Characteristics of the main characters war and peace. The main characters of "War and Peace" are a characteristic of male and female images. The origin of the idea and creative search

He not only wrote a wonderful work "War and Peace", but also showed Russian life for several decades. Researchers of Tolstoy's work have calculated that the writer depicted more than 600 characters on the pages of his novel. Moreover, each of these characters has a clear and accurate description of the writer. This allows the reader to draw a detailed portrait of each character.

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Character system in the novel "War and Peace"

Of course, the main character of Tolstoy's work is the people. According to the author, this is the best thing in the Russian nation. According to the novel, the people include not only ordinary people who have nothing, but also nobles who live not for themselves, but for others. But the people in the novel are opposed by aristocrats:

1. Kuragins.
2. Salon visitors Anna Scherer.

It can be immediately determined from the description that all these characters are the negative characters of the novel. Their life is unspiritual and mechanical, they perform artificial and lifeless actions, they are incapable of compassion, they are selfish. These heroes cannot change even under the influence of life.

In a completely different way, Lev Nikolayevich portrays his positive characters. Their actions are guided by the heart. These positive actors include:

1. Kutuzov.
2. Natasha Rostov.
3. Platon Karataev.
4. Alpatych.
5. Officer Timokhin.
6. Officer Tushin.
7. Pierre Bezukhov.
8. Andrei Bolkonsky.

All these heroes able to empathize, develop and change. But it is the war of 1812, the trials that it brought, that makes it possible to understand to which camp the characters of Tolstoy's novel can be attributed.

Pyotr Rostov is the central character of the novel

Count Peter Rostov is the youngest child in the family, Natasha's brother. At the beginning of the novel, the reader sees him as a very young child. So, in 1805 he was only 9 years old. And if at this age the writer only notices that he is fat, then the characterization of Peter at the age of 13 is added to the fact that the teenager turns out to be handsome and cheerful.

At the age of 16, Peter goes to war, although he had to go to university, and soon becomes a real man, an officer. He is a patriot and worries about the fate of his Motherland. Petya spoke excellent French and could feel sorry for the captured French boy. Going to war, Petya dreams of doing something heroic.

And despite the fact that at first his parents did not want to let him go to the service, and then they found a place where it was safer, he still joins the army with a friend. As soon as he was appointed assistant general, he was immediately taken prisoner. Deciding to take part in the battle with the French, helping Dolokhov, Petya dies, having been wounded in the head.

Natasha Rostova will name her only son after him, who will never be able to forget her brother, with whom she was so close.

Minor male characters

There are many minor characters in the novel "War and Peace". Among them, the following characters stand out:

1. Drubetskoy Boris.
2. Dolokhov.

Tall and blond Boris Drubetsky was brought up in the Rostov family and was in love with Natasha. His mother, Princess Drubetskaya, was a distant relative of the Rostov family. He is proud and dreams of a military career.

Having got into the guard thanks to the efforts of his mother, he also participates in the military campaign of 1805. The characterization of him by the writer is unflattering, since Boris tries to make only “useful” acquaintances. So, he is ready to spend all the money to pass for a rich man. He becomes the husband of Julie Kuragina, as she is rich.

Guards officer Dolokhov is a bright secondary character in the novel. At the beginning of the novel, Fyodor Ivanovich is 25 years old. He was born a respectable lady Marya Ivanovna, belonging to a poor noble family. Women liked the officer of the Semyonovsky regiment, because he was handsome: medium height, with curly hair and blue eyes. A firm voice and a cold look were harmoniously combined in Dolokhov with his education and intelligence. Despite the fact that Dolokhov is a player and loves a revelry life, he is still respected in society.

Fathers of the Rostov and Bolkonsky families

General Bolkonsky has long been retired. He is rich and respected in society. He performed his service during the reign of Catherine II, so Kutuzov is his good friend. But the character of the father of the Bolkonsky family is difficult. Nikolai Andreevich happens not only strict, but also severe. He takes care of his health and appreciates order in everything.

Count Ilya Andreevich Rostov is a positive and bright hero of the novel. His wife is Anna Mikhailovna Shinshina. Ilya Andreevich is raising five children. He is rich and cheerful, kind and self-confident in character. The old prince is very trusting and easily deceived.

Ilya Andreevich is a sympathetic person, a patriot. He receives wounded soldiers in his house. But he did not follow the state of the family at all, therefore he becomes the culprit of ruin. The prince dies in 1813, trying to survive the tragedies of his children.

Minor female characters

In the work of Leo Tolstoy there are many minor characters that make it possible to understand the events that the author describes. In the work "War and Peace" female characters are represented by the following heroines:

1. Sonya Rostova.
2. Julie Kuragin.
3. Vera Rostova.

Sonya Rostova is the second cousin of Natasha Rostova, the protagonist of the novel War and Peace. Sofya Alexandrovna is an orphan and a dowry. For the first time, readers see her at the beginning of the novel. Then, in 1805, she was barely 15 years old. Sonya looked beautiful: her waist was thin and miniature, a large and thick black braid wrapped around her head twice. Even the look, soft and withdrawn, bewitched.

The older the girl got, the more beautiful she looked. And at 22, according to Tolstoy's description, she was somewhat like a cat: smooth, flexible and soft. She was in love with Nikolenka Rostov. She even refuses her love to the “brilliant” groom Dolokhov. Sonya knew how to read skillfully in front of different audiences. She usually read in a thin voice and very diligently.

But Nicholas chose to marry Marya Bolkonskaya. And the economic and patient Sonya, who managed the household so skillfully, remained to live in the house of the young Rostov family, helping them. At the end of the novel, the writer shows her at the age of 30, but she is also not married, but is busy with the Rostov children and caring for the sick princess.

Julie Kuragina is a minor heroine in the novel. It is known that after the death of her brothers in the war, left with her mother, the girl becomes a rich heiress. At the beginning of the novel, Julie is already 20 years old and the reader learns that she is from a decent noble family. Her virtuous parents raised her, and in general, Julie was familiar to the Rostov family from childhood.

Julie did not have any special external data. The girl was chubby and ugly. But she dressed fashionably and always tried to smile. Because of her red face, poorly covered with powder, and wet eyes, no one wanted to marry her. Julie is a bit naive and very stupid. She tries not to miss a single ball or a theatrical performance.

By the way, Countess Rostova dreamed of marrying Nikolai to Julie. But for the sake of money, Boris Drubetskoy marries her, who hates Julie and hopes to see her very rarely after the wedding.

Another minor female character in Leo Tolstoy's novel "War and Peace" is Vera Rostova. This is the eldest and unloved daughter of Princess Rostova. After her marriage, she became Vera Berg. At the beginning of the novel, she was 20 years old, and the girl was four years older than her sister Natasha. Vera is a beautiful, intelligent and well-mannered and educated girl with a pleasant voice. Both Natasha and Nikolai believed that she was too correct and somehow insensitive, as if she had no heart at all.

Andrei Bolkonsky.

One of the main characters in the novel is Andrei Bolkonsky. A prince of handsome appearance who dreams of military glory. For Andrei, the most important thing in life is duty to the Motherland. The mature prince was in love with the young Countess Natasha Rostov. He suffered a lot of emotional experiences, as well as betrayal by Natasha. But when a lot of time passed, and fate again brought them together with Natasha, but this time life turned out to be unfair. The hero's life ends tragically, he dies from a bullet wound received in battle.

Natasha Rostov.

The young heroine, who is surrounded by wealth, is loved by her parents. The girl is very lively, cheerful, sincere. She is educated. She was in love with Andrei Bolkonsky. But life has prepared them many trials. Her fate was brought down by the war. The lovers were never meant to be together. She later married Pierre Bezukhov, gave birth to children and found peace in family life. But it was no longer such a bright and active Natasha as several years ago.

Pierre Bezukhov.

Another important hero who inherited a valuable fortune from his father after his death. The hero is kind and naive, he was of a strong physique. Previously married to a beautiful woman Helen, this led to bad consequences. Later, he married the young Natalya Rostova. Pierre's personality changed over time and later he became a confident man who is able to achieve his goal and has his own outlook on life.

Ilya Andreevich Rostov.

He is a count, he is a kind and sympathetic person. He loves to live in luxurious conditions. Often arranged chic balls. He loves his wife and children very much.

Nikolay Rostov.

He is the eldest son of the Rostovs. He is honest, kind and responsive. He was married to Maria Bolkonskaya. And he found personal happiness and peace with her.

Sonya.

A fragile, slender girl, she is kind and smart. She was in love with Prince Nikolai Bolkonsky, but after learning that his heart belongs to another woman, she decided not to interfere with his happiness.

Ellen Kuragina.

The heroine is the first wife of Pierre. The woman was not particularly intelligent, but thanks to her bright appearance and sociability, she was able to open her own salon in St. Petersburg.

Anatoly Kuragin.

He is Ellen's brother. Outwardly, he is also charming, like his sister. I preferred to live for my own pleasure. Being married, you want to steal Natasha and marry her.

