Comparison of eugene onegin and lensky table. Onegin and Lensky: Comparative Characteristics. Is it Lensky
| Eugene Onegin | Vladimir Lensky | |
| Hero age | More mature, at the beginning of the novel in verse and during his acquaintance and duel with Lensky, he is 26 years old. | Lensky is young, he is not yet 18 years old. |
| Upbringing and education | Received a home education, which was typical for the majority of noblemen in Russia. The educators "did not bother with strict morality," "they scolded a little for pranks," or, more simply, they spoiled the little barcheon. | He studied at the University of Göttingen in Germany, the birthplace of romanticism.
In his intellectual baggage " freedom-loving dreams "," always an enthusiastic speech. " He is what Onegin was at 18 years old - a romantic, an ardent, amorous dreamer, divorced from his father's house and having a vague idea of Russian reality. Lensky's idealism is "imported" from Germany. |
| Knowledge of light and social life | Tired and disappointed with the light, disappointed in it, clearly seeing all its falsity, artificiality and emptiness. | Secular life does not know at all. |
| Character of the hero | Stone, ice - cold, hard, cooled to life. | Wave, flame - lively, mobile, stormy, hot-tempered. |
| Attitude to love | Windiness and superficiality in love are the norm for him. However, as for the whole world. Cooling down from youthful idealized feelings, " he did not fall in love with beauties, but dragged himself somehow. " Moreover, he is characterized by lightness and indifference to his novels.
Lovelace Onegin "fell in love many times." |
He idealized his beloved, raising her on a pedestal for worship and poetic revelations. He believes that he is not alone in his attitude. Olga Larina is Lensky's first love. |
| Attitude towards friendship | He does not look for new friends, avoids dating, preferring solitude, spends time alone and despondent. | Believes sacredly in true friendship; I am convinced that friends will even sacrifice themselves for him. |
| Poetry and literature in general | In principle, he does not read poetry, does not understand them at all, all the more does not make attempts to write poetry. It is known about him that “ for a long time I stopped loving reading". He reads snatches and mostly "practical" literature - the economic works of Adam Smith. In the past I have read several novels about a contemporary hero. | A romantic poet who praises friendship, love and ideals. Kant's admirer and poet. |
| Sense and Sense | Rational, analyzes with a cold mind, looks with contempt at other people's feelings. | Sensitive, impulsive, quick-tempered and enthusiastic. |
- Tatiana Larina Olga Larina Character Tatiana is characterized by the following character traits: modesty, thoughtfulness, trepidation, vulnerability, reticence, melancholy. Olga Larina is distinguished by her cheerful and lively character. She is active, inquisitive, good-natured. Lifestyle Tatiana leads a reclusive lifestyle. The best pastime for her is alone with herself. She loves to watch beautiful sunrises, read French novels, meditate. She is closed, lives in her own inner [...]
- The original intention of Pushkin in relation to the novel "Eugene Onegin" was to create a comedy similar to "Woe from Wit" by Griboyedov. In the poet's letters, you can find sketches for a comedy in which the main character was portrayed as a satirical character. In the course of work on the novel, which lasted more than seven years, the author's ideas changed significantly, as did his worldview as a whole. By its genre nature, the novel is very complex and original. This is a "novel in verse". Works of this genre are also found in others [...]
- Alexander Pushkin's novel "Eugene Onegin" is an unusual work. There are few events in it, many deviations from the storyline, the narrative seems to be cut off in half. This is most likely due to the fact that Pushkin in his novel sets fundamentally new tasks for Russian literature - to show the century and people who can be called heroes of their time. Pushkin is a realist, and therefore his heroes are not just people of their time, but also, if I may say so, people of the society that gave birth to them, that is, they are people of their own [...]
- "Eugene Onegin" is a well-known work of A.S. Pushkin. Here the writer realized the main idea and desire - to give the image of a hero of the time, a portrait of his contemporary - a man of the 19th century. Onegin's portrait is an ambiguous and complex combination of many positive qualities and major flaws. The image of Tatiana is the most significant and important female character in the novel. The main romantic storyline of Pushkin's novel in verse is the relationship between Onegin and Tatiana. Tatiana fell in love with eugene [...]
