The image of a woman through the centuries, starting with icons. The image of a woman as a mother in the art of different eras. On the board “On arable land. Spring"

The purpose of the lesson: to get acquainted with the ideal of motherhood and sacrificial love for people. Lesson plan: - Repetition. - Learning new teaching material- Consolidation of the studied material. - Information on homework... - Lesson summary D / p: §9.3 p. 85, prez. since: 57 Madonna of the Titans of the Renaissance

The art of the High Renaissance, which was defined in its main features by the beginning of the 16th century, will bring a different understanding of female beauty... The Titans of the High Renaissance: Leonardo da Vinci, Michelangelo, Raphael and Titian - strive to create a generalized image of a perfect person, beautiful both physically and spiritually. "Annunciation" by Leonardo da Vinci

Numerous drawings by Leonardo da Vinci testify to how much he was attracted by the theme of a beautiful young mother with a child. He portrayed women with faces, now serious, now smiling, in poses expressing tenderness, with a look full of quivering feeling and quiet serenity, and adorable babies engaged in play and fun. Saint Anna with Mary and baby

Leonardo da Vinci's Madonna Litta is a gem of the Hermitage collection. The painting depicts young Maria, carefully holding a baby in her arms. Her bent profile is full of exceptional beauty and nobility. Lowered eyes and a barely noticeable smile give the Madonna's appearance extraordinary expressiveness and warmth, illuminate her with a bright motherly feeling. In this wonderful painting, the artist managed to convey his idea of ​​happiness, purely earthly joy

One of the greatest creations of world art was Raphael's painting "The Sistine Madonna" (), which brilliantly embodies the idea of ​​motherhood, an earthly, realistic depiction of a woman-mother. She has just taken a barely noticeable step towards people. Her movement is calm and dignified. One gets the impression that she is not walking, but hovers in the clouds, and in this movement of her there is nothing hasty and deliberate. She slightly attracts the baby to her, as if afraid to part with him, and at the same time holds him out to people. In this contradictory gesture of the mother, we feel the deep tragedy of what is happening.

Madonna's eyes look trustingly and openly. Light, enlightened sadness colors her divine features. Yes, she perfectly understands what harsh and difficult life trials are in store for her son. The baby clings to his mother, he looks a little surprised and frightened at the world spreading before him. What lies ahead for him? In childish spontaneity and purity of gaze - a premonition of future suffering .. Raphael "The Sistine Madonna"

The exceptional charm of this painting by Raphael lies in the natural combination of simplicity and solemnity, delicate femininity and regal grandeur. In it, the human rises to the divine, and the divine becomes earthly. Raphael "Sistine Madonna"

Michelangelo Buonarroti "Madonna Doni" The figure of Mary, Joseph and the infant Christ form a helical group, introducing a strong charge of plastic energy into the compositional whole. The painting is often called "Tondo Doni", because, firstly, it belonged to the Doni family in Florence, and secondly, it has a round shape (in English "tondo"). According to the generally accepted hypothesis, the painting was executed for the wedding of Agnolo Doni to Maddalena Strozzi, whose coat of arms is carved into the frame.

Parts of the polyptych were separated as early as the 17th century. Giorgio Vasari left us with information about the location of the details of the polyptych, many parts of which are lost today. “In the Church of Carmine in Pisa, on a board located in one of the chapels of the transept, he painted the Virgin and Child, at her feet there are several playing angels, one of whom, playing the lute, listens attentively to the harmony of sounds. Around the Mother of God - St. Peter, St. John the Baptist, St. Julian and St. Nikolay - figures full of movement and life. " Masaccio "Madonna and Child"

Botticelli's "Madonna Magnificat" A composition skillfully inscribed in a circle is one of the master's most remarkable creations. The exquisite lines of the hands that surrounded the figure of the infant Christ are closed on the crown of Mary. The ring of hands is like a whirlpool, in the center of which you can see a distant peaceful landscape. Christ holds the fruit in his hand - a symbol of immortality, which he will bring to humanity.