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We all have read or heard about the novel War and Peace, but not everyone will be able to remember the characters in the novel the first time. The main characters of the novel War and Peace- love, suffer, live life in the imagination of each reader.

Main characters War and Peace

The main characters of the novel War and Peace - Natasha Rostova, Pierre Bezukhov, Andrey Bolkonsky.

It is rather difficult to say which is the main one, since Tolstoy's characters are described as if in parallel.

The main characters are different, they have different views on life, different aspirations, but the trouble is common, the war. And Tolstoy shows in the novel not one, but many destinies. The history of each of them is unique. There is no best, there is no worst. And we understand the best and the worst in comparison.

Natasha Rostova- one of the main characters with her own history and troubles, Bolkonsky also one of the best characters, whose story, alas, had to have an end. He himself has exhausted his life limit.

Bezukhov a little strange, lost, insecure, but his fate bizarrely presented him with Natasha.

The main character is the one closest to you.

Characteristics of heroes War and peace

Akhrosimova Marya Dmitrievna- a Moscow lady, known throughout the city "not for wealth, not for honors, but for her directness of mind and frank simplicity of address." Anecdotal stories were told about her, they quietly laughed at her rudeness, but they were afraid and sincerely respected. A. knew both capitals and even the royal family. The prototype of the heroine is A. D. Ofrosimova, well-known in Moscow, described by S. P. Zhikharev in the Student's Diary.

The heroine's usual way of life consists of doing chores at home, traveling to mass, visiting prisons, receiving petitioners, and traveling to the city on business. Four sons serve in the army, which she is very proud of; he knows how to hide his anxiety for them from outsiders.

A. always speaks in Russian, loudly, she has a “thick voice”, a fat body, she holds high “her fifty-year-old head with gray curls.” A. is close to the Rostov family, loving Natasha more than anyone else. On the name day of Natasha and the old countess, it is she who dances with Count Rostov, enthralling the entire assembled society. She boldly reprimands Pierre for the incident, because of which he was expelled from St. Petersburg in 1805; she gives a rebuke to the old prince Bolkonsky for the impoliteness done to Natasha during the visit; she also frustrates Natasha's plan to run away with Anatole.

Bagration- one of the most famous Russian military leaders, hero of the Patriotic War of 1812, prince. In the novel, he acts as a real historical person and a participant in the plot action. B. "short, with an oriental type of hard and motionless face, dry, not yet an old man." In the novel, he participates mainly as the commander of the Shengraben battle. Before the operation, Kutuzov blessed him "for the great feat" of saving the army. The mere presence of the prince on the battlefield changes a lot in his course, although he does not give any visible orders, but at the decisive moment he dismounts and himself goes on the attack ahead of the soldiers. He is loved and respected by everyone, it is known about him that Suvorov himself gave him a sword for his courage in Italy. During the battle of Austerlitz, one B. fought off twice as strong an enemy all day and, during the retreat, led his column undisturbed from the battlefield. That is why Moscow chose him as its hero, in honor of B. a dinner was given in an English club, in his person "due honor was paid to a fighting, simple, without connections and intrigues, Russian soldier ...".

Bezukhov Pierre- one of the main characters of the novel; at first, the hero of the story about the Decembrist, from the idea of ​​which the work arose.

P. - the illegitimate son of Count Bezukhov, a famous Catherine nobleman, who became the heir to the title and a huge fortune, "a massive, fat young man with a cropped head, wearing glasses", he is distinguished by an intelligent, timid, "observant and natural" look P. was brought up abroad and appeared in Russia shortly before the death of his father and the start of the campaign of 1805. He is intelligent, inclined to philosophical reasoning, soft and kind-hearted, compassionate to others, kind, impractical and prone to passions. His closest friend, Andrei Bolkonsky, characterizes P. as the only "living person" in the whole world.

At the beginning of the novel, P. considers Napoleon the greatest man in the world, but gradually becomes disillusioned, reaching hatred for him and a desire to kill him. Having become a rich heir and falling under the influence of Prince Vasily and Helen, P. marries the latter. Very soon, having understood the character of his wife and realizing her depravity, he breaks with her. In search of the content and meaning of his life, P. is fond of Freemasonry, trying to find answers to his questions in this teaching and get rid of the passions that torment him. Realizing the falsity of the Masons, the hero breaks with them, tries to rebuild the life of his peasants, but fails because of his impracticality and gullibility.

The greatest trials fall on the lot of P. on the eve and during the war, it is not without reason that “his eyes” readers see the famous comet of 1812, which, according to common belief, foreshadowed terrible misfortunes. This sign follows P.'s declaration of love to Natasha Rostova. During the war, the hero, having decided to look at the battle and is not yet very clearly aware of the strength of national unity and the significance of the ongoing event, ends up on the Borodino field. On this day, the last conversation with Prince Andrei, who understood that the truth is where “they”, that is, ordinary soldiers, gives him a lot. Left in burning and deserted Moscow to kill Napoleon, P. tries as best he can to deal with the misfortune that has befallen people, but is captured and experiences terrible moments during the execution of prisoners.

Meeting with Platon Karataev opens for P. the truth that one must love life, even suffering innocently, seeing the meaning and purpose of each person in being a part and reflection of the whole world. After meeting with Karataev, P. learned to see "the eternal and infinite in everything." At the end of the war, after the death of Andrei Bolkonsky and the rebirth of Natasha to life, P. marries her. In the epilogue, he is a happy husband and father, a man who, in a dispute with Nikolai Rostov, expresses convictions that allow him to be seen as a future Decembrist.

Berg- German, "a fresh, pink guards officer, impeccably washed, buttoned and combed." At the beginning of the novel, a lieutenant, at the end - a colonel who has made a good career and has awards. B. is accurate, calm, courteous, selfish and stingy. The people around him laugh at him. B. could only talk about himself and his interests, the main of which was success. He could talk about this subject for hours, with visible pleasure for himself and at the same time teaching others. During the campaign of 1805, B. was a company commander, proud of the fact that he was diligent, accurate, enjoyed the trust of his superiors, and arranged his financial affairs in a profitable way. When meeting in the army, Nikolai Rostov treats him with slight contempt.

B. first, the alleged and desired fiance of Vera Rostova, and then her husband. The hero makes an offer to his future wife at a time when refusal is impossible for him - B. correctly takes into account the financial difficulties of the Rostovs, which does not prevent him from demanding part of the promised dowry from the old count. Having reached a certain position, income, having married Vera, who meets his requirements, Colonel B. feels contented and happy, even in Moscow, leaving the inhabitants, taking care of acquiring furniture.

Bolkonskaya Liza- the wife of Prince Andrei, for whom the name of the "little princess" was fixed in the world. “Her pretty, with a slightly blackened mustache, her upper lip was short in teeth, but it opened all the nicer and stretched out even more nicely sometimes and fell on the lower one. As is always the case with quite attractive women, her shortness of lips and half-open mouth seemed to be her special, her own beauty. It was fun for everyone to look at this full of health and liveliness, pretty future mother, who so easily endured her situation.

The image of L. was formed by Tolstoy in the first edition and remained unchanged. The wife of the second cousin of the writer, Princess L. I. Volkonskaya, nee Truzson, served as the prototype of the little princess, some of whose features were used by Tolstoy. The "Little Princess" enjoyed universal love because of her constant liveliness and courtesy of a secular woman who could not even imagine her life outside the world. In her relationship with her husband, she is distinguished by a complete misunderstanding of his aspirations and character. During disputes with her husband, her face took on a “brutal, squirrel expression” because of her raised lip, but Prince Andrei, repenting of his marriage to L., notes in a conversation with Pierre and his father that this is one of the rare women with whom “you can be calm for your honor.

After Bolkonsky left for the war, L. lives in the Bald Mountains, experiencing constant fear and antipathy for his father-in-law and friendly not with his sister-in-law, but with the empty and frivolous companion of Princess Marya, Mademoiselle Bourrienne. L. dies, as she foresaw, during childbirth, on the day of the return of Prince Andrei, who was considered dead. The expression on her face before and after her death seems to indicate that she loves everyone, does no harm to anyone and cannot understand what she is suffering for. Her death leaves a feeling of irreparable guilt in Prince Andrei and sincere pity in the old prince.

Bolkonskaya Marya- Princess, daughter of the old Prince Bolkonsky, sister of Prince Andrei, later the wife of Nikolai Rostov. M. has “an ugly, weak body and a thin face ... the princess’s eyes, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so good that very often, despite the ugliness of the whole face, these eyes became more attractive beauty."

M. is very religious, accepts pilgrims and wanderers, enduring ridicule from her father and brother. She has no friends with whom she could share her thoughts. Her life is focused on love for her father, who is often unfair to her, for her brother and his son Nikolenka (after the death of the “little princess”), for whom she, as best she can, replaces her mother, M. is a smart, meek, educated woman, not hoping for personal happiness. Because of the unfair reproaches of her father and the impossibility of enduring it any longer, she even wanted to go on a wandering. Her life changes after meeting with Nikolai Rostov, who managed to guess the wealth of her soul. Having married, the heroine is happy, completely sharing all her husband's views "on duty and oath."