- Pushkin worked on the novel "Eugene Onegin" for over eight years - from the spring of 1823 to the fall of 1831. The first mention of the novel we find in a letter from Pushkin to Vyazemsky from Odessa dated November 4, 1823: “As for my studies, I am now writing not a novel, but a novel in verse - a devilish difference. " The main character of the novel is Eugene Onegin, a young Petersburg rake. From the very beginning of the novel, it becomes clear that Onegin is a very strange and, of course, special person. He certainly looked like people in some way, [...]
- It is not by chance that the great Russian critic VG Belinsky called the novel by Alexander Pushkin "Eugene Onegin" "an encyclopedia of Russian life." This is connected, of course, with the fact that not a single work of Russian literature can compare with the immortal novel in terms of the breadth of coverage of the contemporary writer of reality. Pushkin describes his time, noting everything that was essential for the life of that generation: the way of life and customs of people, the state of their souls, popular philosophical, political and economic trends, literary preferences, fashion and [...]
- I would like to return again and again to the Pushkin word and his wonderful novel in verse "Eugene Onegin", which presents the youth of the 20s of the XIX century. There is a very beautiful legend. One sculptor sculpted a beautiful girl out of stone. She looked so alive that she seemed to speak now. But the sculpture was silent, and its creator fell ill from love for his wonderful creation. After all, in it he expressed his innermost idea of female beauty, put his soul into it and was tormented that this [...]
- Creating the image of his time and the person of the era, Pushkin in the novel "Eugene Onegin" also conveyed his personal idea of the ideal of the Russian woman. The poet's ideal is Tatiana. Pushkin just says about her: "Sweet ideal." Of course, Tatyana Larina is a dream, the poet's idea of what a woman should be like to be admired and loved. At the first acquaintance with the heroine, we see that the poet distinguishes her from other representatives of the nobility. Pushkin emphasizes that Tatiana loves nature, winter, sledding. Exactly […]
- "Eugene Onegin" is a realistic novel in verse, since. in it, truly vivid images of the Russian people of the early 19th century appeared before the reader. The novel provides a broad artistic generalization of the main trends in Russian social development. One can say about the novel in the words of the poet himself - this is a work in which "the century and modern man are reflected". VG Belinsky called Pushkin's novel "The Encyclopedia of Russian Life". In this novel, as in an encyclopedia, you can learn everything about the era: about the culture of that time, about [...]
- Eugene Onegin is the protagonist of the novel of the same name in verses by A.S. Pushkin. He and his best friend Vladimir Lensky appear as typical representatives of the noble youth, who challenged the surrounding reality and became friends, as if united in the struggle against it. Gradually, the rejection of the traditional ossified noble foundations resulted in nihilism, which is most clearly seen in the character of another literary hero - Yevgeny Bazarov. When you start reading the novel "Eugene Onegin", then [...]
- Roman A.S. Pushkin introduces readers to the life of the intelligentsia at the beginning of the 19th century. The noble intelligentsia is represented in the work by the images of Lensky, Tatiana Larina and Onegin. According to the title of the novel, the author emphasizes the central position of the protagonist among the rest of the characters. Onegin was born into a once wealthy noble family. As a child, he was away from everything national, isolated from the people, and as a teacher, Eugene was a Frenchman. The upbringing of Eugene Onegin, like education, had a very [...]
- Let's start with Katerina. In the play "The Thunderstorm" this lady is the main character. What are the problems of this work? Problems are the main question that the author asks in his creation. So the question here is who will win? The dark kingdom, which is represented by the bureaucrats of the county town, or the light beginning, which is represented by our heroine. Katerina is pure in soul, she has a gentle, sensitive, loving heart. The heroine herself is deeply hostile against this dark swamp, but she does not fully realize it. Katerina was born [...]
- Spiritual beauty, sensuality, naturalness, simplicity, the ability to sympathize and love - these are the qualities of A.S. Pushkin endowed the heroine of his novel "Eugene Onegin", Tatiana Larina. A simple, outwardly unremarkable girl, but with a rich inner world, who grew up in a remote village, reads love stories, loves the nanny's scary stories and believes in legends. Her beauty is inside, she is deep and bright. The appearance of the heroine is compared with the beauty of her sister, Olga, but the latter, although beautiful on the outside, is not [...]
