he saw their dinner, when they sat near an extinct fire and dragged pieces of something pink out of cast iron. Looking closer, the narrator realized with horror that they ate fly agaric mushrooms. And they just chuckled: "Nothing, they are sweet, like chicken."
Now they sang: "Forgive me, farewell, dear friend!" and moved through the birch forest. And the narrator and his companion stood and listened, realizing that they would never forget this evening hour, and most importantly, they would never understand what the charm of this song was. And the charm was in everything - both in the sonority of the birch forest, and in the fact that this song did not exist on its own, but was closely connected with their thoughts and feelings and with the thoughts and feelings of the Ryazan mowers. It was felt that a person is so naive in ignorance of his strengths and talents that one has only to breathe a little, as the whole forest will immediately respond in response to the song. What else was the charm of this song, its inescapable joy with all its supposed hopelessness? The fact that the person still did not believe, and could not believe in this hopelessness. “Oh, yes, all the ways for me, well done, are ordered!” he said, mourning himself sweetly. But they do not weep sweetly and do not sing their sorrows, for whom indeed there is neither way nor road anywhere. “My happiness has sunk,” he sighed, “the dark night with its wilderness surrounds me,” and he was so intimately close to this wilderness, alive for him, virgin and full of magical powers! Everywhere there was a shelter for him, an overnight stay, someone’s intercession, someone’s voice whispering: “Don’t grieve, the morning is wiser than the evening, nothing is impossible for me, sleep peacefully, child!” And from all the misfortunes of a person, according to his faith, the birds and animals of the forest, the beautiful, wise princesses, and even Baba Yaga herself rescued. There were flying carpets for him, invisibility caps, milky rivers flowed, semi-precious treasures hid, from all mortal spells there were keys of eternally living water. The merciful God forgave for all the distant whistles, sharp, hot knives ... There was one more thing in this song - this is what we knew well, and they, these Ryazan men, in the depths of our souls, that we were infinitely happy in those days, now already infinitely distant - and irretrievable. For everything has its time, the fairy tale has passed. The end has come, the limit of God's forgiveness.

It was a long time ago, in that life that "will not return forever." The narrator was walking along the high road, and in front, in a small birch grove, the peasants were mowing the grass and singing.

The narrator was surrounded by the fields of "middle, primordial Russia."

It seemed that there was no, and there never was, neither time, nor its division into centuries, into years in this forgotten - or blessed - by God country.

The mowers went from afar "through our Oryol places" to even more fertile steppes, helping to cope with the abundant haymaking along the way. They were friendly, carefree and eager to

To work". They differed from the local mowers in their dialect, customs and clothing.

A week ago they were mowing in the woods near the narrator's estate. Passing by, he saw how the mowers "came to work" - they drank spring water, stood in a row and let the scythes in a wide semicircle. When the narrator returned, the mowers were having dinner. He noticed that they were eating "fly agaric mushrooms, terrible for their dope", boiled in a pot. The narrator was horrified, and the mowers, laughing, said: “Nothing, they are sweet, pure chicken!”

Now they sang, and the narrator listened and could not understand "what is the marvelous charm of their song." charm

She was in a blood relationship, which the narrator felt between himself and these simple mowers, one with the nature around them.

And there was also ... the charm that this homeland, this common home of ours was Russia, and that only her soul could sing like the mowers sang in this birch forest that responded to their every breath.

The singing was like a single breath of a strong young chest. So directly and easily sung only in Russia. The mowers walked, without the slightest effort, "revealing the glades in front of them" and exhaled a song in which they "parted with their dear little side", yearned and said goodbye before death, but still did not believe "in this hopelessness." They knew that there would be no real separation as long as there was “native sky” above them, and boundless Russia around them, spacious, free and full of fabulous riches.

A good fellow cried in a song, and his native land stood up for him, animals and birds rescued him, he received flying carpets and invisibility hats, milk rivers flowed for him and self-collected tablecloths unfolded. He flew out of the dungeon like a clear falcon, and the dense jungle hid him from his enemies.

And there was something else in this song that both the narrator and the mowers felt: endless happiness. These distant days have passed, for nothing lasts forever, "Ancient intercessors abandoned their children ... prayers and spells were desecrated, Mother-Cheese-Earth dried up." The end has come, "the limit of God's forgiveness."