Bolkonsky Andrey- one of the main characters of the novel, the prince, the son of N. A. Bolkonsky, the brother of Princess Mary. "...Small in stature, a very handsome young man with definite and dry features." This is a smart, proud person who is looking for great intellectual and spiritual content in life. His sister notes in him some kind of “pride of thought”, he is restrained, educated, practical and has a strong will.

B. by origin occupies one of the most enviable places in society, but is unhappy in family life and is not satisfied with the emptiness of the world. At the beginning of the novel, his hero is Napoleon. Wanting to imitate Napoleon, dreaming of "his Toulon", he leaves for the army, where he shows courage, composure, heightened sense of honor, duty, and justice. Participates in the Battle of Shengraben. Seriously wounded in the battle of Austerlitz, B. understands the futility of his dreams and the insignificance of his idol. The hero returns home, where he was considered dead, on the birthday of his son and the death of his wife. These events shock him even more, leaving him feeling guilty about his dead wife. Deciding after Austerlitz to no longer serve, B. lives in Bogucharov-ve, doing housework, raising his son and reading a lot. During Pierre's arrival, he admits that he lives for himself alone, but something wakes up in his soul for a moment when he sees the sky above him for the first time after being wounded. From that time on, while maintaining the same circumstances, “his new life began in the inner world.”

During the two years of his life in the village, B. has been much involved in analyzing the latest military campaigns, which prompts him, under the influence of a trip to Otradnoye and awakened vitality, to go to St. Petersburg, where he works under Speransky, who is in charge of preparing legislative changes.

In St. Petersburg, the second meeting of B. with Natasha takes place, a deep feeling and hope for happiness arise in the soul of the hero. Postponing the wedding for a year under the influence of his father, who did not agree with the decision of his son, B. goes abroad. After the betrayal of the bride, in order to forget about it, to calm the feelings that flooded over him, he again returns to the army under the command of Kutuzov. Participating in the Patriotic War, B. wants to be at the front, and not at the headquarters, draws closer to the soldiers and comprehends the imperious power of the "spirit of the army" fighting for the liberation of their homeland. Before participating in the last battle of Borodino in his life, the hero meets and talks with Pierre. Having received a mortal wound, B., by chance, leaves Moscow in the Rostovs' train, reconciling with Natasha along the way, forgiving her and understanding before death the true meaning of the power of love that unites people.

Bolkonsky Nikolai Andreevich- prince, general-in-chief, retired from service under Paul I and exiled to the village. Father of Princess Marya and Prince Andrei. In the image of the old prince, Tolstoy restored many features of his maternal grandfather, Prince N. S. Volkonsky, "an intelligent, proud and gifted man."

N. A. lives in the countryside, meticulously allocating his time, most of all not enduring idleness, stupidity, superstition and violation of the once established order; he is demanding and harsh with everyone, often harassing his daughter with nit-picking, in the depths of his soul he loves her. The revered prince “walked in the old way, in a caftan and powder”, was short, “in a powdered wig ... with small dry hands and gray drooping eyebrows, sometimes, as he frowned, obscured the brilliance of smart and as if young shining eyes.” He is very proud, smart, restrained in showing feelings; perhaps his main concern is the preservation of family honor and dignity. Until the last days of his life, the old prince retains an interest in political and military events, only before his death he loses real ideas about the scale of the misfortune that happened to Russia. It was he who brought up feelings of pride, duty, patriotism and scrupulous honesty in his son Andrei.

Bolkonsky Nikolenka- the son of Prince Andrei and the "little princess", born on the day of the death of his mother and the return of his father, who was considered dead. He was brought up first in the house of his grandfather, then Princess Mary. Outwardly, he is very much like his dead mother: he has the same upturned lip and curly dark hair. N. grows up as a smart, impressionable and nervous boy. In the epilogue of the novel, he is 15 years old, he becomes a witness to a dispute between Nikolai Rostov and Pierre Bezukhov. Under this impression, N. sees a dream with which Tolstoy completes the events of the novel and in which the hero sees glory, himself, his late father and Uncle Pierre at the head of a large "right" army.

Denisov Vasily Dmitrievich- a combat hussar officer, gambler, gambler, noisy "a little man with a red face, shiny black eyes, black disheveled mustache and hair". D. is the commander and friend of Nikolai Rostov, a man for whom the highest honor in life is the honor of the regiment in which he serves. He is brave, capable of daring and rash acts, as in the case of the seizure of food transport, participates in all campaigns, commanding a partisan detachment in 1812, which freed the prisoners, including Pierre.

The hero of the war of 1812, D. V. Davydov, who is also mentioned in the novel as a historical person, served as the prototype for D. in many respects. Dolokhov Fedor - "Semenov officer, famous player and breter." Dolokhov was a man of medium height, curly-haired and with light, blue eyes. He was twenty-five years old. He did not wear a mustache, like all infantry officers, and his mouth, the most striking feature of his face, was completely visible. The lines of this mouth were remarkably finely curved. In the middle, the upper lip energetically descended onto the strong lower lip in a sharp wedge, and something like two smiles constantly formed in the corners, one on each side; and all together, and especially in combination with a firm, insolent, intelligent look, made such an impression that it was impossible not to notice this face. The prototypes of the image of D. are R. I. Dorokhov, a reveler and a brave man whom Tolstoy knew in the Caucasus; a relative of the writer, known at the beginning of the 19th century. Count F. I. Tolstoy-American, who also served as the prototype for the heroes of A. S. Pushkin, A. S. Griboyedov; partisans during the Patriotic War of 1812 A. S. Figner.

D. is not rich, but he knows how to position himself in society in such a way that everyone respects and even fears him. He is bored in the conditions of ordinary life and gets rid of boredom in a strange, even cruel way, doing incredible things. In 1805, he was expelled from St. Petersburg for tricks with the quarter, demoted to the rank and file, but during the military campaign he regained his officer rank.

D. is smart, brave, cold-blooded, indifferent to death. He carefully hides from. outsiders his tender affection for his mother, confessing to Rostov that everyone considers him an evil person, but in fact he does not want to know anyone except those whom he loves.

Dividing all people into useful and harmful, he sees around him mostly harmful, unloved, whom he is ready to “pass over if they get on the road.” D. is impudent, cruel and cunning. Being Helen's lover, he provokes Pierre to a duel; coolly and dishonestly beats Nikolai Rostov, taking revenge for Sonya's refusal to accept his offer; helps Anatole Kuragin to prepare an escape with Natasha, Drubetskaya Boris - the son of Princess Anna Mikhailovna Drubetskaya; from childhood he was brought up and lived for a long time in the Rostov family, who, through his mother, is a relative, was in love with Natasha. "A tall fair-haired young man with regular fine features of a calm and handsome face." Prototypes of the hero - A. M. Kuzminsky and M. D. Polivanov.

D. from his youth dreams of a career, is very proud, but accepts his mother's troubles and condones her humiliations if it benefits him. A. M. Drubetskaya, through Prince Vasily, gets her son a place in the guard. Once in the military service, D. dreams of making a brilliant career in this area.

Participating in the campaign of 1805, he acquires many useful contacts and understands his "unwritten subordination", wishing to continue to serve only in accordance with it. In 1806, A.P. Scherer “treats” them, who came from the Prussian army as a courier, to his guests. In the light of D. seeks to make useful contacts and uses the last money to give the impression of a rich and prosperous person. He becomes a close person in Helen's house and her lover. During the meeting of the emperors in Tilsit, D. is in the same place, and since that time his position has been especially firmly established. In 1809, D., seeing Natasha again, is carried away by her and for some time does not know what to prefer, since marriage with Natasha would mean the end of her career. D. is looking for a rich bride, choosing at one time between Princess Mary and Julie Karagina, who eventually became his wife.

Karataev Platon- a soldier of the Apsheron regiment, who met Pierre Bezukhov in captivity. Nicknamed in the service Falcon. This character was not in the first edition of the novel. His appearance is apparently due to the development and finalization of the image of Pierre and the philosophical concept of the novel.

At the first meeting with this small, affectionate and good-natured man, Pierre is struck by the feeling of something round and calm that comes from K. He attracts everyone to him with his calmness, confidence, kindness and smile of his round face. One day, K. tells the story of an innocently convicted merchant, who has resigned himself and suffers “for his own, but for people’s sins.” This story makes an impression among the prisoners as something very important. Weakened from a fever, K. begins to lag behind on transitions; he is shot by French escorts.

After the death of K., thanks to his wisdom and unconsciously expressed in all his behavior, the folk philosophy of life, Pierre comes to understand the meaning of life.

Kuragin Anatole- son of Prince Vasily, brother of Helen and Ippolit, officer. In contrast to the "calm fool" Ippolit, Prince Vasily looks at A. as a "restless fool" who always needs to be rescued from trouble. A. is a tall handsome man with a good-natured and "victorious look", "beautiful big" eyes and blond hair. He is dapper, arrogant, stupid, not resourceful, not eloquent in conversations, depraved, but "on the other hand, he also had the ability of calmness, precious to the world, and unchanging confidence." Being a friend of Dolokhov and a participant in his revels, A. looks at his life as a constant pleasure and amusement that should have been arranged for him by someone, he does not care about his relationships with other people. A. treats women contemptuously and with a consciousness of his superiority, accustomed to being liked and not experiencing serious feelings for anyone.

