Shchukin theatrical school poster. School Shchukinskoe: admission, reviews. Boris Shchukin and teaching features
Shchukinskoe: admission rules, admission requirements, required documents, program, list of compulsory literature, tuition fees, contacts
About the Theater Institute. B. Shchukin. Theater Institute named after B. Shchukina is a representative of the Vakhtangov school of acting, which was founded in November 1913 by a group of students as an amateur theater studio. A young actor of the Moscow Art Theater, a student of Stanislavsky, Evgeny Bagrationovich Vakhtangov, was invited as the leader. In the spring of 1914, the premiere of the performance of the students "The Lanins' Estate" took place, which ended in failure, in response to which E.B. Vakhtangov said "Let's study!" On October 23, 1914, he taught the students the first lesson on the Stanislavsky system. This day is considered the day of the foundation of the Institute. B. Shchukin. Vakhtangov's studio combined a school and an experimental laboratory and bore the name of one of the Arbat lanes, in which it was then located - "Mansurovskaya". In 1926, the studio was named the Theater. Evgeny Vakhtangov with a theater school permanently operating with him, which in 1932 became a specialized secondary theater institution. In 1939 she was named after Boris Shchukin, the actor, favorite student of E. Vakhtangov. In 1945, the school received the status of a Higher Educational Institution and from that moment it is known as the Higher Theater School named after I. B. Shchukin at the State Academic Theater. Evgenia Vakhtangova.
Faculties of the Theater Institute. B. Shchukin: acting, directing
Acting Department of the Theater Institute named after B. Shchukin. Acting Department of the Theater Institute named after B. Shchukina prepares students in the specialty "acting" and specialization "Artist of drama theater and cinema." The term of study at the acting department is 4 years with full-time education.
Training at the acting department of Shchukinsky can take place on a budgetary and on a commercial basis, depending on the results of the entrance tests.
Feature of the Theater Institute. B. Shchukin is that there is no workshop system. In each course, not the "master" and his assistants work, but the entire department of the actor's skill. The artistic director of the course organizes all educational and creative work in his course and is responsible for it.
International relations of TI named after B. Shchukin: international exchange is supported, students from South Korea, USA, France, Israel, Estonia, Latvia and CIS countries study at the institute
Famous actors who graduated from the TI them. B. Shchukin: Andrei Mironov, Georgy Vitsin, Sergei Makovetsky, Konstantin Raikin, Maxim Sukhanov, Svetlana Khodchenkova, Vladimir Simonov, Yulia Rutberg, Yuri Chursin, Kirill Pirogov, Evgeny Tsyganov, Nikita Mikhalkov (expelled from the 4th year for filming a movie, transferred to directing) 
The rules for admission to the acting department of the Theater Institute. B. Shchukin:
Requirements of the Theater Institute. B. Shchukin for applicants: completed secondary education, age up to 20-22 years.
Admission to the Theater Institute. B. Shchukin takes place in 4 stages: a qualifying round, a practical exam in the skill of an artist, an oral colloquium and the provision of USE results in Russian and literature
1. Screening consultations (tours). They start in April. Reading by heart programs from a number of literary works of various genres: story, story, novel, play. Musical and plastic abilities are also tested.
Applicants who pass the qualifying round are admitted to the stage of entrance exams:
2. Round I. Mastery (practical exam). Evaluated on a 100-point scale .. Assumes reading by heart a poem, a fable (necessarily IA Krylov), a prose excerpt, it is advisable to prepare several works of each genre). Execution of simple stage sketches on topics suggested by the commission during the exam. Testing musicality, rhythmic and speech-voice data - you need to be ready to perform a song and dance, participate in special exercises to test plasticity; have a tracksuit and shoes
On the practical exam in the skill of the artist of the Theater Institute. B. Shchukin, the following are assessed: the applicant's creative, vocal abilities, their correspondence to the chosen specialty and qualifications, the applied technique of the applicant.
3. Oral colloquium. Tickets according to the proposed list of references. Assessed on a 100-point scale. Vocational guidance interview. Reveals: the general cultural level of the applicant, knowledge in the field of drama, theater. Conducted individually with each student.
At the oral colloquium of the V.I. B. Shchukin are assessed: the cultural level, knowledge, aesthetic views of the applicant.
