Description of the painting "February Blue" by I. Grabar. February blue text Painting February blue description of the painting

The first composition for the painting by I.E. Grabar "February Blue" - 4th grade.

February days are famous for severe snowstorms and strong winds. But there are also wonderful sunny days. One of these days the artist Grabar captured in his painting "February Blue".

In the foreground is a slightly curved birch. It is covered with a thin layer of frost. Frost shimmers from the bright sun. It seems that pearl beads hang on the widely spread branches of the birch. A little behind there are many thin young birch trees, as if leading a round dance around the old birch. They are wearing the same luxurious clothes. All birch trees stand on a snow-white, sparkling from the sun, bedspread, slightly dropping bluish shadows on it. The old foliage on the tops of the birches seems to be fiery gold. The birch grove is shrouded in the warmth of sunlight, the approach of spring is felt.

From above, over a birch grove, a cloudless azure-blue sky stretched out. Closer to the horizon, it brightens.

On the horizon you can see a solid wall of dark forest. There, in the thicket of the forest, is still the realm of winter.

The picture is wonderful, made in bright colors, evokes joyful feelings. It is filled with the freshness of a sunny frosty day and the quick awakening of nature.

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The second composition for the painting by I.E. Grabar "February Blue" - 5th grade.

Azure- azure, azure, pale blue.
Pearl- mother-of-pearl.
Coral- bright red.
sapphire- blue-green.
Lilac- gentle, light purple.

Plan.

1. Introduction.
2. The main part.
a. sky
b. sun
in. snow
g. shadows
birch: trunk, branches
e. other birches
and. horizon
3. Conclusion. Impression.

The painting by I.E. Grabar “February Blue” depicts a frosty February morning. Everything around is filled with blue light. Sparkling snow shimmers under the sun. The birch trees are pierced by sunlight. This is a holiday of the azure sky and pearl birches, a holiday of nature itself.

A cloudless blue-azure sky, brightens towards the horizon and becomes sapphire. Despite the fact that it is still winter, the sun is already warming well. But there is a lot of snow. In the sun, pure snow casts a white-blue color. From the birch trees fall blue with a purple tint. In the foreground is a tall birch. The trunk is not straight, but as if curved in a magical dance. It's dark underneath. The higher the trunk, the whiter it is. The branches are snow-white, covered with hoarfrost, which shines in the sun. At the very top of the birch, last year's foliage has been preserved. Covered with hoarfrost, in the sun it burns with a coral color. The artist looks at the birch from the bottom up, so its top and side branches are not fully depicted. Behind the old birch stands many young birches. They kind of dance around her. The pearl branches of the birches intertwined and a fancy lace turned out against the background of the azure sky. A narrow strip of forest darkens in the distance. If not for her, heaven and earth merged into one inseparable space.

february blue

When I look at this picture, I immediately understand that it depicts beautiful Russian nature, because a birch grove is located against the backdrop of a snow-white carpet. Each branch of birch, which is located in the foreground, is shrouded in hoarfrost, like lace. How it sparkles and shimmers on this clear, sunny day! The whole edge is flooded with light.

The snow glitters and sparkles merrily in the rays of the last winter sun, and the woven birch branches cast shadows in the form of a fancy pattern on the snow cover. Over the boundless birch grove stretched an immense azure sky. February is the most amazing month of the year. It smells so cool from it, but you can already feel the fresh, warm aroma of spring, which means that soon the grove will blossom in spring and put on a green outfit.

The main character of this amazing picture is a white-trunked birch. Its trunk is elegantly and gracefully curved, which conveys not only the magnificence of the tree, but also the strength. It seems that she is alive and, tired of the cold, exposes her sides to the gentle sun to warm herself. In the distance, her cheerful girlfriends are visible, who are no less beautiful and elegant. How realistic they look! It seems that you will reach out your hand, and you are about to touch the trunk.

Painting by I.E. Grabar "February Blue" fascinates. Separately, I want to note the skill of the creator. The artist used mostly cold colors when creating the picture. But the foliage that remains from last year and the trunks of birch trees, immersed in the rays of the sun, amiably shine with gold. How contrasting it looks against the background of cold white snow and a clear blue sky, from which it breathes freshness. It is this warm radiation that helps the viewer to understand that it is the last month of winter before him.