After infatuation with Natasha Rostova and an attempt to take her away, A. was forced to hide from Moscow, and then from Prince Andrei, who intended to challenge the offender to a duel. Their last meeting will take place in the infirmary after the Battle of Borodino: A. is wounded, his leg will be amputated.

Kuragin Vasily- Prince, father of Helen, Anatole and Hippolyte; a well-known and influential person in Petersburg society, holding important court posts.

Prince V. treats everyone around him condescendingly and patronizingly, he speaks quietly, always bending down the hand of his interlocutor. He appears “in a courtly, embroidered uniform, in stockings, shoes, with stars, with a bright expression of a flat face”, with a “perfumed and shining bald head”. When he smiles, there is “something unexpectedly rough and unpleasant” in the wrinkles of his mouth. Prince V. does not wish harm to anyone, does not think over his plans in advance, but, as a secular person, he uses circumstances and connections to carry out the plans that spontaneously arise in his mind. He always seeks rapprochement with people who are richer and higher than him in position.

The hero considers himself an exemplary father who has done everything possible to raise children and continues to take care of their future. Learning about Princess Marya, Prince V. takes Anatole to the Bald Mountains, wanting to marry him to a rich heiress. A relative of the old Count Bezukhov, he travels to Moscow and starts an intrigue with Princess Katish before the count's death to prevent Pierre Bezukhov from becoming heir. Having failed in this matter, he starts a new intrigue and marries Pierre and Helen.

Kuragina Helen- the daughter of Prince Vasily, and then the wife of Pierre Bezukhov. A brilliant St. Petersburg beauty with an "unchanging smile", full white shoulders, glossy hair and a beautiful figure. There was no noticeable coquetry in her, as if she was ashamed “for her undoubtedly and too much and win? effective beauty." E. is imperturbable, giving everyone the right to admire herself, which is why she feels, as it were, gloss from a multitude of other people's views. She knows how to be silently worthy in the world, giving the impression of a tactful and intelligent woman, which, combined with beauty, ensures her constant success.

Having married Pierre Bezukhov, the heroine discovers in front of her husband not only a limited mind, coarseness of thought and vulgarity, but also cynical depravity. After breaking up with Pierre and receiving a large part of the fortune from him by proxy, she lives either in St. Petersburg or abroad, then returns to her husband. Despite the family break, the constant change of lovers, including Dol ohov and Drubetskoy, E. continues to be one of the most famous and favored ladies of St. Petersburg. She is making very great progress in the world; living alone, she becomes the mistress of the diplomatic and political salon, gaining a reputation as an intelligent woman. Having decided to convert to Catholicism and considering the possibility of divorce and a new marriage, entangled between two very influential, high-ranking lovers and patrons, E. dies in 1812.

Kutuzov- Commander-in-Chief of the Russian Army. A participant in real historical events described by Tolstoy, and at the same time the plot of the work. He has a "chubby, wounded face" with an aquiline nose; he is gray-haired, plump, steps heavily. On the pages of the novel, K. first appears in an episode of a review near Braunau, impressing everyone with his knowledge of the matter and attention, hidden behind seeming absent-mindedness. K. knows how to be diplomatic; he is cunning enough and speaks "with elegance of expression and intonation", "with an affectation of deference" of a subservient and unreasoning person, when the matter does not concern the security of the homeland, as before the battle of Austerlitz. Before the Battle of Shengraben, K., crying, blesses Bagration.

In 1812, K., contrary to the opinion of secular circles, received the dignity of a prince and was appointed commander in chief of the Russian army. He is a favorite of soldiers and combat officers. From the beginning of his activity as commander-in-chief, K. believes that to win the campaign “you need patience and time”, that not knowledge, not plans, not mind, but “something else, independent of mind and knowledge” can solve the whole thing. . According to Tolstoy's historical and philosophical concept, a person is not able to really influence the course of historical events. K. has the ability to "calmly contemplate the course of events", but he knows how to see everything, listen, remember, do not interfere with anything useful and not allow anything harmful. On the eve and during the battle of Borodino, the commander oversees the preparations for the battle, together with all the soldiers and militias, he prays before the icon of the Smolensk Mother of God, and during the battle he controls the "elusive force" called the "spirit of the army." K. experiences painful feelings when he decides to leave Moscow, but “with his whole Russian being” he knows that the French will be defeated. Having directed all his forces to the liberation of his homeland, K. dies when his role is fulfilled, and the enemy is driven out of the borders of Russia. “This simple, modest, and therefore truly majestic figure could not fit into that deceitful form of a European hero, allegedly controlling people, which history invented.”

Napoleon- French Emperor a real historical person depicted in the novel, a hero whose image is associated with the historical and philosophical concept of L. N. Tolstoy.

At the beginning of the work, N. is the idol of Andrei Bolkonsky, a man whose greatness bows to Pierre Bezukhov, a politician whose actions and personality are discussed in the high society salon of A.P. Scherer. As the protagonist of the novel, he appears in the Battle of Austerlitz, after which the wounded Prince Andrei sees “a radiance of complacency and happiness” on the face of N., admiring the view of the battlefield.

The figure of N. “fat, short ... with broad, thick shoulders and an involuntarily protruding belly and chest, had that representative, portly appearance that people living in their forties have in the hall”; his face is youthful, full, with a protruding chin, short hair, and "his white plump neck protruded sharply from behind the black collar of his uniform." N.'s self-satisfaction and self-confidence are expressed in the conviction that his presence plunges people into delight and self-forgetfulness, that everything in the world depends only on his will. Sometimes he is prone to outbursts of anger.

Even before the order to cross the borders of Russia, the hero’s imagination is haunted by Moscow, and during the war he does not foresee its general course. Giving the Battle of Borodino, N. acts "involuntarily and senselessly", not being able to somehow influence its course, although he does nothing harmful to the cause. For the first time during the Battle of Borodino, he experienced bewilderment and hesitation, and after him the sight of the dead and wounded "overcame that spiritual strength in which he believed his merit and greatness." According to the author, N. was destined for an inhuman role, his mind and conscience were darkened, and his actions were "too opposite to goodness and truth, too far from everything human."

Rostov Ilya Andreevich- Count, father of Natasha, Nikolai, Vera and Petya Rostovs, famous Moscow gentleman, rich man, hospitable. R. knows how and loves to live, is good-natured, generous and motivated. The writer used many character traits and some episodes from the life of his paternal grandfather, Count I. A. Tolstoy, when creating the image of the old Count Rostov, noting in his appearance those features that are known from the portrait of his grandfather: a full body, “sparse gray hair on a bald spot."

R. is known in Moscow not only as a hospitable host and a wonderful family man, but also as a person who knows how to arrange a ball, a reception, a dinner better than others, and if necessary, put his own money for this. He is a member and foreman of the English club from the day of its foundation. It is he who is entrusted with the chores of arranging a dinner in honor of Bagration.

The life of Count R. is burdened only by the constant consciousness of his gradual ruin, which he is unable to stop, allowing the managers to rob themselves, not being able to refuse petitioners, not being able to change the once established order of life. Most of all, he suffers from a consciousness that ruins children, but he becomes more and more confused in business. In order to improve property matters, the Rostivs live in the village for two years, the count leaves the leaders, looks for a place in St. Petersburg, transporting his family there and, with his habits and social circle, giving the impression of a provincial there.

R. is distinguished by tender deep love and cordial kindness towards his wife and children. When leaving Moscow after the Battle of Borodino, it was the old count who began to slowly give up carts for the wounded, thus inflicting one of the last blows to his condition. Events of 1812-1813 and the loss of Petya finally broke the mental and physical strength of the hero. The last event, which, out of old habit, he directs, making the same active impression, is the wedding of Natasha and Pierre; in the same year, the count dies "just at the time when things ... got so confused that it was impossible to imagine how it would all end," and leaves a good memory behind him.

Rostov Nikolai- son of Count Rostov, brother of Vera, Natasha and Petya, officer, hussar; at the end of the novel, the husband of Princess Marya Volkonskaya. "A short, curly-haired young man with an open expression," in which he saw "swiftness and enthusiasm." N. the writer gave some features of his father, N.I. -Tolstoy, a participant in the war of 1812. The hero is distinguished in many respects by the same features of openness, cheerfulness, goodwill, self-sacrifice, musicality and emotionality as all Rostovs. Being sure that he is not an official or a diplomat, N. at the beginning of the novel leaves the university and enters the Pavlograd hussar regiment, in which his whole life is concentrated for a long time. He participates in military campaigns and the Patriotic War of 1812. N. takes his first baptism of fire while crossing the Enns, not being able to combine "the fear of death and a stretcher and love for the sun and life." In the battle of Shengraben, he goes on the attack too bravely, but, being wounded in the arm, he gets lost and leaves the battlefield with the thought of the absurdity of the death of the one "whom everyone loves so much." Having passed these tests, N. becomes a brave officer, a real hussar; he retains a sense of adoration for the sovereign and fidelity to his duty. Feeling at home in his native regiment, as in some special world where everything is simple and clear, N. turns out to be not free from solving complex moral problems, as, for example, in the case of officer Telyanin. In the regiment, N. becomes a “quite coarse” kind fellow, but remains sensitive and open to subtle feelings. In civilian life, he behaves like a real hussar.