4. Results of the Unified State Exam in Russian and Literature of students graduated from 2017-2018.
The threshold of the positive mark is 41 points. In the case of higher education, graduation from a secondary educational institution (school) before 2009, availability of secondary vocational education in the specialty of admission or citizenship of the countries of the Near Abroad, the applicant does not need the USE results. In this case, in addition to clauses 2 and 3, he takes general education exams at the Theater Institute. B. Shchukin: Russian language (composition) and literature (oral).
List of documents for the Admissions Committee of the Theater Institute named after B. Shchukin for applicants of the full-time department of the acting faculty of Shchukinsky:
Reception of applications from applicants admitted to the competition - from June 15 to July 5.
Entrance exams are held from 1 to 15 July.
1. Application addressed to the rector (in a uniform form);
2. Certificates of the USE results in the Russian language and literature or their copies, certified in accordance with the established procedure (before enrollment, they must be replaced with originals). Persons who have successfully passed the entrance exams, but for objective reasons did not have the opportunity to participate in the USE during the period of the final certification, can take the USE after the end of the entrance exams in the direction of the University, in July of this year. They will be credited upon presentation of the certificate;
3. Certificate or diploma (original);
4. 6 photographs 3x4 cm (pictures without a headdress);
5. Medical certificate (form 086 / y) dated the current year;
6. Passport and its photocopy (presented in person);
7. Young men present a military ID or certificate of registration and hand over copies of these documents.
In addition, applicants to the correspondence department submit to the Admissions Committee:
1. Certificate from the place of work;
2. A certified copy of the employment record book or, in its absence, a copy of the employment contract.
Applicants who have not passed the competition, by the decision of the Examination Commission, may be offered paid tuition. If the applicant has a diploma of higher education, according to the Law of the Russian Federation "On Education", it is possible to study only on a commercial basis.
Theater Institute named after B. Shchukin cost of commercial training at the acting department: 210,000 rubles per year
Topics and bibliography B. Shchukin:
Topics for the exam in literature.
1.Man and history in the story of A.S. Pushkin "The Captain's Daughter"
2.The romantic hero in the poems by A. Pushkin and M. Lermontov
3.The meaning of the title of M. Lermontov's novel "A Hero of Our Time"
4. What historical events are reflected in the epic novel by L. Tolstoy "War and Peace"
5. Oblomov - "the most generalized Russian national type" (V. Soloviev)
6.Can Bazarov be called a hero of his time?
7. The image of the "little man" in Russian literature of the 19th century
8. "Eternal Questions" in the novels of F. Dostoevsky
9. What do you know about the Silver Age?
10. Good and evil in M. Bulgakov's novel "The Master and Margarita"
11. Prose of writers of the military generation (one of the works of B. Vasiliev, V. Bykov, Yu. Bondarev, G. Baklanov at their own choice)
12. What modern writers do you know?
Questions for the exam "Actor's skill" Interview.
1. Read the following pieces, in each piece, choose the role you would like to play.
Explain your choice.
