Description of the painting by N. Krymov "Winter evening" outline of a lesson in the Russian language on the topic. Composition based on the painting by N.P. Krymov "Winter evening Who painted a picture of a winter evening

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Topic description: it is winter and rather cold time outside, when there is a bitter frost outside, and the windows of houses let in a cozy warm light. Artistic description of Krymov's painting "Winter Evening".

Simple composition

Before me is N. Krymov's painting "Winter Evening". I look at it, and everything depicted on it seems familiar to me.

In most of the picture, the artist depicted snow. Fluffy, thick, snow lies everywhere: on the ground, on the roofs of houses, it almost hides under it small bushes and weeds in the foreground. It seems to me that it was important for N.P. Krymov to emphasize the abundance of snow, because it is snow that is the main sign of the Russian winter.

The artist depicted a winter evening in his painting. At sunset, the snowy space no longer shines, the colors are muted. The sun is hiding behind the horizon, its last rays change the color of the snow. In the shade, it is bluish, and you can clearly see how deep and lush it is. Where the sun's rays still reach, the snow looks pinkish. The paths trodden in the snow are visible from afar. Their depth shows us that winter has already come into its own, the snow had been going on for quite a long time before.

In the central part of the canvas, we see a picture familiar to village life: people return home, trying to have time to enter their homes before dark. Along a narrow path, two adults walk with a child to the village, a little behind in the same direction, another person is moving. On the way to the village, two horse-drawn sleighs are riding, loaded with large heaps of hay, the horses are driven by a carter. The figures of people are not clearly drawn, they are small and almost shapeless, because people are dressed like winter and are not located in the foreground.

Black birds are sitting on the border of evening light and shadow. They probably don't fly in such cold weather, they save their strength. I can well imagine their rare cries, in the winter silence they can be heard far away.

Composition on the painting of Krymov winter evening grade 6

Before me is a picture of the famous Russian landscape painter NP Krymov "Winter Evening". This canvas depicts a small village in winter. Looking at the picture, the viewer has a feeling of peace, tranquility and warmth, despite the fact that the author has depicted winter.

In the foreground of the landscape, the artist depicted a frozen river. It is clean and transparent, the ice on it is smooth, snowless. Near the shore of the reservoir, shallow water islands peep out from under the ice, and a bush grows on the very shore. Several little birds sat at the edge of the ice and on the bush. We can assume that the painting was drawn by an artist from the opposite bank. At that moment, Krymov was on a hill.

In the background of the canvas, the painter depicted a winter village. Behind it is a forest of oaks or poplars. It stands out in a dark mass against the background of a light, greenish-yellow sky. It's low, clean. Its color suggests that the sunset will be pink. There is a huge snowy space in front of the houses. The artist skillfully uses a color palette to convey different shades of snow, from dark blue diagonal shadows to the purest white snow on rooftops. But in general, the entire snow mass seems pale bluish. The village is one of the main objects of the canvas. This is a small group of buildings drowned in dense snowdrifts. Reflections of the sun are visible in the windows of one of the houses. On the left, a little further from residential buildings, the bell tower's dome is seen. A barn adjoins one of the houses. Two carts of hay are heading towards him. In front of the buildings, local residents walk along a narrow path.

The author uses in his work various shades of white to depict snow. The ice on the river is colored turquoise. The artist conveys the color of the evening sky using light greenish and yellow tones.

I think the main feeling that the painter wanted to evoke in the viewer is a sense of peace and tranquility. "Amazing nearby!" - such an epigraph I could pick up for a painting by N.P. Krymov. The artist admires the evening twilight. He wants to show how beautiful our Russian nature is! I really like his canvas, it evokes the warmest feelings.