The peace and quiet of this picture beckons to be in the middle of a beautiful birch grove depicted on canvas, which leaves wonderful, joyful impressions and evokes the brightest memories. It is impossible not to note the subtle sense of beauty and love for nature of the creator who had a hand in writing this picture.

Description 2

Before us is the painting "February Blue". On it, the famous Russian artist I.E. Grabar depicted a frosty February morning. The picture seems to be overflowing with blue radiance. The snow sparkles and shimmers under the sun's rays. The birch is pierced by sunlight.

The azure sky is cloudless, towards the horizon the color becomes lighter and turns to sapphire. It is still quite cold in February, but the sun is already warming the air well.

We see that there is still a lot of snow around. In the sun, pure snow pierces the eyes with a light blue glow. Shadows fall from the birches, turning dark blue and purple in the snow.

The birch trunk is slightly curved, like the waist of a young dancing girl. Towards the bottom, it acquires a dark color, and at a height it becomes snow-white. Thin snow-white branches are covered with hoarfrost, shining in the sun, as if adorned with diamond chips. At the very top of the tree, the withered foliage of last year is still visible.

The artist chose such an angle from which the tree appears before the viewer from the bottom up. Like a sculpture that captures the beauty of nature.

Behind the main Russian beauty, there are young birch trees that have not yet fully grown strong. They resemble a round dance of dancing girls. The artist managed to convey the dance of nature, its jubilation in connection with the approaching spring.

Birch branches intertwined like fine silk lace. A dense forest is seen in the distance, which separates the sky and the earth with a dark stripe. If not for him, they would have merged into one. There, in the dark and cold forest, winter still reigns. And here in the meadow, spring is already beginning to awaken.

Igor Grabar is rightfully considered the poet of the Russian winter. His picture is so realistic that you just want to come up and hug this thin-barreled birch, which with its branches is ready to hug you in return. Breathe in the fresh frosty air of a sunny February day. Hear the creak and crunch of fresh snow falling under your feet. And most importantly, enjoy the silence of nature.

The artist shared with the world a piece of that indescribable beauty that is found in Russia. The picture is filled with an abundance of bright colors and eye-catching streams of sunlight. Frosty freshness and purity of virgin nature emanates from the canvas.

Composition description of the painting February blue Grabar

I. Grabar, a talented Russian landscape painter, depicted on his canvas a winter landscape that boggles the imagination.

The winter February day plays with the bright color of snow-white colors, diluted with azure sky, so deep and bright. Many shades of blue convey the entire depth of the canvas, echoing and merging together, they create a colorful magical mosaic.

In the still frosty air, a slight breeze is felt, foreshadowing the change of season and the coming heat. Sunlight illuminates the forest edge. Usually February, harsh, full of blizzards and snowstorms, today is meek and quiet, bad weather has receded, clear days have come, foreshadowing the birth of a new life, warmth, and at the same time, hope.

In the foreground, proudly straightening up and spreading still bare sprawling branches, stands a young birch. The camp of the snow-white Russian beauty delights and attracts the eye with its almost unearthly beauty. So tall, reaching for the sky, she seems to be spinning in a dance.

Her birch friends, standing behind in an even formation, flicker with their white trunks with black stripes. It seems that they are about to spin in a round dance along the snowy creaking crust.

Through the branches of trees, the sky turns into a colorful kaleidoscope, there are many colors and shades - lilac, blue, blue, purple, ultramarine. Delicate pastel colors are pleasing to the eye and make you look at the details of the picture again and again. In the background, the line of the forest is visible, the trees, densely lined up next to each other, form a dense wall, depicted as a blurry dark almost merging strip.
The space is full of light and air, giving the impression of an open space. The contrast of turquoise skies and white snow-covered land create an unforgettable landscape incomparable in charm. How many joyful emotions are captured in this gentle winter landscape!

This picture can be safely called an ode to spring, the trees are ready to meet the heat, and the birds that fly in from distant warm countries are already throwing off their silvery snow caps in anticipation, but, despite the fact that it is February, everything breathes in spring, the last winter days are about to sink into oblivion and the long-awaited warmth will come.

The painter uncommonly brightly and colorfully revealed an ordinary spring plot, having beaten it in his own specific manner, he showed that grace, mystery and versatility are hidden in simple things.