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At the edge of a young birch forest, the author and a fellow traveler find mowers at work. They attract the attention of the writer with their good-looking appearance, their neatness and diligence. These people were carefree and friendly, which showed their rapture from their occupation.

Toward evening, the author seems to be looking for a new meeting with the mowers - and finds them at dinner. They cheerfully eat dope mushrooms, assuring that they are sweet, like chicken. Then the rested workers began to sing, filling the fragrant forest air with sonorous voices.

Their song was sad, but the peasants sang it with a certain daring. And the author, together with them, felt that there is no hopelessness in this life. Russia is great and will help everyone, will help everyone out. Until night, the writer listened to the song of the mowers and enjoyed the fresh breath of honey grasses in the forest, marveling at the harmony of man and nature.

The author ends the story with a sad recollection of the mowers and their song. The joy that this song gave people testified that "we were infinitely happy in those days." Bunin regrets that these fabulous days - alas! - are irreversible.

The great master of creating small prose works was Ivan Alekseevich Bunin. Readers are impressed by the main motives of his stories, their rare artistic subtlety, and original techniques. One of the remarkable masterpieces is Bunin's story "Mowers". The analysis of the work given in this material demonstrates the talent of the main writer of the Russian diaspora. After all, Ivan Alekseevich had to live far from his homeland.

While in exile, the writer dedicated his books to Russia, the Russian people. This also applies to Bunin's story "Mowers". We suggest that you familiarize yourself with the summary of this small work in our article. After reading the story, you will understand why Ivan Alekseevich was awarded the Nobel Prize for recreating the Russian character in prose.

Ivan Alekseevich lived for a long time before emigration in the Oryol province and was a faithful son of Russia. When he was awarded the prize, he noted that the whole Russian people deserved it.

Bunin. "Kossy". Content in summary

So, let's try to briefly retell a small masterpiece of Ivan Alekseevich. Let's start the retelling of Bunin's "Mowers" with the fact that at the edge of the forest, where young birch trees grow, the author and his companion see working mowers. The writer notices their noble appearance, neatness and diligence. They enjoy their work. This friendly company seems completely carefree.

Evening approached, and the author again wants to meet the mowers. He sees them at a meal. They enjoy a fly agaric dish, which they find sweet and reminiscent of chicken. The workers rested and decided to sing. It seemed that their ringing voices filled the forest air with a special charm, wondrous charm.

The song seemed sad, but they performed it with special prowess. At that moment, the author realized that there is no hopelessness in life. Huge Russia can help anyone and help anyone out. Until the very night, the mowers delighted with their songs. The writer enjoyed this moment and inhaled the fresh aromas of honey forest herbs, marveled at the harmonious interweaving of man and nature.

The end of the story is a little sad, the author nostalgically recalls the mowers and their singing. He felt happy next to these workers, and their songs gave him true joy. Bunin is sincerely sorry not to return more of those fabulous moments.

Plot Features

Ivan Alekseevich himself claimed that he wrote about beauty in all its forms, he conveyed part of his soul in the description of Russian nature in the work of I. Bunin "Mowers". The analysis of the story must begin with the features of the plot. Like many other short works of the writer, the story "Mowers" does not have specific storylines. This is a kind of recollection of how he met the Ryazan mowers in the field, who sang incredibly beautifully.

The story deeply and soulfully conveys the feelings that overcame the writer during their singing. Even then, the narrator understood that he would never forget that afternoon. The author is surprised how deep the Russian soul is, that even he does not understand all the subtleties of the song of rural workers.

Compositional and genre originality

There is no clearly expressed composition in the story "Mowers". It is worth noting that individual characters here also do not stand out. There is only a separate image of the mowers. The author's feelings and thoughts come to the fore in the work.

In his reflections, the writer compares these workers with something bewitching, merged into a single artel, sees that their singing is very harmoniously woven into the life of nature, but they do not even think about it. While singing, the author feels like a part of this people. Their song, the surrounding nature are inseparable from their homeland, Russia.

What genre does this work belong to? Perhaps this is a kind of poem in prose, where the writer reflects on the Russian people. After all, Bunin so needed spiritual unity with Russia abroad. And it can also be called a poetic sketch, a lyrical essay. The story is full of epithets, metaphors, comparisons.

Nature in Bunin's story "Mowers"

By describing Russian nature in the work, Ivan Alekseevich showed how subtly he felt it. His birch forest, as it were, responds to the song of the mowers. The author describes the old road, which is overgrown with curly ant, argues that his grandfathers and great-grandfathers walked this road so many times. During the day, beautiful light clouds floated across the sky, and in the evening the sky began to turn golden.