- The famous Pushkin's novel in verse not only fascinated lovers of Russian literature with its high poetic skill, but also caused controversy over the ideas that the author wanted to express here. These disputes did not go around the main character - Eugene Onegin. The definition of "an extra person" has long been attached to it. However, even today it is interpreted in different ways. And this image is so multifaceted that it provides material for a wide variety of readings. Let's try to answer the question: in what sense Onegin can be considered “superfluous [...]
- It has long been recognized that Eugene Onegin was the first realistic novel in Russian literature. What exactly does it mean when we say "realistic"? Realism presupposes, in my opinion, in addition to the veracity of details, the depiction of typical characters in typical circumstances. From this characteristic of realism, it follows that truthfulness in the depiction of particulars, details is an indispensable condition for a realistic work. But this is not enough. Even more important is what is contained in the second part [...]
- The work of A. Pushkin "The Captain's Daughter" can be fully called historical, because it clearly and clearly conveys specific historical facts, the flavor of the era, the customs and life of the people inhabiting Russia. It is interesting that Pushkin shows the events taking place through the eyes of an eyewitness who himself took a direct part in them. Reading the story, we seem to find ourselves in that era with all its life realities. The protagonist of the story, Pyotr Grinev, does not just state the facts, but has his own personal opinion, gives [...]
- And tell me, what is the mystery of the alternation of periods in history? In one and the same people, for some ten years all social energy decreases, impulses of valor, having changed their sign, become impulses of cowardice. A. Solzhenitsyn This is a poem by the mature Lermontov, exposing the social and spiritual crisis after the December generation. It closes the previous moral, social and philosophical searches of the poet, sums up the past emotional experience, reflecting the aimlessness of personal and social efforts [...]
- A creative person, due to his emotionality, is not at all protected from the realities of life, and Tsvetaeva's biography is a confirmation of this. Poetess Tsvetaeva Marina Ivanovna was born in Moscow on September 26, 1892. Her mother was a talented pianist and came from a Polish-German family, her father was a famous philologist and art critic, at the time of his daughter's birth he was a professor at Moscow University, later he became director of the Rumyantsev Museum and founded Museum of Fine Arts. Earlier, the poet's childhood took place in [...]
- Troekurov Dubrovsky Quality of characters Negative hero Main positive hero Character Spoiled, selfish, licentious. Noble, generous, determined. Has a hot temper. A person who knows how to love not for money, but for the beauty of the soul. Occupation A wealthy nobleman, spends his time in gluttony, drunkenness, leads a dissolute life. Humiliation of the weak brings him great pleasure. Has a good education, served as a cornet in the guard. After […]
- The theme of the poet and poetry worries all poets, since a person needs to understand who he is, what place he occupies in society, what is his purpose. Therefore, in the work of A.S. Pushkin and M.Yu. Lermontov, this topic is one of the leading. In order to consider the images of the poet in the two great Russian classics, one must first find out how they define the purpose of their work. Pushkin writes in his poem "The Song of the Prophetic Oleg": The Magi are not afraid of mighty rulers, And they do not need a princely gift; Truthful and [...]
What is he like, a contemporary of Pushkin? When you read, or rather enjoy reading Pushkin's masterpiece, it seems that Alexander Sergeevich wrote about himself.
He calls his protagonist "my good friend", among Onegin's friends are friends of Pushkin himself, and Pushkin himself is invisibly present everywhere in the novel. However, the statement that Onegin is a self-portrait would be too primitive. Pushkin's soul is too complex and incomprehensible, too multifaceted and contradictory to be reflected in one “typical representative” of the “golden age”. This is probably why the young idealist Lensky, also part of the poet's soul, lived his short, bright life in the novel. Onegin and Lensky, both beloved by the author, so similar and different, close and distant, like the poles of one planet, like two halves of one soul ... How youth inevitably ends, how maturity of mind inevitably comes, and with it conformism, so inevitable for Pushkin in the novel, the death of a young romantic.
Eugene Onegin receives a typical aristocratic upbringing. Pushkin writes: "At first Madame followed him, then Monsieur changed her." They taught him everything in jest, but Onegin still received the minimum of knowledge that was considered mandatory in the noble environment. Pushkin, making sketches, as if recalls his youth:
* We all learned a little
* Something and somehow,
* So education, thank God,
* It's no wonder to show off here ...