1. N. Fonvizin "Minor"
2. A.S. Griboyedov "Woe from Wit"
3. A.S. Pushkin "The Covetous Knight", "The Stone Guest"
4. A.S. Pushkin "Boris Godunov"
5. N.V. Gogol "The Inspector General", "The Marriage"
6. I.S.Turgenev "A Month in the Country"
7. A. N. Ostrovsky "Thunderstorm", "Forest"
8. A.P. Chekhov "The Seagull", "Uncle Vanya"
9. A.P. Chekhov "Three Sisters", "The Cherry Orchard"
10. M. Gorky "At the bottom"
11. M. Gorky "Barbarians", "Egor Bulychev"
12. W. Shakespeare "Romeo and Juliet", "Hamlet"
13. W. Shakespeare "King Lear", "12th night"
14. J.-B. Moliere "Tartuffe", "Don Juan"
15. J.-B. Moliere "The Tricks of Scapin"
16. F. Schiller "Cunning and Love"
17. G. Ibsen "Doll House (" Nora ")"
18. B.Show "Pygmalion"
19. A. N. Ostrovsky "Dowry"
20. What do you know about the Maly Theater of the 19th century?
21. What do you know about M.S. Shchepkina?
22. What do you know about the 19th century Alexandrinsky Theater? What actors do you know?
23. What do you know about K.S. Stanislavsky?
24. What do you know about the Moscow Art Theater? What actors from the Moscow Art Theater do you know?
25. What do you know about Vs. E. Meyerhold?
26. What do you know about MA Chekhov?
27. What do you know about EB Vakhtangov?
28. What do you know about the Vakhtangov Theater? What Vakhtangov actors do you know?
29. Contemporary theater directors. Name one of them.
30. Tell us about the performance you like.
31. Your favorite actor-actress.
32. What do you know about G. Tovstonogov, A. Efros, O. Efremov, Y. Lyubimov?
33. Contemporary theater and film actors. Tell us about one of them.
34. How did you get the desire to enter a theater university?
35. Tell us about the theater in your city (about one of the theaters).
36. What do you think is most important for an actor, or what qualities should an actor have?
37. Opera House. Name operas known to you.
38. Ballet theater. Name the ballets known to you.
The Shchukinskoye school is a higher theatrical educational institution, to which only every hundredth entrant enters. For those who have won this colossal competition, the tests are just beginning. Every year, Freshmen's Day is held here, where senior students show the newcomers visually what they have to go through over the next four years. Who ran the Shchukin school a hundred years ago? Why is this institution only allowed to teach to its graduates? How to enter one of the most prestigious Russia?
Let's learn!
On October 23, 2014, the Shchukinskoye School celebrated its centenary. The first years of the existence of this educational institution fell on a difficult time for Russia. It was created in 1914. The founder, Evgeny Vakhtangov, is a student of Stanislavsky, the very one who chronically did not believe in acting. According to legend, the former ward of the famous theatrical reformer uttered a significant phrase: "Let's learn!" It was with her that the Shchukin Theater School began its existence.
Zakhava
Then the educational institution was just a small theater studio. But it was not in vain that the great Stanislavsky assured that no one can teach according to his system better than Evgeny Vakhtangov. The first performances brought great fame among Moscow theatergoers. In 1922, the audience saw the famous production of Princess Turandot. But the founder of the studio did not live to see the premiere. And the next leader was Boris Zakhava. The talented actor and director headed the Shchukin Theater School, albeit with interruptions, but for almost half a century. It was he who laid the basic principles of teaching, which are guided by teachers within the walls of the legendary university today.
Boris Shchukin and teaching features
Teaching at this university can only be those who were once its student and successfully completed their studies. The leaders are sure that this is the only and main way to preserve the theater school, for which the Shchukinskoye school is famous, in a canonical form. By the way, the famous name was given to this institution only in 1939. Boris Shchukin is one of the favorite students of the founder of the studio. This man is one of the brightest representatives of the Soviet realistic school. He has worked in the theater for over twenty years. Shchukin is also known for being one of the first actors who were able to embody the image of Lenin on stage. There is an opinion that it was thanks to these merits that the school was named after him.
Achievements
The Shchukinskoye school was transformed into an institute in 2002. Over the hundred years of its existence, the educational institution has produced such an impressive galaxy of talented actors that it is rightfully considered the record holder among other Russian theatrical universities. People call it "Pike". The big competition is stable every year.
Famous alumni
Such celebrities as Yuri Lyubimov, Andrei Mironov, Vladimir Etush, Nikita Mikhalkov came out of the walls of this institute. Among the younger generation, it should be noted Sergei Makovetsky, Maxim Averin. Of course, this is not a complete list.
The duties of the artistic director, as you know, are performed by Vladimir Etush. The rector of the Institute is Evgeny Knyazev.
Directing department
Until the end of the fifties, only those who dreamed of acting glory aspired to enter the Shchukin School. This university did not graduate other specialists. In 1959, future directors were also trained here. However, the form of training at the directing department is only part-time. The competition for him is not so severe - only three people per seat. The rules according to which the selection committee works are such that yesterday's schoolboy, dreaming of the laurels of Zakharov and Meyerhold, cannot enter the directing department at the Shchukinskoye school. Those who have the professional practice of a theater director behind their backs are admitted here.
People from all over the country go to the directing department to study, and by no means in order to conquer the capital. After all, applicants are expected in their native theaters. And it is in their homeland that students will subsequently stage their theses.