His long-lasting romance with Sonya ends with the noble decision of N. to marry a dowry even against the will of his mother, but he receives a letter from Sonya with the return of his freedom. In 1812, during one of his trips, N. met Princess Marya and helped her leave Bogucharov. Princess Mary amazes him with her meekness and spirituality. After the death of his father, N. retires, taking on all the obligations and debts of the deceased, taking care of his mother and Sonya. When meeting with Princess Volkonskaya, out of noble motives, he tries to avoid her, one of the richest brides, but their mutual feeling does not weaken and is crowned with a happy marriage.

Rostov Petya- the youngest son of the Rostov counts, brother of Vera, Nikolai, Natasha. At the beginning of the novel, P. is still a little boy, enthusiastically yielding to the general atmosphere of life in the Rostov house. He is musical, like all Rostovs, kind and cheerful. After the entry of Nicholas into the army, P. wants to imitate his brother, and in 1812, carried away by a patriotic impulse and an enthusiastic attitude towards the sovereign, he asks for leave to join the army. “Snub-nosed Petya, with his cheerful black eyes, a fresh blush and a little fluff on his cheeks” becomes after leaving the mother’s main concern, realizing only at that time the full depth of her love for her youngest child. During the war, P. accidentally ends up with an assignment in the Denisov detachment, where he remains, wanting to take part in the present case. He accidentally dies, showing on the eve of his death in relations with his comrades all the best features of the "Rostov breed", inherited by him in his own home.

Rostov- the countess, "a woman with an oriental type of thin face, forty-five years old, apparently exhausted by children ... The slowness of her movements and speech, which came from the weakness of her strength, gave her a significant look that inspires respect." When creating the image of the Countess, R. Tolstoy used the character traits and some circumstances of the life of his paternal grandmother P. N. Tolstoy and mother-in-law L. A. Bers.

R. used to live in luxury, in an atmosphere of love and kindness. She is proud of the friendship and trust of her children, pampers them, worries about their fate. Despite seeming weakness and even lack of will, the Countess makes balanced and reasonable decisions regarding the fate of children. Her love for children is also dictated by her desire to marry Nikolai to a rich bride at all costs, nit-picking Sonya. The news of Petya's death almost drives her to insanity. The only object of displeasure of the countess is the inability of the old count to manage affairs and small quarrels with him because of the waste of the state of the children. At the same time, the heroine cannot understand either the position of her husband, or the position of her son, with whom she remains after the death of the count, demanding the usual luxury and the fulfillment of all her whims and desires.

Rostova Natasha- one of the main characters of the novel, daughter of Count Rostov, sister of Nikolai, Vera and Petya; at the end of the novel, Pierre Bezukhov's wife. N. - "black-eyed, with a big mouth, ugly, but alive ...". As its prototype, Tolstoy was served by his wife and her sister T. A. Bers, married Kuzminskaya. According to the writer, he "took Tanya, reworked with Sonya, and Natasha turned out." The image of the heroine took shape gradually from the very birth of the idea, when the writer, next to his hero, a former Decembrist, introduces himself to his wife.

N. is very emotional and sensitive, she intuitively guesses people, “not deigning” to be smart, sometimes she is selfish in the manifestations of her feelings, but more often she is capable of self-forgetfulness and self-sacrifice, as is the case with the removal of the wounded from Moscow or nursing mother after the death of Petya.

One of N.'s defining qualities and virtues is her musicality and rare beauty of her voice. With her singing, she is able to influence the best in a person: it is N.'s singing that saves Nikolai from despair after losing 43 thousand. Old Count Rostov says about N. that she is all in him, “gunpowder”, while Akhrosimova calls her “Cossack” and “potion girl”.

Constantly carried away, N. lives in an atmosphere of love and happiness. A change in her fate occurs after a meeting with Prince Andrei, who became her fiancé. The impatient feeling that overwhelms N., the insult inflicted by the old prince Bolkonsky, pushes her to be infatuated with Anatole Kuragin, to refuse Prince Andrei. Only having experienced and felt a lot, she realizes her guilt before Bolkonsky, reconciling with him and remaining near the dying Prince Andrei until his death. N. feels true love only for Pierre Bezukhov, with whom he finds complete understanding and whose wife he becomes, plunging into the world of family and maternal worries.

Sonya- niece and pupil of the old Count Rostov, who grew up in his family. The storyline of S. is based on the fate of T. A. Ergolskaya, a relative, close friend and teacher of the writer, who lived until the end of her days in Yasnaya Polyana and in many ways prompted Tolstoy to engage in literary work. However, the spiritual appearance of Yergolskaya is quite far from the character and inner world of the heroine. At the beginning of the novel, S. is 15 years old, she is “a thin, miniature brunette with a soft look tinted with long eyelashes, a thick black braid that wraps around her head twice, and a yellowish tint of skin on her face and especially on her naked, thin, but graceful hands and neck . With smoothness of movement, softness and flexibility of small members and a somewhat cunning and reserved manner, she resembles a beautiful, but not yet formed kitten, which will be a lovely cat.

S. fits perfectly into the Rostov family, is unusually close and friendly with Natasha, and has been in love with Nikolai since childhood. She is restrained, silent, judicious, cautious, her ability to self-sacrifice is highly developed. S. attracts attention with her beauty and moral purity, but she does not have that immediacy and inexplicably irresistible charm that Natasha has. S.'s feeling for Nikolai is so constant and deep that she wants to "always love, and let him be free." This feeling makes her refuse the enviable groom in her dependent position - Dolokhov.

The content of the heroine's life depends entirely on her love: she is happy, being connected by a word with Nikolai Rostov, especially after Christmas and his refusal of his mother's request to go to Moscow to marry the rich Julie Karagina. S. finally decides her fate under the influence of biased reproaches and reproaches of the old countess, not wanting to pay ingratitude for everything that was done for her in the Rostov family, and most importantly, wishing Nikolai happiness. She writes him a letter in which she frees him from this word, but secretly hopes that his marriage to Princess Mary will be impossible after the recovery of Prince Andrei. After the death of the old count, he remains with the countess to live in the care of the retired Nikolai Rostov.

Tushin- staff captain, hero of the Shengraben battle, “a small, dirty, thin artillery officer with big, intelligent and kind eyes. There was something "unmilitary, somewhat comical, but extremely attractive" about this man. T. becomes shy when meeting with his superiors, and there is always some kind of his fault. On the eve of the battle, he speaks of the fear of death and the uncertainty of what awaits after it.

In battle, T. completely changes, presenting himself as the hero of a fantastic picture, a hero throwing cannonballs at the enemy, and the enemy guns seem to him to be the same puffing smoking pipes as his own. Battery T. forgotten during the battle, left without cover. During the battle, T. does not have a sense of fear and thoughts about death and injury. He becomes more and more cheerful, the soldiers listen to him like children, but he does everything he can, and thanks to his ingenuity sets fire to the village of Shengraben. From another trouble (cannons left on the battlefield), the hero is rescued by Andrei Bolkonsky, who announces to Bagration that the detachment largely owes its success to this man.

Sherer Anna Pavlovna- the maid of honor and close associate of the Empress Maria Feodorovna, the hostess of the fashionable high-society "political" salon in St. Petersburg, describing the evening in which Tolstoy begins his novel. A.P. is 40 years old, she has “obsolete facial features”, every time the Empress is mentioned, she expresses a combination of sadness, devotion and respect. The heroine is dexterous, tactful, influential at court, prone to intrigues. Her attitude to any person or event is always dictated by the latest political, court or secular considerations, she is close to the Kuragin family and friendly with Prince Vasily. A.P. is constantly “full of animation and impulse”, “to be an enthusiast has become her social position”, and in her salon, in addition to discussing the latest court and political news, she always “treats” guests with some novelty or celebrity, and in 1812 Her circle demonstrates salon patriotism in Petersburg light.

Chapped Tikhon- a peasant from Pokrovsky near Gzhatya, who joined Denisov's partisan detachment. He got his nickname because of the lack of one tooth. He is agile, walks on "flat, twisted legs." In the detachment T. is the most necessary person, no one more dexterous than him can lead the "language" and perform any uncomfortable and dirty work. T. goes to the French with pleasure, bringing trophies and bringing prisoners, but after his injury, he begins to kill the French needlessly, laughingly referring to the fact that they were “bad”. For this, he is not loved in the detachment.

Now you know the main characters of War and Peace, as well as their brief description.

A.E. Bersom wrote a letter to his friend, Count Tolstoy, in 1863, which reported on a fascinating conversation between young people about the events of 1812. Then Lev Nikolaevich decided to write a grandiose work about that heroic time. Already in October 1863, the writer wrote in one of his letters to a relative that he had never felt such creative forces in himself, the new work, according to him, would not be like any that he had done before.