Option 4

When you see winter, you see different shades of blue. Azure is an even better word to describe. This color by name hints at the mineral lapis lazuli, but by associations it is associated with some kind of space and something immense.

In fact, such an idea can be traced in this picture, here the artist acts only as a conductor of beauty created by nature. He simply tells the viewer, but does not invent anything from himself, on the contrary, Grabar tries to most purely, but at the same time quite vividly convey the improbability of this whole phenomenon. When you look at the February azure, you are immersed in the picture, you begin to strive to cover all these vast expanses with your eyes.

Although the perspective of the picture is closed by the forest and, as such, the space is not visible here, in fact, the feeling of it arises, because even the very name Grabar hints at this inclusiveness. When we look at the picture, we know how the azure sky stretches over all Russian forests, how it is reflected in the snowy fields, how cold the air is permeated, how the snowflakes sparkle, how colorful the trees are, how beautiful this expanse is. Beauty is the dominant factor here.

In fact, Grabar, describing a specific phenomenon, writes the beauty of nature. This is the task of the artist - to spread and establish beauty in the world. In this picture, Grabar coped with his task.

This essay is usually written in 4th grade and 5th grade. exercise 358

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They say that a landscape is a portrait of nature. And in a good artist, he is full of dynamism, a kind of mystery that is revealed to the viewer only on an intuitive-sensory level. He observes an ordinary, even unremarkable sketch of nature - a lonely standing tree, a restless sea or a mountainous area - and yet he never ceases to admire the unusual angle of the depicted, the photographically accurately noticed mood, the impressionistic play with colors. All these features can also characterize the canvases of Igor Grabar. Let's try to give a description of the painting "February Blue".

History of creation

As a rule, evidence of the history of the creation of a particular work of art is extremely short-lived. Some time passes - and the artist himself does not remember exactly when he had the idea to capture something on paper. Fortunately, the story of the painting "February Blue" has not sunk into oblivion. It is known that the canvas was created when Grabar was visiting Dugino with the hospitable philanthropist Nikolai Meshcherin. The Dugin period is considered perhaps the most fruitful in the artist's work, the paintings painted over 13 years were gladly accepted by museums and exhibitions.

One serene February morning, the artist simply decided to take a walk - without paints and an easel. One of the birches seemed to Grabar especially beautiful, he stared at it and ... dropped his stick. And picking it up, he looked at the tree from the bottom up. The effect was simply extraordinary! The artist rushed for supplies and sketched what he saw in order to start creating a full-fledged picture in a few days. To do this, Grabar dug a trench in the snow, covered the canvas with an umbrella, which enhanced the effect of the presence of blue, and began to create. He worked for about two weeks, and all this time nature spoiled the artist with beautiful weather.

Image Subject

Description of the painting "February Blue" let's start with the main thing - birches in the foreground. The tree is wrapped in the finest winter lace that can sparkle cheerfully even on a cloudy day. A little further you can see the smaller girlfriends of the white-barreled queen, small birch trees. So the comparison with the girls who are spinning in a round dance, calling spring and seeing off February comes to mind. It seems that if you stay a little longer next to the canvas, you will hear a song about the symbol of our country, the birch.

The tree is depicted against the background of a snow-white blanket and a piercing blue sky. That is why its branches, which give the birch an interesting, even somewhat strange shape, look mysterious, fabulous, bewitched. As if the white-trunked beauty has just woken up and reaches for the sky to welcome spring, which makes it seem that the birch is akimbo.

Color solution

We continue the composition "Description of the painting "February Blue"". It would seem that the image of the winter month requires the use of white paint with might and main. However, Grabar acted differently. On the canvas, the viewer can clearly see that the snow is no longer very clean, in some places thawed patches are visible, which means that spring is approaching. At the same time, the artist generously uses pastel and bright colors. It is believed that in the canvas he reached the limit of color saturation, painting, in fact, with pure light. We will see many shades of blue, ultramarine. All of them merge into the unique music of painting, the main goal of which is to convey one more moment from the life of nature, sometimes invisible to the common man. With a similar installation, the canvas created by Grabar - "February Blue" - approaches the masterpieces of French impressionists, such as "Poppies" by Claude Monet.

dominant mood

The main ideological message of the canvas can be described as expectation. The winter cold will surely give way to warm weather, the depicted birch will dress in a beautiful outfit of green leaves, and nature will begin a new round of its development. This explains the extraordinary, optimistic emotional background of the canvas. This description of the painting "February Blue" should be taken into account.