Acting faculty
Future directors stay within the walls of the institute for no more than two months a year, which cannot be said about those who study acting here. For future artists, in addition to the profile discipline, the study of the following subjects is provided:
- plastic expressiveness;
- musical expressiveness;
- scenic speech.
The acting department also has a department of history and philosophy.
Admission rules
The exam in the specialty is carried out in three stages:
- Reading Krylov's fables, two or three poems and excerpts from prose.
- Checking music, rhythm and voice data.
- Execution of a small stage etude.
If the applicant has passed the exam in the specialty, he is allowed to take the Russian language and literature (in writing), as well as the colloquium, which aims to identify the level of knowledge in the field of culture, art, literature and Russian history.
The institute has preparatory courses. Enrollment in them is carried out after listening, at which it is necessary to read an excerpt from a prose work, a poem or a fable. Training in preparatory courses is conducted on weekends and consists of seventy-two
Educational theater
During the training, students present their first works to the audience. The educational theater of the Shchukin school is a full-fledged unit, which employs a whole team of professionals. Students release their theses together with directors-teachers. The educational theater of the Shchukin school for seventy years has kept the traditions that were laid down by the students of the founder of this legendary university. Thesis brings out the creative individuality of each student. Inveterate theatergoers of Moscow have the opportunity to see performances of talented and young actors. This is a tradition that the Shchukin School has not changed for almost its entire existence.
Performances with the participation of students have been overwhelming success more than once. The history of the institute knows cases when, in order to get to see one of the diploma works, Muscovites stood in long queues at the box office for hours.
The repertoire of the educational theater is updated annually. On the educational stage, plays are staged based on the works of both Russian and foreign authors. Among them - "Monsieur de Moliere" (based on the novel by Mikhail Bulgakov), "Poverty is not a vice" (AN Ostrovsky), "Farewell to Matera" (based on the story by Valentin Rasputin).
How to get there?
In the very heart of the capital is the Shchukin School. The address of this educational institution is Bolshoy Nikolopeskovsky lane, 15, building 1. On foot from the Arbatskaya metro station, you can walk within ten to fifteen minutes.
History of the Vakhtangov school
The history of the Vakhtangov School - the Higher Theater School, and now the Boris Shchukin Theater Institute - has been going on for almost nine decades.
In November 1913, a group of Moscow students organized an amateur theatrical studio and invited a young actor of the Moscow Art Theater, a student of Stanislavsky, the future great Russian director Yevgeny Bagrationovich Vakhtangov as the director.
The students offered Vakhtangov to stage a play based on B. Zaitsev's play "The Lanins' Estate". The premiere took place in the spring of 1914 and ended in failure. "Now let's study!" - said Vakhtangov. And on October 23, 1914, Vakhtangov held the first lesson with the students according to the Stanislavsky system. This day is considered the birthday of the School.
The studio has always been both a school and an experimental laboratory.
In the spring of 1917, after the successful display of student works "Mansurovskaya" (named after one of the Moscow lanes on the Arbat, where it was located), the studio received its first name - "The Moscow Drama Studio of EB Vakhtangov". In 1920 it was renamed the III Studio of the Moscow Art Theater, and in 1926 - the Theater. Evgenia Vakhtangov with a theater school permanently operating with him. In 1932 the school became a special secondary theater educational institution. In 1939 she was named after the great Russian actor, Vakhtangov's favorite student Boris Shchukin, in 1945 she was given the status of a higher educational institution. Since that time, it has been known as the Higher Theater School (since 2002 - the Boris Shchukin Theater Institute) at the State Academic Theater. Evgenia Vakhtangova.
The authority of the Institute's teachers is very high both in our country and in the world. Suffice it to recall that the Vakhtangov methodology of raising an actor had a huge impact on the pedagogy of the great Mikhail Chekhov.
The Vakhtangov School is not just one of theatrical institutions, but the bearer and custodian of theatrical culture, its best achievements and traditions.