Initially, the main character of the work should be a Decembrist, returning in 1856 from exile. Further, Tolstoy moved the beginning of the novel to the day of the uprising in 1825, but then the literary time moved to 1812. Apparently, the count was afraid that the novel would not be allowed through for political reasons, because even Nicholas the First tightened censorship, fearing a repetition of the rebellion. Since the Patriotic War directly depends on the events of 1805, it was this period that in the final version became the foundation for the beginning of the book.

"Three pores" - this is how Leo Nikolayevich Tolstoy called his work. It was planned that in the first part or time will be told about the young Decembrists, participants in the war; in the second - a direct description of the Decembrist uprising; in the third - the second half of the 19th century, the sudden death of Nicholas 1, the defeat of the Russian army in the Crimean War, the amnesty of members of the opposition movement, who, returning from exile, expect changes.

It should be noted that the writer rejected all the works of historians, basing many episodes of "War and Peace" on the memoirs of participants and witnesses of the war. Materials from newspapers and magazines also served as excellent informants. In the Rumyantsev Museum, the author read unpublished documents, letters from ladies-in-waiting and generals. Tolstoy spent several days in Borodino, and in letters to his wife he enthusiastically wrote that if God grants health, he will describe the battle of Borodino in a way that no one has described before him.

The author put 7 years of his life on the creation of "War and Peace". There are 15 variations of the beginning of the novel, the writer repeatedly abandoned and restarted his book. Tolstoy foresaw the global scope of his descriptions, wanted to create something innovative and created an epic novel worthy of representing the literature of our country on the world stage.

Themes "War and Peace"

1. Family theme. It is the family that determines the upbringing, psychology, views and moral principles of a person, therefore it naturally occupies one of the central places in the novel. The forge of morals shapes the characters of the characters, influences the dialectic of their soul throughout the entire story. The description of the family of the Bolkonskys, Bezukhovs, Rostovs and Kuragins reveals the author's thoughts about house building and the importance he attaches to family values.
2. The theme of the people. Glory for a won war always belongs to the commander or emperor, and the people, without whom this glory would not have appeared, remains in the shadows. It is this problem that the author raises, showing the vanity of the vanity of military officials and elevating ordinary soldiers. became the subject of one of our essays.
3. The theme of war. Descriptions of hostilities exist relatively separately from the novel, on their own. It is here that the phenomenal Russian patriotism is revealed, which has become the key to victory, the boundless courage and fortitude of a soldier who goes to any lengths to save his homeland. The author introduces us to the military scenes through the eyes of one or another hero, plunging the reader into the depths of the ongoing bloodshed. Large-scale battles echo the mental anguish of the heroes. Being at the crossroads of life and death reveals the truth to them.
4. The theme of life and death. Tolstoy's characters are divided into "living" and "dead". The former include Pierre, Andrei, Natasha, Marya, Nikolai, and the latter include old Bezukhov, Helen, Prince Vasily Kuragin and his son Anatole. The “living” are constantly in motion, and not so much physical as internal, dialectical (their souls come to harmony through a series of trials), and the “dead” hide behind masks and come to tragedy and internal split. Death in "War and Peace" is presented in 3 hypostases: bodily or physical death, moral and awakening through death. Life is comparable to the burning of a candle, someone's little flame, with flashes of bright light (Pierre), for someone it burns tirelessly (Natasha Rostova), Masha's wavering light. There are also 2 hypostases: physical life, like that of “dead” characters, whose immorality deprives the world inside of the necessary harmony, and the life of the “soul”, this is about the heroes of the first type, they will be remembered even after death.

main characters

• Andrey Bolkonsky- a nobleman, disappointed in the world and seeking glory. The hero is handsome, has dry features, short stature, but athletic build. Andrei dreams of being famous like Napoleon, for which he goes to war. He is bored with high society, even a pregnant wife does not give consolation. Bolkonsky changes his outlook when, wounded at the battle of Austerlitz, he ran into Napoleon, who seemed to him like a fly, along with all his glory. Further, the love that flared up for Natasha Rostova also changes the views of Andrei, who finds the strength to live a full and happy life again after the death of his wife. He meets death on the Borodino field, because he does not find in his heart the strength to forgive people and not to fight with them. The author shows the struggle in his soul, hinting that the prince is a man of war, he cannot get along in an atmosphere of peace. So, he forgives Natasha for betrayal only on his deathbed, and dies in harmony with himself. But finding this harmony was possible only in this way - for the last time. We wrote more about his character in the essay "".
• Natasha Rostova- a cheerful, sincere, eccentric girl. Knows how to love. He has a wonderful voice that will captivate the most captious music critics. In the work, we first see her as a 12-year-old girl, on her name day. Throughout the work, we observe the growing up of a young girl: first love, first ball, Anatole's betrayal, guilt before Prince Andrei, the search for one's "I", including in religion, the death of a lover (Andrey Bolkonsky). We analyzed her character in the essay "". In the epilogue, Pierre Bezukhov's wife, his shadow, appears before us from a cocky lover of "Russian dances".
• Pierre Bezukhov- a full young man who was unexpectedly bequeathed a title and a large fortune. Pierre reveals himself through what is happening around, from each event he draws morality and a life lesson. A wedding with Helen gives him confidence, after being disappointed in her, he finds an interest in Freemasonry, and in the final he gains warm feelings for Natasha Rostova. The battle of Borodino and captivity by the French taught him not to philosophize onionly and find happiness in helping others. These conclusions were determined by acquaintance with Platon Karataev, a poor man who, in anticipation of death in a cell without normal food and clothes, took care of the "little boy" Bezukhov and found the strength to support him. we have also considered.
• Graph Ilya Andreevich Rostov- a loving family man, luxury was his weakness, which led to financial problems in the family. Softness and weakness of character, inability to live make him helpless and miserable.
• Countess Natalia Rostova- the wife of the Count, has an oriental flavor, knows how to properly present herself in society, loves her own children excessively. Calculating woman: strive to upset the wedding of Nikolai and Sonya, since she was not rich. It was cohabitation with a weak husband that made her so strong and firm.
• Nickolai Rostov- the eldest son - kind, open, with curly hair. Wasteful and weak in spirit, like a father. Scrolls the state of the family into cards. He longed for glory, but after participating in a number of battles, he realizes how useless and cruel war is. Family well-being and spiritual harmony finds in marriage with Marya Bolkonskaya.
• Sonya Rostova- the count's niece - small, thin, with a black braid. She was thoughtful and kind-hearted. She has been devoted to one man all her life, but releases her beloved Nikolai, having learned about his love for Marya. Tolstoy exalts and appreciates her humility.
• Nikolai Andreevich Bolkonsky- the prince, has an analytical mindset, but a heavy, categorical and unfriendly character. Too strict, so he does not know how to show love, although he has warm feelings for children. Dies from the second blow in Bogucharovo.
• Marya Bolkonskaya- modest, loving relatives, ready to sacrifice herself for the sake of loved ones. L.N. Tolstoy especially emphasizes the beauty of her eyes and the ugliness of her face. In her image, the author shows that the charm of forms cannot replace spiritual wealth. detailed in the essay.
• Helen Kuragina- Pierre's ex-wife is a beautiful woman, a socialite. She loves male society and knows how to get what she wants, although she is vicious and stupid.
• Anatole Kuragin- Helen's brother - handsome and well received in high society. Immoral, lacking moral principles, he wanted to secretly marry Natasha Rostova, although he already had a wife. Life punishes him with martyrdom on the battlefield.
• Fedor Dolokhov- an officer and leader of the partisans, not tall, has bright eyes. Successfully combines selfishness and concern for loved ones. Vicious, passionate, but attached to the family.

Favorite character of Tolstoy

The author clearly feels the author's sympathy and antipathy for the characters in the novel. As for female images, the writer gives his love to Natasha Rostova and Marya Bolkonskaya. Tolstoy appreciated the real feminine in girls - devotion to her beloved, the ability to always remain blooming in the eyes of her husband, the knowledge of happy motherhood and caring. His heroines are ready for self-denial for the benefit of others.

The writer is fascinated by Natasha, the heroine finds the strength to live even after Andrei's death, she directs her love to her mother after the death of her brother Petya, seeing how hard it is for her. The heroine is reborn, realizing that life is not over, as long as she has a bright feeling for her neighbor. Rostova shows patriotism, no doubt helping the wounded.

Marya also finds happiness in helping others, in feeling needed by someone. Bolkonskaya becomes a mother for her nephew Nikolushka, taking him under her "wing". She worries about ordinary men who have nothing to eat, passing the problem through themselves, does not understand how the rich can not help the poor. In the final chapters of the book, Tolstoy is fascinated by his heroines, who have matured and found female happiness.