Other facts

Grabar gained fame as a depicter of the winter season. There is even an interesting parallel of the mentioned Dugin period with Pushkin's Boldin autumn as one of the most fruitful periods of the poet's activity. However, Grabar - "February Blue" and other "winter" canvases do not count! - He also captured other seasons, as well as people's faces. The artist has worked very fruitfully throughout his life: not every painter can create almost non-stop for about 60 years!

Initially, the artist called the canvas of interest to us "Blue Winter" - an analogy with other paintings by Grabar - but when he gave his brainchild to the Tretyakov Gallery, he renamed it. The masterpiece is still there today. Visitors look at the canvas and are surprised to find something that even the most skillful reproductions are unable to convey: strokes, individual dots that make up the canvas. This is also a trace of one of the currents of art - divisionism.

On this, the description of the painting "February Blue" can be considered complete.

The ability of the brilliant Russian painter Igor Grabar to convey the moment when winter is about to give way to spring has never been disputed by either critics or ordinary viewers. So the picture "February Blue" miraculously moves us into the winter forest, which is already preparing to throw off the shackles of winter. She is saturated with the mood of this coming change to the last stroke.

“I was standing near a marvelous specimen of a birch, rare in the rhythmic structure of the branches. Glancing at her, I dropped my stick and bent down to pick it up. When I looked at the top of the birch from below, from the surface of the snow, I was stunned by the spectacle of fantastic beauty that opened before me: some kind of chimes and echoes of all the colors of the rainbow, united by the blue enamel of the sky. It should be noted that Grabar possessed the most important quality of a true painter - he was able to truly see, that is, to perceive in the world around him much more than what is revealed to the ordinary eye.

The work on this painting, which he later considered the most important in his work, proceeded in a very peculiar way: the sketch was painted from a trench that Grabar had dug in deep snow. In this trench, the artist placed himself with an easel and a large canvas in search of a stronger impression of a low horizon and a high sky (subsequently, such a “trench” method was used by him in other natural landscapes).
works). From this point, the artist was able to reveal the whole variety of blue tones in gradation from light green to ultramarine - what Ilya Ostroukhov would later call "Indian sky". The vertical format of the picture, as in the White Winter, accentuates the plasticity of the birch, spreading its fan branches like wings, and emphasizes the infinity of the azure space.

The angle chosen by the artist is interesting: the viewer looks at the image from below, this expands the space of the picture. A lot of light colors were used in the work - white birches, snow, sky. But, despite this, the bright light color of the work does not interfere with its comfortable perception. In addition to a large number of whitish shades, the artist also uses the colors traditionally associated with the arrival of spring: blue and ultramarine. The combination of colors helps the viewer to understand that the days of winter are numbered and very soon spring will come into its own.

The main character of Grabar's painting "February Blue" is, of course, a birch in the foreground. Its branches stand out clearly against the spring blue sky. Frost sparkles on them, framing the Russian beauty with a beautiful necklace. Behind her, the artist depicted several more birch trees, the beauty and grace of which echo the main character.

The mood of the picture is joyful, spring, despite the fact that winter has bound nature with its cold. It is clear that spring with its cheerful streams and the singing of birds is just around the corner, the cold will end soon and the birches will be covered with catkins and young fresh leaves.

Year of painting: 1904.

Painting dimensions: 141 x 83 cm.

Material: canvas.

Painting technique: oil.

Genre: landscape.

Style: impressionism.

Gallery: State Tretyakov Gallery, Moscow, Russia.

Painting title: february blue

Exhibit place: permanent exhibition of the Tretyakov Gallery in Lavrushinsky lane, 10, room 38

The artist created a picture under the direct impression of nature. Igor Grabar wrote his “February Blue” in the winter-spring of 1904, when he was visiting friends in the Moscow region. During one of his usual morning walks, he was struck by the holiday of awakening spring, and later, being already a venerable artist, he very vividly told the story of the creation of this canvas.