The teaching staff of the Institute is formed only from graduates who pass on the Vakhtangov precepts from generation to generation, and the principles of the school - from hand to hand. The permanent head of the school from 1922 to 1976 was a student of Vakhtangov, a student of the first enrollment, an outstanding Russian actor and director Boris Zakhava. The current Artistic Director of the Institute is People's Artist of the USSR, Vakhtangovite, famous theater and film actor, Professor V.A. Etush held the post of rector for 16 years (from 1986 to 2002). Since June 2002, the rector of the institute is People's Artist of the Russian Federation, leading actor of the Vakhtangov Theater, Professor E.V. Knyazev.
The school is rightfully proud of its graduates. Among them are many outstanding actors of Russian theater and cinema, whose work has already become history. They are B. Shchukin, Ts. Mansurova, R. Simonov, B. Zakhava, A. Orochko, I. Tolchanov, V. Kuza, O. Basov, V. Yakhontov, A. Goryunov, V. Maretskaya, A. Gribov, A. Stepanova, D. Zhuravlev, N. Gritsenko and many others. M. Ulyanov, Y. Borisova, Y. Yakovlev, V. Etush, V. Lanovoy, A. Demidova, A. Vertinskaya, O. Yakovleva, K. Raikin, A. Kalyagin, A. Shirvindt, L. .Maksakova, I. Kupchenko, M. Derzhavin, V. Shalevich, E. Knyazev, S. Makovetskiy, M. Sukhanov, E. Simonova, O. Barnet, I. Ulyanova, N. Usatova ... This list is constantly updated. There are theaters, the cast of which is almost entirely formed from "Vakhtangovites". This is primarily the Theater. Evgeny Vakhtangov, as well as the Taganka Theater under the direction of Yuri Lyubimov. There are many graduates of the School in the troupe of the Lenkom Theater under the direction of M. Zakharov, in the Theater of Satire and in Sovremennik.
Without Vakhtangov actors it is impossible to imagine the work of such outstanding masters of Russian cinema as I. Pyriev, G. Aleksandrov, Y. Raizman, M. Kalatozov and others. Among the most famous actors of Russian cinema are the "Shchukinites" O. Strizhenov, T. Samoilova, R. Bykov, V. Livanov, A. Mironov, A. Kaidanovsky, L. Filatov, N. Gundareva, L. Chursina, Y. Nazarov, L. Zaitseva, N. Ruslanova, N. Varley, A. Zbruev, N. Burlyaev, I. Metlitskaya, Y. Bogatyrev, N. Volkov, L. Yarmolnik, V. Proskurin, L. Borisov, E. Koreneva, A. Tashkov, Y. Belyaev, A. Belyavsky, A. Porokhovshchikov, E. Gerasimov, A. Sokolov, S. Zhigunov and others.
Many graduates of the institute became widely known thanks to television - A. Lysenkov, P. Lyubimtsev, A. Gordon, M. Borisov, K. Strizh, A. Gol'danskaya, D. Maryanov, S. Ursulyak, M. Shirvindt, Y. Arlozorov, A. Semchev, O. Budina, E. Lanskaya, L. Velezheva, M. Poroshina and many others.
The Vakhtangov school gave the Russian stage famous directors - N. Gorchakov, E. Simonov, Y. Lyubimov, A. Remizov, V. Fokin, A. Vil'kin, L. Trushkin, A. Zhitinkin. The famous Yuri Zavadsky made his first directorial and pedagogical experiments within its walls. She brought up the great Ruben Simonov, to whom the Vakhtanogov Theater owes the most brilliant era of its existence.
The school has helped and continues to help the birth of new theater studios and collectives. This is, first of all, the theater of Yuri Lyubimov on Taganka, which emerged from the diploma performance "The Good Man from Sesuan" by B. Brecht; the youth Moldovan theater "Luchaferul" in Chisinau; theater-studio named after R.N. Simonov in Moscow; the Sovremennik theater in Ingushetia; studio "Scientific Monkey" in Moscow and others.
History of the B. Shchukin Theater Institute
October 23, 1914 is considered the birthday of the Boris Shchukin Theater Institute. On this day (October 10, according to the old style), Evgeny Vakhtangov gave his first lecture on the system of K.S. Stanislavsky to the students of the Commercial Institute who had gathered around him. From that day on, history began. But there was also a prehistory.