Workers feel great in the bosom of this nature. The reader wants to share the delight and joy conveyed by the author in describing the area and the process of haymaking. Immediately before my eyes, the paintings of A. A. Plastov "Haymaking" and G. G. Myasoedov "The Passionate Time. Mowers" pop up. They can even be called illustrations for Bunin's story.

The author depicts the relationship of strong workers with nature. These people are not burdened by such hard work. They sing a song that merges with the birch forest. Trees respond to marvelous singing. The color scheme in the work is also very rich: gray, golden, blue, red, pink, black, red. A feature of this and other stories is repetition, which is why it looks like a poem in prose. The word "charm" is repeated several times. It refers to nature and the song of the mowers.

Workers in the story

The mowers not only worked, but also sang. It seemed that they did not even make much effort in their work. The workers waved their scythes around them, and they exposed entire glades. The writer depicts not local, but Ryazan mowers, who came from another region of Russia, but are distinguished by solidarity. In their movements, a special desire for work was noticed.

And it was joyful for the author to observe their well-coordinated work. They let their braids go wide, as if playing. They walked exactly one after another, mowing stumps and bushes. Even in the sighs of these workers, the writer saw Russian beauty. In this prose poem, Bunin sings of the labor of the mowers.

Meaning of the folk song

In his work "Mowers" Ivan Bunin subtly describes the song of the field workers, glorifying their native side, happiness, hope. Some lines are dedicated to the beloved girl, unhappy love. The charm of the singing of the mowers is in the sonority responses. They are the children of their land, so such a spiritual impulse is peculiar only to them.

Bunin compares the singing of the mowers with the singing of the soul. He does not even find words to express the beauty of this song. It has a connection with the whole world around. These naive people, who did not know their strengths and talents, sang so much that even the forest responded to their sounds. They sounded joyful and hopeless at the same time. One of the mowers mourned himself: "Oh, yes, all the ways for me, well done, are ordered." How can those who have nowhere to go and roads closed everywhere can sing and mourn so sweetly? These people do not believe in hopelessness. The most important thing that was in that song - you can not return the past happy days.

The image of the Motherland in the work

Being in exile, Bunin turns to the past and shows it transformed. The writer is drawn to his compatriots, he loves Russia. Therefore, in Bunin's story "Mowers", the Motherland is shown as immeasurable and distant. The writer depicted the Ryazan peasants, their inspired work, a song that took the soul during haymaking on the Oryol land. Thus, the author recalls those times when he felt good and calm in his homeland.

It is on Russian material that the works of the emigrant period of Ivan Alekseevich are built. In a foreign land, the writer constantly recalled his native land, its fields, villages, peasants and nobles, and nature. Ivan Bunin was well acquainted with both the Russian peasant and the Russian nobleman. The West is alien to the writer, he could not write about it. Bunin's works were filled with the classical traditions of Russian literature. Also, the master of the word did not bypass love, life, the future of the whole world.

The writer calls the land of Oryol described in the story "his native side". And he calls Russia not just the Motherland, but a common home. In the words "boundless native Russia" he expresses his love for her. He is intimately connected with the unattractive Russian hinterland. The writer claims that wherever fate throws a person, before his eyes he will always have his native sky.

sad ending

At the end of the story, readers see a sad memory of the mowers and their song. Once upon a time he was happy in the Russian expanses. But those days are gone. This makes the author very sad. He would like to return the bygone times. But, unfortunately, he left his homeland because of his political views and fear of persecution.

Like other works of the writer, "Mowers" are filled with anxiety for the fate of Russia. Bunin proves that he is a real analyst of the life of the Russian people, their character, language, traditions. At the end of the story, the writer says that the fairy tale for the Russian people has already passed, God's mercy has passed.

Idea

The story "Mowers" is called a poetic sketch, which is accompanied by the author's reflection on the fate of Russia. Once, while traveling on a steamer, Bunin heard the song of the porters. This was the reason for writing this poem in prose. The writer talks about the Russian people, about the spiritual unity of people with their country. The main thing that Ivan Alekseevich wanted to show: listening to the song of the mowers, everyone feels like a single whole - Russia. Everyone should feel their land and be proud of it. After all, the mowers sang as easily and naturally as only a Russian person can.