Description essay

Nikolai Petrovich Krymov is a Russian landscape painter. He was fascinated by the discreet beauty of his native Russian nature. He especially loved snow, frost, calm majesty of winter. Although the picture is called "Winter Evening", but it is very bright, apparently, the evening is just beginning. This is probably why the sky, which takes up most of the picture, is bright green. Agree, you rarely see a green sunset. And most of all in the picture of snow. It looks like the winter is very snowy and the snowdrifts are high. It's amazing what colors the artist uses to depict white snow. It is gray, and blue, and blue, and pure white on the rooftops. These different colors convey the feeling of frost, coldness and the clarity of the snow that covers the entire earth.

Krymov's painting "Winter Evening" is a landscape, but it does not just depict nature and a beautiful view. This is a landscape with the presence of people, their homes, and therefore emanates from it with a special warmth. In the middle ground, we see a thin path trodden in snowdrifts, along which a line of people is walking. These are peasants who live in wooden huts nearby. Among the wrapped figures, one can also discern children who will surely enjoy such a winter. In the foreground there are several dark dots, in which the village children are also guessed - the children are sledding downhill. It will be dark soon and the mothers will call them home.

On the left side of the picture, a country road crosses diagonally, two horse teams with haystacks are moving along it. The day is drawing to evening and people need to finish their work before dark. Trees and houses look dark, almost black, but it is still not black, but a dark brown warm color. These houses are probably warm and cozy. On the slope you can see the dome of the church, it is a symbol of light, goodness, hope. It can be seen that the artist painted the picture with great love.

For grade 6

These poor villages
This meager nature -
The land of native longsuffering, the Land of you of the Russian people!

F. I. Tyutchev

From the very first glance at the painting "Winter Evening" by NP Krymov, we understand that its author is a master of a harmonious landscape. His landscape of central Russia is notable for its realism and subtle ability to display the natural colors of nature. The artist accurately recreated both nature and the very life of the peasantry. "Winter Evening" is not only a picture of nature, but also a "portrait" of Russia, which the painter saw in a modest, ordinary landscape.

Winter nature in Krymov's painting is quiet, as if asleep. It seems that everything around is asleep until spring. The impression of complete peace is disturbed only by moving female figures and a couple of horses harnessed to a sleigh carrying hay. Pushkin's lines are involuntarily recalled:

Winter! .. The peasant, triumphant,
On the logs it updates the path;
His horse, smelling the snow,
Weaving at a trot somehow ...

The everyday picture of the life of a peasant village looks peaceful, and the life of people under the author's brush seems unhurried and measured. We see people doing their own thing.

In the foreground of the painting is an ice-bound river. We see bushes along the river and a flock of ducks that have come in search of a hole.

Women are walking along the frozen river along a well-trodden path towards the village. And on the left side, along the road to the huts, a pair of sledges is moving, accompanied by a man. Long shadows from human figures indicate that it will soon get dark, as it happens in winter.

In the center of the picture are peasant huts with yards, sheds and other buildings. All buildings are wooden. Snow drifts lie on their roofs. In general, deep snow lies everywhere. In the background of the picture there are huge trees, and on the left side of the canvas, between the trees, you can see the church.

It can be assumed that the artist depicted January - the snow is white and deep, the ice on the river is blue, and the sky is greenish. We usually see such a landscape in January. The paints of the picture are cold - the artist thus conveys the January cold.

Short essay

Krymov's painting "Winter Evening" depicts people walking slowly along a thin path home. They make their way through the snowdrifts, and they still have a long way to go to the house. A little further away we see houses that are at a decent distance from each other. Warmth and coziness emanate from them, but this coziness still needs to be reached. And in the distance you can see two carts carrying hay. Overall, the picture is kind and a bit idealistic. It's just that everyone knows that winter is diverse. She can pat a traveler in a terrible blizzard, and then reassure him with the cool rays of the winter sun.

The artist has chosen a good color combination that shows that a winter evening can be wonderful. Crystal clear, white snow sparkles in the rays of the setting sun. And all this beauty is watched by an ideal, fantastic sky, which is so only on special days. True, there are several dark spots in the picture - these are trees. They are clearly drawn in dark colors, as they have not yet received new outfits.