Evgeny Bogrationovich Vakhtangov (1883 - 1922), a student of K.S. Stanislavsky and L.A. Sulerzhitsky, an employee of the Moscow Art Theater and a student of the First Studio of the Moscow Art Theater (1912), staged his first professional performance based on G. Hauptman's play "Peace Festival" at the Studio in the fall 1913. In this production, he expressed his attitude to the world and the theater. But his teachers, seeing in him only a student, and not an independent creative person, intervened in the production: they broke and corrected. Vakhtangov, on the other hand, developed into a creative person very quickly. By 1911, he was thinking independently and freely. Having got acquainted with Stanislavsky's work according to the system, he wrote: “I want to form a Studio where we would study. The principle is to achieve everything by yourself. The leader is everything. Check the K.C. system. on ourselves. Accept or reject it. Correct, supplement, or remove a lie. " (Vakhtangov. Collection of materials, M.VTO, 1984, p. 88).
The desire to test the discoveries of the Teacher, the dependent position in the theater and the First Studio forced Vakhtangov to look for opportunities to organize his own studio. The meeting with the students of the Commercial Institute took place in the late autumn of 1913, against the will of Vakhtangov. They themselves chose and found him, offering to head their amateur circle and stage a play. Vakhtangov agreed. The meeting took place on December 23, 1913 at the apartment rented by the Semyonov sisters, on the Arbat. Vakhtangov arrived solemn, festively dressed, even embarrassed the future students with his appearance. Vakhtangov began the meeting by declaring his loyalty to K.S. Stanislavsky and the Moscow Art Theater, and calling the spread of the Stanislavsky system the task.
At the very first meeting, we agreed to stage B. Zaitsev's play "The Lanins' Estate". In March 1914, the premises of the Hunting Club were rented, where they were going to play a performance.
Vakhtangov immediately got down to business, but realizing that the amateurs had no experience, he began to engage in exercises with them according to the system. The classes lasted two and a half months. On March 26, the performance took place. The performers played their roles in ecstasy, but their enthusiasm did not reach the audience through the ramp. Vakhtangov ran backstage and shouted to them: “Louder! Louder! " - he was not heard. After the performance, he said: "So we failed!" But even then they did not believe him. Let's go to the restaurant to celebrate the premiere. At the restaurant, the play's artist Y. Romanenko invited everyone to join hands and form a chain. “Now let's keep quiet for a minute, and let this chain forever link us to each other in art” (Chronicle of the school, vol. 1, p. 8). Vakhtangov invited amateur students to start learning the art of theater. For this, it was necessary to find a room where one could work. We parted with this until the fall. But when Vakhtangov came to the theater, K.S. Stanislavsky, who received information from the newspapers about the failure of Vakhtangov's work, was waiting for him. He forbade Vakhtangov to work outside the walls of the Moscow Art Theater and his studio.
And yet, on October 23, 1914, the first lesson of the new studio took place. It was called at different times: "Student studio", "Mansurovskaya studio" (at the location of Mansurovsky lane, 3). "Vakhtangov Studio." But she worked secretly so that Stanislavsky and the Moscow Art Theater did not know about her.
Vakhtangov built the House. The studio did everything with their own hands, since Vakhtangov believed that the House becomes yours only when you drive at least one nail into its walls.
Dealing with Stanislavsky's system, Vakhtangov changed the order of the system's elements, proposing a path from simple to complex: from attention to image. But each subsequent element contained all the previous ones. When creating the image, all elements of the system had to be used. We did exercises, sketches, excerpts, improvisations, independent work. Shown to selected viewers Performing evenings. And in 1916 Vakhtangov brought his first play to the studio. It was the Miracle of St. Anthony by M. Meterlinck. The play was satirical, but Vakhtangov suggested staging it as a psychological drama. This was natural, because the studio members were not yet ready-made actors; in mastering the image, they proceeded from Stanislavsky's formula "I am in the supposed circumstances." Therefore, Vakhtangov demanded from them to justify the behavior of the embodied image. The play was shown in 1918, and it was actually a graduation ceremony for the first group of students.