Botticelli "Madonna Magnificat" The face of "Madonna Magnificat" Botticelli is the ideal of beauty. Thin light skin, graceful structure of the face. The expression of purity is complemented by a touch of tenderness in the rounded lips. Braided hair gives an earthy impression, reminiscent of the appearance of a peasant girl, but fashionable dressing items - a scarf and a transparent bedspread - transform the model into perfect image Madonna.

The picture is named after the first word of the prayer of the Mother of God, the text of which is clearly visible on the spread of the open book. The Infant Christ holds a pomegranate in one hand, and with the other leads the hand of the Madonna, who inscribes the beginning of the song of thanksgiving in an unfolded book (Heb. Luke, I, 46). Two boys, accompanied by a third, hold the book and inkwell, while two angels raise the crown over the head of the Madonna. Botticelli "Madonna Magnificat"

Option number I

1. The first small female figurines "Paleolithic Venus" were:

a) graceful and slender;

b) primitive and rude.

______________________________________________________________________________________

3. Make the correspondence:

1 V Western Europe

a Madonna

2 in Russia

b Virgin

4. Name the icon.

___________________________________________________________

_______________________________________________________

6. About what picture A.G. Venetsianov is it?

A barefoot peasant woman in a long pink sundress and scarlet kokoshnik leads two horses harnessed to the harrow by the bridle ...

______________________________________________________________________

8. Make the correspondence:

1 Our Lady of Orante

a

2 Our Lady of Hodegetria

b

______________________________________________

__________________________________________________________

Answers.

b) primitive and rude.

1 In Western Europe

a Madonna

2 in Russia

b Virgin

Vladimirskaya Mother of God

Madonna Litta, Leonardo da Vinci

On arable land. Spring

1 Our Lady of Orante

a "Praying" with her hands raised to heaven

2 Our Lady of Hodegetria

b "Guidebook" pointing to the baby Jesus sitting in her arms

1. A.A. Deineka, Mother

Examination on the topic "The image of a woman-mother through the ages"

Option number II

1. What was the focus of the Paleolithic Venus figurines?

a) large breasts and hips;

b) expressive eyes;

c) women's hairstyle;

d) big nose.

2. Explain the meaning of the words "cult of women":

3. Make the correspondence:

1 Our Lady of Orante

a "Praying" with her hands raised to heaven

2 Our Lady of Hodegetria

b "Guidebook" pointing to the baby Jesus sitting in her arms

4. Name the icon.

______________________________________________________

__________________________________________________________

6. About what picture of A.G. Venetsianov is it?

In the center of the picture is a reaper woman with a child in her arms. Having settled down to rest on a high platform, she affectionately hugs the baby, forgetting about fatigue ...

7. Insert the missing words.

The called-up portraitist, academician of painting A.G. ____________ at 44, felt dissatisfaction and the need to work differently, unexpectedly leaves _____________ and settles in Tver _____________.

8. Make the correspondence: The image of the Mother of God is associated with a cult

1 In Western Europe

a Madonna

2 in Russia

b Virgin

_______________________________________________

__________________________________________________________

Answers.

a) large breasts and hips; c) women's hairstyle

He embodied the idea of ​​motherhood and procreation.

1 Our Lady of Orante

a "Praying" with her hands raised to heaven

2 Our Lady of Hodegetria

b "Guidebook" pointing to the baby Jesus sitting in her arms

Mother of God Donskaya

Raphael, Sistine Madonna

At the harvest. Summer.

Venetsianov, Petersburg, wilderness

1 In Western Europe

a Madonna

2 in Russia

b Virgin

Petrograd Madonna, Petrov - Vodkin

Motherland - the mother calls, I.M. Toidze

Slide 2

The Art of the High Renaissance brought a different understanding of female beauty than in other eras. The Renaissance titans Leonardo da Vinci, Michelangelo Buonarroti, Raphael Santi, Titian create the image of a perfect person, beautiful both physically and spiritually. The embodiment of this ideal is the Madonna and Child Jesus - an exalted symbol of motherhood and sacrificial love for people.