Krymov's painting "Winter Evening" caused me a slight feeling of sadness for the passing time, which cannot be stopped. Although the creator of this magical canvas succeeded in the impossible - he made time obey him.

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Nikolai Petrovich Krymov is an artist who worked in the last century. His favorite genre was landscapes. Fields, forests, rural houses immersed in snow or rays of light - Krymov painted his native nature and did not change his chosen path, despite the turbulent events that took place in the country. He survived three wars, knew poverty, but in his works he never touched on politics or topical issues, just as he never tried to please anyone with creativity.

Family is the beginning of everything

Artist N.P. Krymov was born on May 2 (April 20, old style) in 1884. He was not one of those creators whose parents were categorically against the child's following the path of art. Nikolai's father, Pyotr Alekseevich, was a portrait painter, worked in the style of the "Itinerants", taught drawing in Moscow gymnasiums. He and his wife Maria Yegorovna noticed the boy's talent early. The head of a large family (Nikolai had eleven brothers and sisters) from an early age instilled in children the ability to see the beauty of the world around them. He became the first teacher of Nikolai Krymov.

Teachers

In 1904, the boy entered the architectural department of the Moscow School of Painting, Sculpture and Architecture. In 1907 he transferred to the painting. Among his teachers were famous artists: V. Serov, who made a lot of transformations in the educational process, L.O. Pasternak, father of Boris Pasternak, illustrator of Leo Tolstoy's works, itinerant artist of the younger generation. However, as Krymov himself writes, the artist who became his main teacher died even before Nikolai became a student. It was Isaac Levitan. His work had a noticeable impact on the work of Krymov.

First success

Nikolai Krymov is an artist of a happy destiny. His talent was appreciated already during his stay at the school. Sketch "Roofs with Snow", written in 1906, impressed the teacher A. Vasnetsov, the brother of the famous artist. He bought the painting from a young master, and two years later it was bought by the Tretyakov Gallery. Krymov was then only twenty-four years old.

Blue Rose

Undoubtedly, Krymov is a landscape painter: he determined his favorite genre only when he started his creative career, but his style of painting underwent changes throughout his life. In 1907 Nikolai Petrovich became one of the youngest participants in the Blue Rose exhibition. The masters who participated in the exhibition were distinguished by their special manner of depiction. They knew how to notice the secret in everyday beauty, to convey the poetry of the familiar. At the exhibition, Krymov posted three works: "Towards Spring" and two versions of "Sandy Slopes".

The artists who participated in the exhibition began to be called "Goluborozovtsy". Their works were full of inner harmony and special silence. Representatives of the trend, including Krymov, tried their hand at impressionism. This genre was close in spirit to the “Blue Rozovites”. The Impressionists strove to convey in their works fleeting impressions, the beauty of the moment in its movement. However, as Krymov and his comrades-in-arms, who had tried themselves in a young direction that originated in France, began to move away from him, in the process of formation, Krymov and his comrades-in-arms began to move away from him, translating new ideas, sometimes opposite to impressionism, in canvases.

Further creative search

The artist N. Krymov fully sated the craving for symbolism inherent in the "Blue Rozovites" while working on the design of the "Golden Fleece" magazine. The paintings of that period (1906-1909, "Under the Sun", "Bullfinches" and others), with a certain blurring of colors and a resemblance to the midday haze, resembled tapestries.

At the same time, Krymov's writing began to change. Symbolism and understatement began to give way to irony, joke and grotesque. Pictures "Windy day", "Moscow landscape. Rainbow "," After a Spring Rain "," New Tavern "tend to primitivism and convey new impressions accumulated over many years of life in Moscow with its fairs and holidays. Krymov's new landscapes are filled with children's perception. Light paintings literally breathe fun and mischief, joy because of simple and familiar events: the appearance of a rainbow, sunlight or new tall houses on the street. And the artist conveys this with the help of bright colors and geometrization of form, which have replaced the careful study of color combinations. However, this manner of writing was only an intermediate stage in the creative development of Krymov.