* He is in French perfectly
* Could express and write;
* Easy mazurka danced
* And bowed at ease;
* What more to you?
* The light decided
* That he is smart and very nice.
In his mind, Onegin is much higher than his peers. He knew a bit of classical literature, had an idea of Adam Smith, read Byron, but all this does not lead to romantic, fiery feelings, like in Lensky, or to a sharp political protest, like in Griboyedov's Chatsky. A sober, "chilled" mind and satiety with the pleasures of the world led to the fact that Onegin loses interest in life, he falls into a deep blues:
* The blues were waiting for him on guard,
* And she ran after him,
* Like a shadow or a faithful wife.
Out of boredom, Onegin tries to look for the meaning of life in any activity. He reads a lot, tries to write, but the first attempt did not lead to anything. Pushkin writes: "But nothing came out of his pen." In the village where Onegin is going for the inheritance, he makes another attempt at practical activities:
* Yarem he is an old corvee
* Replaced by lightweight;
* And the slave blessed fate.
* But he sulked in his corner,
* Seeing this terrible harm,
* His calculating neighbor ...
But the lordly aversion to work, the habit of freedom and peace, lack of will and pronounced selfishness - this is the legacy that Onegin received from the "upper world."
In contrast to Onegin, a different type of noble youth is given in the image of Lensky. Lensky plays an essential role in comprehending Onegin's character. Lensky is a nobleman, in age he is younger than Onegin. He was educated in Germany: He from foggy Germany Brought fruits of scholarship, An ardent and rather strange spirit ...
Lensky's spiritual world is associated with a romantic worldview, he is "a Kant admirer and a poet." Feelings dominate his mind, he believes in love, in friendship, in the decency of people, he is an irreparable idealist who lives in a world of beautiful dreams. Lensky looks at life through rose-colored glasses, he naively finds a soul mate 'in Olga, the most ordinary girl. Onegin was indirectly the cause of Lensky's death, but in fact he dies from rough contact with cruel reality. What do Onegin and Lensky have in common? Both belong to a privileged circle, they are smart, educated, in their inner development, they stand above those around them, Lensky's romantic soul is looking for beauty everywhere. Onegin went through all this, tired of the hypocrisy and debauchery of secular society. Pushkin writes about Lensky: "He was an ignoramus with his dear heart, he was cherished by hope, and the world had a new shine and noise." Onegin listened to Lensky's passionate speeches with a smile from his elder, he tried to restrain his irony: “And I thought: it's stupid for me to interfere with his momentary bliss; and without me the time will come; let him live for the time being and believe in the world to perfection; we will forgive the fever of young years and youthful fever, and youthful delirium. " For Lensky, friendship is an urgent need of nature, while Onegin is friends "for the sake of boredom", although in his own way he is attached to Lensky. Lensky, who does not know life, embodies an equally common type of advanced noble youth, just like Onegin, disillusioned with life.
Pushkin, contrasting the two young people, nevertheless notes common character traits. He writes: “They got along. Wave and stone, poetry and prose, ice and fire are not so different from each other. " "Not so different among themselves." How to understand this phrase? In my opinion, what unites them is that they are both egocentric, they are bright individuals who are focused only on their supposedly unique personality. "The habit of counting everyone as zeros, and as ones - yourself" sooner or later had to lead to a rupture. Onegin is forced to kill Lensky. Despising the light, he still values its opinion, fearing ridicule and reproach for cowardice. Because of a false concept of honor, he ruins an innocent soul. Who knows how the fate of Lensky would have developed if he had remained alive. Perhaps he would have become a Decembrist, and maybe just a common man. Belinsky, analyzing the novel, believed that Lensky was waiting for the second option. Pushkin writes: "In many ways he would have changed, he would have parted with his muses, got married, in the village he would be happy and the horned would have worn a quilted robe."
I think Onegin was nevertheless inwardly deeper than Lensky. His "harsh, chilled mind" is much nicer than the lofty romanticism of Lensky, which would quickly disappear as flowers disappear in late autumn. Only deep natures are capable of experiencing dissatisfaction with life, Pushkin is closer to Onegin, he writes about himself and about him: L was embittered, he was gloomy, We both knew the game of passion, Tired the life of both of us, In both hearts, the heat went out.