“I stood near a marvelous specimen of a birch, rare in the rhythmic structure of its branches. Glancing at her, I dropped my stick and bent down to pick it up. When I looked at the top of the birch from below, from the surface of the snow, I was stunned by the spectacle of fantastic beauty that opened before me: some kind of chimes and echoes of all the colors of the rainbow, united by the blue enamel of the sky. Nature seemed to be celebrating some unprecedented holiday of the azure sky, pearl birches, coral branches and sapphire shadows on lilac snow.“. It is not surprising that the artist passionately wanted to convey “ even a tenth of this beauty“.

I. Grabar admitted more than once that of all the trees in central Russia, he loves birch most of all, and among birches - its “weeping” variety. This time the artist quickly returned home for a canvas, and then in one session from nature sketched a sketch of the future painting. The next day, taking another canvas, he began to paint from the same place an etude, which was everyone's favorite "February Blue". Further on this picture I. Grabar he worked outdoors, in a deep trench, which he specially dug in the snow.

In the “February Blue” I. Grabar reached the limit of color saturation, he painted this landscape in pure color, applying strokes in a dense layer. It was precisely such tiny strokes that revealed the volumes of tree trunks, and patterns of branches, and snow bumps. The low point of view opened up the opportunity for the artist to convey all the gradations of blue - from light green at the bottom to ultramarine at the top.

Igor Grabar, having mastered the best achievements of impressionism, found his artistic style in art - unique and original. The nature of Russia acquired a completely new look in his landscapes, sparkled with iridescent colors, filled with a sense of spaciousness and light. In this regard, Grabar continued and developed the beginnings that appeared in the work of I. Levitan, V. Serov, K. Korovin and other outstanding Russian landscape painters.

Biography of Igor Grabar

Igor Emmanuilovich Grabar was born on March 13, 1871 in Budapest, in the family of a Russian public figure E. I. Grabar. In 1876, his parents, who were among the supporters of the Slavic liberation movement, moved to Russia.

Igor's childhood was not easy. The boy was often separated from his parents, remaining in the care of strangers. From childhood, he dreamed of painting, tried to be closer to artistic circles, visited all exhibitions, studied the collection of the Tretyakov Gallery.

From 1882 to 1989, Grabar studied at the Moscow Lyceum, and from 1889 to 1895 at St. Petersburg University at once at two faculties - legal and historical-philological. After graduating from university, he entered the St. Petersburg Academy of Arts.

In 1895, he studied at the workshop of Ilya Repin, where Malyavin, Bilibin and Somov studied at the same time.

Summer 1895 during the holidays, Grabar travels around Europe, visits Berlin, Paris, Venice, Florence, Rome, Naples.

Returning to Russia in 1901, the artist was again shocked by the beauty of Russian nature. He is fascinated by the beauty of the Russian winter, admired by the "grace" and "magnetism" of the magical birch tree. His admiration for Russia after a long separation was expressed in the paintings: "White Winter", "February Blue", "March Snow" and many others.

In 1910-1923, he moved away from painting and became interested in architecture, art history, museum activities, and the protection of monuments.

He conceives and implements the publication of the first "History of Russian Art" in six volumes, writes the most important sections for it, publishes monographs about Isaac Levitan and Valentin Serov. Igor Grabar also published other art publications.

In the period from 1913 to 1925, the artist headed the Tretyakov Gallery. Here Grabar made a re-exposition, placing and systematizing all works of art in historical sequence. In 1917 he published a catalog of the gallery, which is of considerable scholarly value.

Igor Emmanuilovich is one of the founders of museology, restoration and protection of art and antiquity monuments. In 1918 the artist created the Central Restoration Workshop. He helped to save many works of ancient Russian art and the result of the work carried out by the workshops was the discovery of numerous outstanding monuments of ancient Russian art - icons and frescoes in Novgorod, Pskov, Vladimir and other cities.

From 1924 until the end of the 1940s, Grabar returned to painting again, paying special attention to the portrait, depicting his relatives, scientists and musicians. Among his famous portraits are "Portrait of a Mother", "Svetlana", "Portrait of a Daughter in a Winter Landscape", "Portrait of a Son", "Portrait of Academician S. A. Chaplygin". Two self-portraits of the artist "Self-portrait with a palette", "Self-portrait in a fur coat" are also widely known.

In Soviet times, Grabar became interested in the work of Andrei Rublev and I. E. Repin. In 1937 he created a two-volume monograph "Repin". This work brought Grabar the Stalin Prize. Since 1944, Grabar was the director of the Institute of Art History of the USSR Academy of Sciences.