Unattainable harmony

Since the 1910s, classical motifs characteristic of French landscape painters of the 17th century began to clearly emerge in Krymov's work. and Nicolas Poussin developed a composition with three plans, each of which was dominated by a certain color: brown, green and blue in the third plane. Paintings painted in this manner combined reality and fantasy at the same time. They conveyed completely earthly landscapes, but the harmony that reigned on the canvas was unattainably perfect.

Nikolai Krymov is an artist who has never blindly followed teachers or recognized geniuses of the past. He combined the classical style of Poussin and Lorrain in his works with primitivism, as in the painting "Dawn", and later with his own theory of tone. Over time, he moved away from painting landscapes only from nature. Nikolai Petrovich began to supplement what he saw in reality with fantasy, reproducing the plots from memory and creating the very harmony that most masters of the beginning of the last century pursued the dream of.

Winter and summer

From nature, Krymov painted only in the summer, when he and his wife were leaving the city or visiting friends. The artist has always looked for housing with a balcony in order to be able to work outdoors and depict picturesque landscapes.

In winter, the master created from memory, supplementing real paintings with new elements. These works, like those painted from nature, conveyed the beauty and harmony of nature, its secret and explicit life. One of the canvases that the artist Krymov created in this way is Winter Evening (1919). Even if you do not know the name of the picture, the time of day on it is beyond doubt: the shadow gradually covers the snow, pinkish clouds are visible in the sky. Due to the play of color and light, the artist was able to convey the weight of the snowdrifts, under which the earth sleeps, the play of the rays of the setting sun, which is not visible on the canvas, and even the feeling of frost, urging travelers home to the warmth of the hearth.

Tone system

In the memoirs of his contemporaries, the artist Krymov, whose paintings are now kept in museums and private collections, appears as a principled and consistent person, having his own point of view on everything. Among his views, the theory of "general tone", developed and repeatedly tested by him, stands out. Its essence is that the main thing in painting is not color, but tone, that is, the power of light in color. Krymov taught students to see that evening colors are always darker than daytime ones. Outlining the theory, he proposed comparing the white color of the sheet and Nikolai Petrovich substantiated it in his articles, and then showed in his works that it is precisely the right tone that gives the landscape a naturalness, and the choice of color becomes a secondary task.

Through all the vicissitudes of the era

Unearthly harmony, the play of light and shadow, peace and the captured moment - all this is the artist Krymov. The painting "Winter Evening", as well as the canvases "Gray Day", "Evening in Zvenigorod", "House in Tarusa" and others, convey the beauty of the world in general and nature in particular. Nikolai Petrovich did not depart from this theme in his work, despite all the turbulent events that were happening then in the country. The political slogans and instructions of the party did not penetrate his canvases. He developed and passed on his "tone system" to his students. Nikolai Krymov died on May 6, 1958, having managed to transfer the science of painting to many young artists who later became famous artists.

Nikolai Krymov's contribution to the theory of painting is invaluable. Today the master's works can be seen in the museums of the country. Many of Krymov's paintings are kept in private collections. The artist's canvases continue to evoke admiration, and his capacious and well-aimed statements among art workers have long become catchwords.

Class: 6

Goals.

Introduce students to the painting. The development of artistic imagination based on the description of the picture, ideas, the development of written and oral speech. Prepare students for an essay-description of the painting.

To help understand the content of the painting and the means of expressing the artist's intention.

Equipment: Reproduction of the painting "Winter Evening" for each student.

Vocabulary dictation.

Bluish, grayish, silvery, light blue, soft, loose, fresh, deep, like a snow-white blanket, like a fluffy blanket, lilac-blue shadows, the setting sun, a baggage train with hay, greenish-gray, pink-lilac

Introduction.