Leonardo da Vinci (1452-1519) painter, sculptor, architect, scientist, anatomist, naturalist, inventor, writer, musician, Madonna Benois, 1478. hermitage Museum

Slide 3

Madonna Litta is a gem of the Hermitage collection. In the picture, young Maria carefully holds the baby in her arms. Her bent profile is full of exceptional beauty and nobility. Lowered eyes and a barely noticeable smile give the Madonna's appearance an extraordinary expressive warmth, illuminate her with a bright motherly feeling. The artist managed to convey his idea of ​​happiness, the earthly joy of being and the sacredness of the mother's feelings.

Madonna Litta, 1490, Hermitage Madonna of the Rocks, 1483-1486, Louvre, Paris

Slide 4

The Sistine Madonna brilliantly embodies the idea of ​​motherhood, an earthly, realistic portrayal of a woman-mother. She just took a step towards people. Her movement is calm and dignified, there is nothing hasty and fussy about it. She slightly attracts the baby to her, as if afraid to part with him, and at the same time holds him out to people. In this contradictory gesture of the mother, the deep tragedy of what is happening is hidden.

Raphael Santi (1483-1520) painter, graphic artist and architect "Sistine Madonna", 1513-514, Gallery of Old Masters, Dresden, Germany

Slide 5

"Madonna delGranduca", about 1504, Palazzo Pitti, Florence, Italy "Madonna in the chair", 1513-1514, Palazzo Pitti, Florence, Italy

Slide 6

Sacred face of the Mother of God

Icon of Our Lady of Vladimir, XII century, unknown Byzantine master. Church of St. Nicholas in Tolmachi at the State Tretyakov Gallery, Moscow Theophanes the Greek. Icon "Our Lady of the Don", 14th century, State Tretyakov Gallery, Moscow

Slide 7

The eyes of the Mother of God are full of feeling, which in the Middle Ages was defined as "the joy of holy sorrow." The baby gently presses his face against the mother's cheek and wraps his hand around her neck. “Not on the throne, on her hand, hugging her neck with her right hand, gaze into gaze, with her cheek on her cheek .... There is no more dazzling miracle in the worlds, a revelation of pure beauty. "

Slide 8

In ancient Russian art, the image of the Mother of God is associated with the cult of Mother Earth. Both share common principles of holiness and motherhood. “Incomparable, eternal song of motherhood,” Igor Emmanuilovich Grabar said about the icon “Our Lady of Vladimir”. In Old Russian icon painting, there are 4 types of images of the Virgin.

The birth of a new life is one of the greatest mysteries on earth, and therefore the name of the Mother is always surrounded by awe.

The theme of motherhood is one of the oldest themes in world art. The first images of a mother with a child in her arms date back to the pre-dynastic times of Egypt.

Image - appearance, appearance. Madonna (my lady) is the name of the composition depicting the Virgin and Child. An archetype is a prototype, a model imprinted in the soul of a person, people, nation.

"Paleolithic Venuses" - an image that emphasizes the feminine principle, the maturation of a new life. The embodiment of the idea of ​​motherhood and procreation.

The goddess has been associated with the moon since ancient times. The moon has three phases: waxing, full and waning. They correspond to the three phases of any goddess: virgin, mother, old woman. Each of them had a distinct purpose and value. Virgo symbolized youth and energy. n Mother was the embodiment of feminine strength and fertility. n An old woman is life experience, compassion and, above all, n wisdom.

In the Christian cultural tradition, a special role was assigned to the Mother of God - the Virgin Mary, who gave birth to and raised the Savior. Vladimirskaya Mother of God

Russian icon ... This phenomenon is unique in world art. Russian icon painting has a huge artistic value... It is a source of light and joy that evokes in the viewer a sense of inner lightness, a sense of harmony. Icons heal, save ...

The image of Madonna ... My wishes came true. The Creator sent You to me, Madonna, The purest charm of the purest sample ... A. Pushkin

We have always been delighted and inspired by the artists of the 15th – 16th centuries, because they were distinguished by the fact that they had their own vision of writing Madonnas. They were distinguished by harmony, form, beauty of linear and color rhythm and, most importantly, by the depth of maternal, tender love, raised to the level of a high, beautiful ideal.

The purest one is the standard of femininity, the concentration of benefactors, a role model ... Her enchanting appearance is the pinnacle of perfection and harmony

A.G. Venetsianov The village suffering is in full swing, You share! - Russian female share! It is hardly more difficult to find ...