The favorite male images of the writer were Pierre and Andrei Bolkonsky. For the first time, Bezukhov appears before the reader as a clumsy, full, short young man who appears in the living room of Anna Scherer. Despite his ridiculously ridiculous appearance, Pierre is smart, but the only person who accepts him for who he is is Bolkonsky. The prince is bold and stern, his courage and honor come in handy on the battlefield. Both men risk their lives to save their homeland. Both rush about in search of themselves.

Of course, L.N. Tolstoy brings together his favorite heroes, only in the case of Andrei and Natasha, happiness is short-lived, Bolkonsky dies young, and Natasha and Pierre find family happiness. Marya and Nikolai also found harmony in each other's society.

Genre of the work

"War and Peace" opens the genre of the epic novel in Russia. It successfully combines the features of any novels: from family-household to memoirs. The prefix "epopee" means that the events described in the novel cover a significant historical phenomenon and reveal its essence in all its diversity. Usually in a work of this genre there are a lot of storylines and heroes, since the scale of the work is very large.

The epic nature of Tolstoy's work is that he not only invented a story about a well-known historical accomplishment, but also enriched it with details gleaned from the memories of eyewitnesses. The author did a lot to ensure that the book was based on documentary sources.

The relationship between the Bolkonskys and the Rostovs was also not invented by the author: he painted the history of his family, the merger of the Volkonsky and Tolstoy families.

Main problems

1. The problem of finding real life. Let's take Andrei Bolkonsky as an example. He dreamed of recognition and glory, and the surest way to earn prestige and adoration is military exploits. Andrei made plans to save the army with his own hands. Pictures of battles and victories were constantly seen by Bolkonsky, but he gets injured and goes home. Here, before the eyes of Andrei, his wife dies, completely shaking the inner world of the prince, then he realizes that there is no joy in the killings and sufferings of the people. Not worth this career. The search for oneself continues, because the original meaning of life has been lost. The problem is that it's hard to get it.
2. The problem of happiness. Take Pierre, who is torn away from the empty society of Helen and the war. In a vicious woman, he is soon disappointed, illusory happiness deceived him. Bezukhov, like his friend Bolkonsky, is trying to find a calling in the struggle and, like Andrei, leaves this search. Pierre was not born for the battlefield. As you can see, any attempts to find bliss and harmony turn into a collapse of hopes. As a result, the hero returns to his former life and finds himself in a quiet family haven, but, only making his way through the thorns, he found his star.
3. The problem of the people and the great man. The epic novel clearly expresses the idea of ​​commanders-in-chief, inseparable from the people. A great man must share the opinion of his soldiers, live by the same principles and ideals. Not a single general or king would have received his glory if this glory had not been presented to him on a silver platter by soldiers, in whom lies the main strength. But many rulers do not cherish it, but despise it, and this should not be, because injustice hurts people painfully, even more painfully than bullets. The people's war in the events of 1812 is shown on the side of the Russians. Kutuzov protects the soldiers, sacrifices Moscow for them. They feel this, mobilize the peasants and launch a guerrilla struggle that ends the enemy and finally drives him out.
4. The problem of true and false patriotism. Of course, patriotism is revealed through the images of Russian soldiers, the description of the heroism of the people in the main battles. False patriotism in the novel is represented by Count Rostopchin. He distributes ridiculous papers around Moscow, and then saves himself from the wrath of people by sending his son Vereshchagin to certain death. We have written an article on this topic, called "".

What is the meaning of the book?

The writer himself speaks about the true meaning of the epic novel in lines about greatness. Tolstoy believes that there is no greatness where there is no simplicity of soul, good intentions and a sense of justice.

L.N. Tolstoy expressed greatness through the people. In the images of battle paintings, an ordinary soldier shows unprecedented courage, which causes pride. Even the most timid awakened in themselves a sense of patriotism, which, like an unknown and violent force, brought victory to the Russian army. The writer declares a protest against false greatness. When put on the scales (here you can find their comparative characteristics), the latter remains flying up: its fame is lightweight, as it has very flimsy foundations. The image of Kutuzov is “folk”, none of the commanders has been so close to the common people. Napoleon only reaps the fruits of fame, not without reason, when Bolkonsky wounded lies on the field of Austerlitz, the author shows Bonaparte through his eyes, like a fly in this vast world. Lev Nikolaevich sets a new trend of heroic character. They become "the people's choice."

An open soul, patriotism and a sense of justice won not only in the war of 1812, but also in life: the heroes who were guided by moral postulates and the voice of their hearts became happy.

Thought Family

L.N. Tolstoy was very sensitive to the topic of the family. Thus, in his novel “War and Peace”, the writer shows that the state, as a clan, passes on values ​​and traditions from generation to generation, and good human qualities are also sprouts from the roots that go back to the forefathers.

Brief description of families in the novel "War and Peace":

1. Of course, the beloved family of L.N. Tolstoy were the Rostovs. Their family was famous for cordiality and hospitality. It is in this family that the author's values ​​of real home comfort and happiness are reflected. The writer considered the mission of a woman - motherhood, maintaining comfort in the house, devotion and the ability to sacrifice. This is how all the women of the Rostov family are depicted. There are 6 people in the family: Natasha, Sonya, Vera, Nikolai and parents.
2. Another family is the Bolkonskys. Restraint of feelings, the severity of Father Nikolai Andreevich, canonicity reign here. Women here are more like "shadows" of husbands. Andrei Bolkonsky will inherit the best qualities, becoming a worthy son of his father, and Marya will learn patience and humility.
3. The Kuragin family is the best personification of the proverb “oranges will not be born from aspen”. Helene, Anatole, Hippolyte are cynical, looking for profit in people, stupid and not a bit sincere in what they do and say. "Mask show" is their lifestyle, and with this they completely went to their father - Prince Vasily. The family does not have friendly and warm relations, which is reflected in all its members. L.N. Tolstoy especially dislikes Helen, who was incredibly beautiful on the outside, but completely empty inside.

Folk thought

She is the central line of the novel. As we remember from the above, L.N. Tolstoy abandoned generally accepted historical sources, basing War and Peace on memoirs, notes, and letters from ladies-in-waiting and generals. The writer was not interested in the course of the war as a whole. Separate personalities, fragments - that's what the author needed. Each person had his own place and significance in this book, like the pieces of a puzzle, which, when assembled correctly, will reveal a beautiful picture - the power of national unity.

The Patriotic War changed something inside each of the characters in the novel, each made his own small contribution to the victory. Prince Andrei believes in the Russian army and fights with dignity, Pierre wants to destroy the French ranks from their very heart by killing Napoleon, Natasha Rostova immediately gives carts to crippled soldiers, Petya bravely fights in partisan detachments.

The people's will to win is clearly felt in the scenes of the battle of Borodino, the battle for Smolensk, the partisan battle with the French. The latter is especially memorable for the novel, because volunteers fought in partisan movements, people from the ordinary peasant class - the detachments of Denisov and Dolokhov personify the movement of the whole nation, when "both old and young" stood up to defend their homeland. Later they will be called the "club of the people's war."

War of 1812 in Tolstoy's novel

About the war of 1812, as a turning point in the lives of all the heroes of the novel "War and Peace", has been said repeatedly above. It was also said that it was won by the people. Let's look at the issue from a historical point of view. L.N. Tolstoy draws 2 images: Kutuzov and Napoleon. Of course, both images are drawn through the eyes of a native of the people. It is known that the character of Bonaparte was thoroughly described in the novel only after the writer was convinced of the fair victory of the Russian army. The author did not understand the beauty of war, he was its opponent, and through the lips of his heroes Andrei Bolkonsky and Pierre Bezukhov, he speaks of the senselessness of its very idea.

The Patriotic War was a national liberation war. She occupied a special place on pages 3 and 4 of volumes.

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Lev Nikolaevich Tolstoy, with his pure Russian pen, gave life to a whole world of characters in the novel War and Peace. His fictional heroes, who are intertwined into entire noble families or family ties, present to the modern reader a real reflection of those people who lived in the times described by the author. One of the greatest books of world significance, "War and Peace", with the confidence of a professional historian, but at the same time as in a mirror, represents to the whole world that Russian spirit, those characters of secular society, those historical events that were invariably present at the end of the 18th and early nineteenth centuries.
And against the background of these events, it is shown in all its power and diversity.

L.N. Tolstoy and the heroes of the novel "War and Peace" are experiencing the events of the past nineteenth century, but Lev Nikolayevich begins to describe the events of 1805. The coming war with the French, the decisively approaching the whole world and the growing greatness of Napoleon, the confusion in Moscow secular circles and the apparent calmness in St. Petersburg secular society - all this can be called a kind of background against which, like a brilliant artist, the author drew his characters. There are quite a lot of heroes - about 550 or 600. There are both main and central figures, and there are others or just mentioned. In total, the heroes of "War and Peace" can be divided into three groups: central, secondary and mentioned characters. Among all of them, there are both fictional heroes, both prototypes of the people who surrounded the writer at that time, and real-life historical figures. Consider the main characters of the novel.

Quotes from the novel "War and Peace"

- ... I often think how sometimes the happiness of life is unfairly distributed.

A person cannot own anything while he is afraid of death. And whoever is not afraid of her, everything belongs to him.