Today our lesson is devoted to working on an essay-description based on a painting by the artist N.P. Krymov. In the history of painting, N.P. Krymov is known as an excellent master of lyrical landscape, as a poet of modest Russian nature. Our task is to get acquainted with the painting of Krymov, and create our own work of art - an essay based on the picture. Quite recently, winter came to visit us, the new year began.

Blue dusk, light powder, an old Christmas tree, a fairy tale, the flickering and crackling of candles, and thorny frost, and a scattering of star rays.

This is how the master of landscape painting N.P. Krymov.

We met and talked about Krymov's paintings and landscapes. You should have prepared a report on the life of N.P. at home. Krymov.

The student reads the message about the artist.

The work of Nikolai Petrovich Krymov is inextricably linked with the development of Russian fine arts. His talent manifested itself most fully in landscape painting. Along with painting, he was engaged in graphics and theatrical decoration. Krymov was an artist with a happy creative destiny, who received recognition early. Perhaps, it is a rare case when a work written by a second-year student of the School of Painting, Sculpture and Architecture was acquired by the Tretyakov Gallery.

N.P. Krymov was born in Moscow on May 3 (April 20, old style), 1884, in the family of the artist Pyotr Alekseevich Krymov. The father of the future painter taught drawing in Moscow gymnasiums and was a good portrait painter. Petr Alekseevich early noticed the talent of his youngest son, his extraordinary ability to draw. After Krymov graduated from the real school, the father himself began to prepare his son for exams at the School of Painting, Sculpture and Architecture, which he successfully passed, and in 1904 he was among the first to be accepted. In those years, the school had a very strong and authoritative staff of teachers. After graduating from college in 1911, Krymov embarked on an independent creative path as a mature, well-established artist. In the 1910s, the young artist continues to develop the problem of landscape painting in his work.

Krymov lived a long, 74-year life, which, it would seem, passed without visible unrest and tragedy. But this, probably, is the special inner strength and mental fortitude of a person, who, like the people of his generation, had three wars and three revolutions. He is one of the best landscape painters of the 20th century, who was also known as a theorist of painting and as a brilliant teacher (in 1919-1930 the artist taught for a long time at the Prechistenskiy Practical Institute). The teachers of this artist were such masters as V.A.Serov and K.A. Korovin. N. Krymov was opposed to any experiments in the field of art and thanks to this he described all living things as they are.

The artist was a follower of the classical direction of painting that developed in the 19th century. He tried to put together and generalize this direction. He had a large number of students, whom he taught according to his own system. And even more students learned from his system. A distinctive feature of this artist was that he instilled in each of his students a sense of individuality. Krymov is a true adherent of the classical direction of painting, he left a deep mark on the painting of the 20th century in Russia.

We have already examined the artist's paintings. Let's remember them. ("Windy Day", "After the Rain", "Dawn", "Morning")

What does the artist depict in his paintings, what does he sing? (He praises Russian nature in his landscapes, modest in appearance, but full of charm)

Krymov devoted a lot of paintings to winter. Winter was the favorite time of the year. What kind of pictures are these? ("Winter evening", "Winter day", "Winter", "Pink winter", "Winter landscape")

From nature, Krymov painted only in the summer. Winter landscapes were written by him from memory, but despite this, they are very authentic. He could believably convey the state of nature, lighting. Winter landscapes of Krymov could give a detailed and sonorous story about this time of year. Krymov never aspired to create huge canvases. This is also the picture "Winter Evening". In his youth, this was due to limited funds. During the years of study, the artist was in need. He had no money for painting supplies. He used the colors that wealthy students brushed off their canvases. Later he told his students: “It is not at all necessary to paint huge canvases with broad strokes. You can write with one small brush on a small canvas and paint will spend on a penny. " In his mature years, the large size of the canvas could not add anything to the individuality of the master. His small landscapes have always remained monumental.