Art of the XX century K. S. Petrov - Vodkin Mother of God - tenderness of evil hearts, 1915

Slide 1

The image of a woman-mother through the ages. From sculptures of the first artists of the earth, Madonnas of the Titans of the Renaissance, icon-painting faces of the Virgin, inspired musical hymns to a mother-woman to works contemporary artists- this is the way to comprehend the ideal of female beauty and charm. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 2

"Venus" of the first artists of the Earth. Paleolithic Venus is a generalizing concept for many prehistoric statuettes of women who have common features... G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 3

There was a cult of a woman who embodied the idea of ​​motherhood and procreation. The ideas of fertility and the protection of the hearth are associated with a woman. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 4

The Sacred Face of the Mother of God According to church tradition, the Evangelist Luke wrote it on the board of the table at which Jesus ate with Mary and Joseph. According to legend, she came to Constantinople from Jerusalem in the 5th century. n. NS. under the emperor Theodosius. Our Lady of Vladimir. 12th century G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 5

Iconographically, the Vladimir icon belongs to the Eleusa (Tenderness) type. The baby put his cheek to the Mother's cheek. The icon conveys the communication between Mother and Child, full of tenderness. Mary foresees the suffering of the Son in His earthly journey. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 6

Evangelist Luke, painting the icon of the Virgin. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 7

Types of images of the Mother of God Ora nta is one of the main types of images of the Mother of God, representing Her with her hands raised and outstretched to the sides, open palms outward, that is, in the traditional gesture of intercessory prayer by G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 8

The Mother of God of the Sign of G.Sh. Ananyin marks the birth of the Savior, the embodiment of a new life. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 9

Odigi tria. The guide is one of the most common types of images of the Mother of God with the Child. The youth-Christ sits in the arms of the Mother of God, right hand He blesses, and with his left he holds a scroll. As a rule, the Mother of God is presented in a half-length image, but abbreviated shoulder options or full-length images are also known. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 10

The image of Eleus was formed in Byzantium in the XI century. Particularly widespread is the version in which the Mother of God, presented to the waist, is holding her son in her arms, leaning against her cheek. Bowing her head, Mary supports the baby, who impulsively clasped her neck. Distinctive feature The Vladimir icon from other icons such as Tenderness: the left leg of the Infant Christ is bent in such a way that the sole of the foot, the "heel", is visible. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 11

"Our Lady of the Don" It belongs to the iconographic type "Tenderness". Executed for the Cathedral of the Dormition in Kolomna at the end of the 14th century by Theophanes the Greek. This name was given in connection with the victory of the army of Prince Dmitry Donskoy in the Battle of Kulikovo in 1380. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 12

Madonnas of the Titans of the Renaissance. The Titans of the High Renaissance: Leonardo da Vinci, Michelangelo, Raphael - strive to create a generalized image of a perfect person, beautiful both physically and spiritually. The embodiment of this ideal is the Madonna, the Virgin Mary, with the baby Jesus Christ - an exalted symbol of motherhood and sacrificial love for people. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 13

"Madonna Litta" by Leonardo da Vinci The main meaning, ideological content of the work: humanity, love for the genuine, lively feelings of people permeates the entire work. The mother is breastfeeding the child, looking at him with a thoughtful tender gaze; the child, full of health and unconscious energy, moves in the mother's arms, twirls, touches his legs. He looks like his mother: the same swarthy, with the same golden stripes. She admires him, immersed in her thoughts, concentrating on the child all the strength of her feelings. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO

Slide 14

"Sistine Madonna" Raphael The canvas was created by Raphael in 1512-1513 for the altar of the church of the monastery of St. Sixtus by order of Pope Julius II in honor of the victory over the French. The painting depicts the Madonna and Child surrounded by Pope Sixtus II, who bears resemblance to Pope Julius II, and Saint Barbara. The figures form a triangle, the raised curtains only emphasize the geometric construction of the composition. G.Sh. Ananyin. MOU SOSH №8 SHMR MO G.Sh.Ananyin. MOU SOSH №8 SHMR MO