The first students were students of the Commercial Institute, including B.E. Zakhava, B.I. Vershilov, K.G. Semenova, E.A. Aleeva, L.A. Volkov. Gradually new students came to the Studio: P.G.Antokolsky, Yu.A. Zavadsky, V.K.Lvova, A.I. Remizova, L.M.Shikhmatov. In January 1920, B.V. Shchukin and Ts.L. Vollerstein (who took the pseudonym Mansurova). Anyone who wants to become a student first went through an interview, which determined whether he could become a student according to his moral and intellectual level. And only after that the applicant was examined. Vakhtangov, building a theater and wanting to have a permanent school with him, looked closely at the students and determined which of them would be a teacher, who would be a director. The main thing was to develop independence in the students.
In 1919, Vakhtangov went through two stomach operations. They gave no results - cancer developed. Wanting to save the studio, Vakhtangov turned to his teachers at the Moscow Art Theater and asked to take his studio to the number of the Moscow Art Theater. In the fall of 1920, the Vakhtangov Studio became the Third Studio of the Moscow Art Theater. Having moved to the Academic Department, the studio received its own building on the Arbat, a small, dilapidated mansion of Berg, which the students turned into a theater with their own hands. On November 13, 1921, the theater opened with the performance “The Miracle of St. Anthony” by M. Meterlinck in a new, satirical solution. For the theater of the Third Studio of the Moscow Art Theater, he staged Vakhtangov and his famous "Princess Turandot" by K. Gozzi, in which the direction of the Vakhtangov theater was most vividly expressed. He himself will call it "fantastic realism." Staged in the tradition of the theater of the comedy del Arte, "Princess Turandot" amazed Moscow in 1922 with its theatricality, freedom of acting, the fantasy of a director and artist (I. Nivinsky). "Princess Turandot" was Vakhtangov's last performance. He died on May 29, 1922. The students were left without a leader and had to build the theater that their leader aspired to, alone. The students managed to defend their independence, not to lose the building, not to destroy the school existing inside the studio, and in 1926 received the status of the Yevgeny Vakhtangov State Theater.
For many years, until 1937, a small Vakhtangov school existed inside the theater. Future actors were admitted to the school on the basis of their need for the theater. Admission to school meant admission to the theater. They studied and worked in theater performances right away, from the first year. And the teachers were Vakhtangov's students: B. Zakhava, V. Lvova, A. Remizova, L. Shikhmatov, R. Simonov ...
In 1925, B.E. Zakhava (1896 - 1976) was put at the head of the school, who led the school until his death.
In 1937, the school moved to a newly built building at 12a B. Nikolopeskovsky lane, and separated from the theater. She was on the rights of a technical school, but with a four-year period of study. Artists graduated from the school went to different theaters in the country. In 1939, Boris Vasilyevich Shchukin (1894 - 1939), a brilliant artist of the Vakhtangov school, teacher, director, died. In memory of him, in the same year, the school was named after B.V. Shchukin. In 1945, the school was equated to the Higher Educational Institutions, retaining the old name. Since 1953, target courses have begun to study at the school - groups of students from the national republics, who, in most cases, become the founders of new theaters. The tradition of national collectives has been preserved to this day. Now two Korean and Gypsy studios are studying at the institute. In 1964, from the diploma performance "The Kind Man from Sesuan" by B. Brecht, the current theater on Taganka was formed, headed by Yu.P. Lyubimov, a graduate of the school, an actor of the theater. Vakhtangov and a teacher at the school. In 1959, a correspondence directing department was created, which produced many famous directors.
After the death of B.E. Zakhava, the school was run by an official from the Ministry for a whole decade. He was morally and artistically unable to cope with the management of such a complex organism as a school. And in 1987, People's Artist of the USSR V.A. Etush was unanimously elected to the post of Rector. At the moment he is the Artistic Director of the Institute. Under Rector Etush, the school entered the international arena: students and teachers began to travel with their works to different countries of the world, to teach classes in schools in different countries. A special fund "Vakhtangov 12a" was organized, which always supports the school in difficult times.
In 2002, the school was renamed into the Boris Shchukin Theater Institute.
In the educational theater, graduation performances are performed every year from autumn to spring, and the performers of the roles often receive prestigious awards for the best performance. Such prizes in different years were awarded to M. Aronova, N. Shvets, D. Vysotsky. For a number of years, the first prizes have been received by the institute's performances at the student performances festival in Brno (Czech Republic).
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