Let's turn to the painting "Winter Evening". Consider the picture carefully.

What mood do you get when you look at Krymov's painting "Winter Evening"?

(This canvas depicts a small village in winter. Looking at the picture, the viewer has a feeling of peace, tranquility and warmth, despite the fact that the author has depicted winter.)

Did the artist manage to convey the beauty of a winter evening?

(We look at the picture and, as it were, we feel the soft, free-flowing snow, illuminated by the rays of the setting sun, the silence of the evening. The artist admires the evening twilight. He wants to show how beautiful our Russian nature is!)

What attracts at first sight in the picture? What signs of the coming evening do you see?

(Deep snow with lilac-blue shadows, illuminated by the rays of the setting sun. A light strip of bluish snow sets off the sky and emphasizes the darkened foreground. These are, first of all, long evening shadows. The color of the snow, bluish with a purple tint, also testifies to the coming evening.)

What is the peculiarity of building a picture, its composition? Where is the artist located?

(We can assume that the painting was painted by the artist from the opposite bank. At that moment he was on a hill. The painting is built diagonally: an impending shadow, paths rush up to houses with tall trees, to the center of the painting. People walking along the path, horses carrying a cart with hay, create the impression of movement, fill the picture with life, indicate the connection between man and nature.

The artist is at a great distance from the village: this is emphasized by the small size of the horses depicted, obscure small figures of people, houses and buildings in which no details are visible. The trees are the total mass.)

How did the artist depict the sky in the evening before?

(The author uses in his work various shades of white to depict snow. The ice on the river is painted turquoise. The artist conveys the color of the evening sky with the help of light greenish and yellow tones. Greenish-gray, sometimes mauve sky. This is the color of the sky that the artist depicted because that the blue sky, combined with the yellow rays of the sun illuminating it, acquires T greenish tint.)

How are the trees depicted?

(In the background of the canvas, the painter depicted a winter village. Behind it is a forest consisting of oaks or poplars. It stands out in a dark mass against the background of a light, greenish-yellow sky. On the right is a mighty pine tree with twisted branches and a lush crown. On the left is a dense deciduous forest , and in the center of the painting are tall, domed trees, the tawny-brown color they acquire from the rays of the setting sun.)

Describe the village.

(The village is one of the main objects of the canvas. This is a small group of buildings drowned in dense snowdrifts. In the windows of one of the houses you can see the reflections of the sun. To the left, a little further from residential buildings, you can see the dome of the bell tower.)

V. Favorsky, in his memoirs about NP Krymov, writes: “His works amaze with the perfection of drawing and colors, and all this is imbued with musicality, each time different, in each landscape of its own”. Let's try to sound the picture. What could the artist have heard?

(Deep silence, broken only by a slight creak of snow under the footsteps of those walking, by the subtle squealing of the sleigh runners; quiet singing of birds, muffled bells ...)

What colors did Krymov use to describe a winter evening?

(The artist used mainly cold colors: blue, grayish-blue, silver-blue color of snow, greenish-gray color of the sky, which convey the feeling of a frosty evening. But he also used warm colors: reddish-brown trees; yellowish-brown walls of houses and sheds ; yellowish reflection of windows illuminated by the sun. These colors convey a feeling of comfort, calmness, warmth.)

What do you feel, what do you think about when you look at this landscape? Describe your feelings.

(I really like his canvas and evoke the warmest feelings. I would like to visit this beautiful corner of Russian nature, enjoy the silence of rural life in the evening, breathe in the fresh frosty air.)

Generalization.

Indeed, Krymov's small landscapes, dedicated to the modest corners of the Russian countryside, amaze not with their external attractiveness, but with their strict depiction and brevity. “Love nature, study it, write what you really love. Be truthful, for beauty is in truth, ”said the artist.

Planning.

How would you start describing the painting?

What would you definitely write about?

How would you finish your essay?

A rough plan.

N.P. Krymov is a landscape painter.