Until now, thank God, I have been a friend of my children and enjoy their full confidence, - said the countess, repeating the error of many parents who believe that their children have no secrets from them.

Everything, from napkins to silver, faience and crystal, bore that special imprint of novelty that happens in the household of young spouses.

If everyone fought only according to their convictions, there would be no war.

Being an enthusiast became her social position, and sometimes, when she didn’t even want to, she, in order not to deceive the expectations of people who knew her, became an enthusiast.

Everything, to love everyone, to always sacrifice oneself for love, meant not to love anyone, meant not to live this earthly life.

Never, never marry, my friend; here is my advice to you: do not marry until you tell yourself that you have done everything you could, and until you stop loving the woman you have chosen, until you see her clearly; otherwise you will make a cruel and irreparable mistake. Marry an old man, worthless ...

The central figures of the novel "War and Peace"

Rostovs - counts and countesses

Rostov Ilya Andreevich

Count, father of four children: Natasha, Vera, Nikolai and Petya. A very kind and generous person who loved life very much. His exorbitant generosity ultimately led him to extravagance. Loving husband and father. A very good organizer of various balls and receptions. However, his life on a grand scale, and disinterested assistance to the wounded during the war with the French and the departure of the Russians from Moscow, dealt fatal blows to his condition. His conscience constantly tormented him because of the impending poverty of his family, but he could not help himself. After the death of his youngest son Petya, the count was broken, but, however, revived during the preparations for the wedding of Natasha and Pierre Bezukhov. It takes just a few months after the wedding of the Bezukhovs, as Count Rostov dies.

Rostova Natalya (wife of Ilya Andreevich Rostov)

The wife of Count Rostov and the mother of four children, this woman, at the age of forty-five, had oriental features. The focus of slowness and gravity in her was regarded by others as the solidity and high significance of her personality for the family. But the real reason for her manners, perhaps, lies in the exhausted and weak physical condition due to childbirth and the upbringing of four children. She loves her family and children very much, so the news of the death of Petya's youngest son almost drove her crazy. Just like Ilya Andreevich, Countess Rostova was very fond of luxury and the execution of any of her orders.

Leo Tolstoy and the heroes of the novel "War and Peace" in Countess Rostova helped to reveal the prototype of the author's grandmother - Tolstoy Pelageya Nikolaevna.

Rostov Nikolai

Son of Count Rostov Ilya Andreevich. A loving brother and son who honors his family, at the same time he loves to serve in the Russian army, which is very significant and important for his dignity. Even in his fellow soldiers, he often saw his second family. Although he was in love with his cousin Sonya for a long time, at the end of the novel he marries Princess Marya Bolkonskaya. A very energetic young man, with curly hair and an "open expression". His patriotism and love for the Emperor of Russia never dried up. Having gone through many hardships of war, he becomes a brave and brave hussar. After the death of Father Ilya Andreevich, Nikolai retires in order to improve the financial affairs of the family, pay off debts and, finally, become a good husband for Marya Bolkonskaya.

It seems to Tolstoy Leo Nikolaevich as a prototype of his father.

Rostova Natasha

Daughter of the Count and Countess Rostov. A very energetic and emotional girl, who was considered ugly, but lively and attractive, she is not very smart, but intuitive, because she was able to perfectly “guess people”, their mood and some character traits. Very impetuous for nobility and self-sacrifice. She sings and dances very beautifully, which at that time was an important characterizing quality for a girl from a secular society. The most important quality of Natasha, which Leo Tolstoy, like his heroes, repeatedly emphasizes in the novel War and Peace, is closeness to the simple Russian people. Yes, and she herself absorbed the entire Russianness of culture and the strength of the spirit of the nation. Nevertheless, this girl lives in her illusion of goodness, happiness and love, which, after some time, brings Natasha into reality. It is these blows of fate and her heartfelt experiences that make Natasha Rostova an adult and give her, as a result, a mature true love for Pierre Bezukhov. The story of the rebirth of her soul deserves special respect, as Natasha began to attend church after she succumbed to the temptation of a deceitful seducer. If you are interested in Tolstoy's works, which take a deeper look at the Christian heritage of our people, then you need to read about how he fought temptation.

A collective prototype of the writer's daughter-in-law Tatyana Andreevna Kuzminskaya, as well as her sister, Lev Nikolaevich's wife, Sophia Andreevna.

Rostova Vera

Daughter of the Count and Countess Rostov. She was famous for her strict disposition and inappropriate, albeit fair, remarks in society. It is not known why, but her mother did not really love her and Vera felt this keenly, apparently, therefore she often went against everyone around her. Later she became the wife of Boris Drubetskoy.

It is the prototype of Tolstoy's sister Sophia - the wife of Leo Nikolayevich, whose name was Elizabeth Bers.

Rostov Petr

Just a boy, the son of the Count and Countess of the Rostovs. Growing up Petya, the young man tried to go to war, and in such a way that his parents could not at all keep him. Escaped all the same from parental care and decided on the hussar regiment of Denisov. Petya dies in the first battle, without having time to fight. His death greatly crippled his family.

Sonya

The miniature glorious girl Sonya was the native niece of Count Rostov and lived all her life under his roof. Her long-term love for Nikolai Rostov became fatal for her, because she never managed to unite with him in marriage. In addition, the old Count Natalya Rostova was very against their marriage, because they were cousins. Sonya acts nobly, refusing Dolokhov and agreeing to love only Nikolai for life, while freeing him from his promise to marry her. For the rest of her life, she lives with the old countess in the care of Nikolai Rostov.

The prototype of this seemingly insignificant character was Lev Nikolayevich's second cousin, Tatyana Aleksandrovna Ergolskaya.

Bolkonsky - princes and princesses

Bolkonsky Nikolai Andreevich

The father of the protagonist, Prince Andrei Bolkonsky. In the past, the acting General-in-Chief, in the present, the Prince, who earned himself the nickname "Prussian King" in Russian secular society. Socially active, strict like a father, tough, pedantic, but wise owner of his estate. Outwardly, he was a thin old man in a powdered white wig, thick eyebrows hanging over penetrating and intelligent eyes. He does not like to show feelings even for his beloved son and daughter. He constantly harasses his daughter Mary with nit-picking and sharp words. Sitting at his estate, Prince Nikolai is constantly on the alert for events taking place in Russia, and only before his death he loses a complete understanding of the scale of the tragedy of the Russian war with Napoleon.

The prototype of Prince Nikolai Andreevich was the writer's grandfather Volkonsky Nikolai Sergeevich.

Bolkonsky Andrey

Prince, son of Nikolai Andreevich. Ambitious, like his father, restrained in the manifestation of sensual impulses, but loves his father and sister very much. Married to the "little princess" Lisa. Made a good military career. He philosophizes a lot about life, the meaning and state of his spirit. From which it is clear that he is in some kind of constant search. After the death of his wife in Natasha, Rostova saw hope for himself, a real girl, and not a fake one like in secular society, and a certain light of future happiness, so he was in love with her. Having made an offer to Natasha, he was forced to go abroad for treatment, which served as a real test of their feelings for both. As a result, their wedding fell through. Prince Andrei went to war with Napoleon and was seriously wounded, after which he did not survive and died from a severe wound. Natasha devotedly looked after him until the end of his death.

Bolkonskaya Marya

Daughter of Prince Nikolai and sister of Andrei Bolkonsky. A very meek girl, not beautiful, but kind-hearted and very rich, like a bride. Her inspiration and devotion to religion serve as many examples of kindness and meekness. Unforgettably loves her father, who often mocked her with his ridicule, reproaches and injections. And also loves his brother, Prince Andrei. She did not immediately accept Natasha Rostova as a future daughter-in-law, because she seemed to her too frivolous for her brother Andrei. After all the hardships experienced, she marries Nikolai Rostov.

The prototype of Marya is the mother of Leo Tolstoy - Volkonskaya Maria Nikolaevna.

Bezukhovs - counts and countesses

Bezukhov Pierre (Pyotr Kirillovich)

One of the main characters who deserves close attention and the most positive assessment. This character has experienced a lot of mental trauma and pain, possessing in itself a kind and highly noble disposition. Tolstoy and the heroes of the novel "War and Peace" very often express their love and acceptance of Pierre Bezukhov as a man of very high morals, complacent and a man of a philosophical mind. Lev Nikolayevich loves his hero, Pierre, very much. As a friend of Andrei Bolkonsky, the young Count Pierre Bezukhov is very devoted and responsive. Despite the various intrigues weaving under his nose, Pierre did not become embittered and did not lose his good nature towards people. And by marrying Natalya Rostova, he finally found that grace and happiness that he so lacked in his first wife, Helen. At the end of the novel, his desire to change the political foundations in Russia can be traced, and from afar one can even guess his Decembrist moods.

Character prototypes
Most of the heroes of such a complex structure of the novel always reflect some people who one way or another met on the path of Leo Tolstoy.

The writer successfully created a whole panorama of the epic history of the events of that time and the private life of secular people. In addition, the author managed to very brightly paint the psychological traits and characters of his characters in such a way that a modern person can learn worldly wisdom from them.