Winter as seen by the artist:

D) compositional features (foreground, background, center of the picture).

What feelings and thoughts the landscape evokes.

Writing a description essay.

“Landscape is a portrait of nature. It is as difficult to write a landscape well as it is to write any good work ... ”.

N.P. Krymov succeeded in the landscape, let's hope that your compositions will turn out to be no less interesting.

09.05.2015

Description of the painting by Nikolai Krymov "Winter evening"

Krymov's "Winter Evening" is a quiet, abandoned village with a low church nearby. People are walking here slowly, on the endless snow. Some even stopped to look at the majestic beauty of nature. Most of the picture is a white sea of ​​snow: on the ground and on houses. It's a stunningly beautiful Russian winter. From "Winter Evening" draws warmth and coziness, as if we are observing this familiar picture from the window of our same low house. Snow shades are surprisingly gracefully conveyed - from dark blue close to us to bright and dazzling white. And of course, Krymov could not fail to capture the power and stateliness of the Russian forest, visible in the distance, but very close we notice a frozen river. Winter covered her with a thin layer of ice. Near the stream there are bushes with birds sitting on them.

The evening is approaching imperceptibly and smoothly: the sun has almost disappeared, having painted the sky in yellowish-blue colors; the birds froze alone in their places; people can hardly move to their homes. Yes, this is how the evening comes, light, unobtrusive, calm. In the distance, either the sun illuminates the nature a little more, or the light has already been lit in one of the houses. Here, in this incredibly wonderful picture, winter reigns. We hear people rushing to their homes to warm up with hot tea or sit down for a delicious dinner. They are dressed in down jackets that protect them from the coming cold evening. Snow deftly creaks underfoot. On the other side, a horse-drawn sleigh approaches the village. They are probably carrying large bales of hay to the barn. The Russian artist Krymov managed to convey not the fierceness and coldness of the Russian winter, but its calmness, tenderness and warmth. Winter seems like a dear guest that everyone worries and worries about. She is beautiful in her deep snows. And we feel safe.

"Winter Evening" is a painting by the famous Russian landscape painter Nikolai Petrovich Krymov. On this canvas, you can see a small village in the winter. Each person who looks at this work of art feels calm, serenity, and also warmth, although the artist decided to portray the cold season.

Composition based on the painting Winter Evening

In this work, N.P. Krymov uses different shades of white, which depicts snow very well. For example, he decided to paint the ice on the river with a turquoise color. The master conveyed the color of the sky using yellow and greenish tones.

Most likely, the author had a desire for the viewer to feel peace and tranquility. The artist enjoys the view of the evening twilight. He tried to portray how beautiful Russian nature is. Many people say that this picture evokes extremely warm feelings in them.

Krymov's painting Winter evening

In the foreground, you can see a river that has already frozen over. It is very clean and absolutely transparent, and the ice on the river is snowless and smooth. Near the coast, in some places, you can see shallow water islands peeking out from under the ice, and there is a bush on the coast.

Small birds sit on the bush and also near the edge of the ice. It can be assumed that the artist painted this picture while on the opposite bank. At the moment, he was supposed to be on a certain hill.

A beautiful winter village can be seen in the background. Behind it, a forest is depicted, which consists of poplars or oaks. It stands out significantly against the background of the sky, which has a yellow-green tint. The sky is very clear and low. Its color suggests a pink sunset.

Large amounts of snow can be seen in front of the small houses. The artist was able to very skillfully use the range of colors in order to convey different shades of snow: from pure white on the roofs of houses to diagonal shades of blue. The entire mass of snow depicted in the picture has a pale blue tint. The village is one of the key objects of the painting.

These are several buildings that were drowned in huge snowdrifts. The windows of one of the houses sparkle in the sun. On the left, at a certain distance from residential buildings, you can see the dome of the bell tower. Near one house there is a barn, towards which a couple of wagons with hay are going. Local residents walk along a small path in front of the houses.