Pushkin openly admits his sympathy for him, many lyrical digressions in the novel are devoted to this. Onegin suffers deeply. This can be understood from the lines: “Why am I not wounded by a bullet in the chest? Why am I not a frail old man like this poor tax farmer? I am young, life is strong in me; what should i expect? melancholy, melancholy! .. ”Pushkin embodied in Onegin many of the features that would later appear in individual characters of Lermontov, Turgenev, Herzen, Goncharov and other writers. And romantics like Lensky cannot resist the blows of life: they either reconcile with it or die.
Ah, dear Alexander Sergeevich! Has your pen written something more perfect than the living and eternal novel "Eugene Onegin"? Didn't you put most of yourself, your violent inspiration, all your poetic passion into it?
But haven't you, oh, immortal classic, cheated by saying that Onegin has nothing to do with you? Are not his character traits peculiar to you? Isn't it your "blues" on it, isn't it your disappointment? Is it not your "black epigrams" that he scribbles to his enemies?
And Lensky! Really, how he looks like you, in love, young! On you - another, on that you, whom you did not dare to reveal to the world clearly ...
Lensky and Onegin ... both of them - yours, oh immortal Alexander Sergeevich, a colorful and lively portrait on the wall of poetry. Do you agree with the idea of such audacity?
However, be that as it may, allow, in view of your silence, each admirer of your genius to draw their own conclusions, letting their own fantasy fly.
We will compare and contrast two bright barely touching the facets of your personality. In order to avoid obsessive parallels between you, sir, and the characters in your poem, we will make every effort to make a dry statement of their striking characteristics.
So, Onegin. Handsome, smart, stately. In the description of his Petersburg daily routine, my dear Alexander Sergeevich, we find your lines about no less than three hours he spent at the mirrors in pretense. You even compare him to a young lady dressed like a man hurrying to a ball. Perfume, lipstick, fashion haircut. Dandy, pedant and dandy. Always elegant in clothes. And, by the way, it will be said, nails, sir ... He, like you, sir, spends a lot of time at the dressing table, caring for them.
Alas, all the actions he performs on himself in order to be attractive are just a tribute to a secular habit. He has long cooled to the opposite sex, disappointed in love. He doesn't want to please women at all. Not! Love has long been replaced by the "art of seduction", which, however, does not bring any satisfaction.
Social events have long lost all taste for him. He often goes to balls, but out of inertia, out of boredom and nothing to do. The secular one is boring to him. I'm sick and tired of everything! But, not knowing another life, he continues to drag out the usual way of life. No friends, no love, no interest in life.
The way of thinking, the perception of Onegin - you, Alexander Sergeevich, subject everything to the merciless "Russian blues", or depression. Immeasurable inner emptiness, lack of dreams, boredom, joylessness. At the same time, the liveliness of a cold, sober mind, the absence of cynicism, nobility.
You emphasize its prosaic nature by the inability to "distinguish ferrets from iambis", and their preference for Scott Smith, with his political economics books, only confirms the presence of unpoetic exact thinking.
Lensky is different!
What evil muse visited you, Alexander Sergeevich, when you brought together your so different heroes in friendly ties? Could the relationship between Lensky and Onegin not lead to tragedy? Your Lensky ...
Handsome, but beautiful differently than Onegin. You endow him with the natural beauty of long, dark, curly hair. With the inspired look of a poet and a living, warm heart, open to the world.
Vladimir Lensky is sensitive to the perception of nature and the universe as a whole. “Suspecting miracles” in everything, he understands and feels the world in his own way. Idealist, the right word!
The eighteen-year-old dreamer in love with life piously believes in the existence of his soul mate, which is waiting for him and languishing. In faithful, devoted friendship and "sacred family", as you, venerable Alexander Sergeevich, have deigned to name the Holy Trinity.
Describing the relationship between Onegin and Lensky with your own pen, you compare them with the union of water and stone, flame and ice, poetry and prose. How different they are!
Lensky and Onegin. Comparative characteristics
It pleased you, master of the muses, to play these two beautiful youths in a sad game that to this day prompts the reader to sprinkle tears on the pages of your great novel. You bring them into friendship, first "from nothing to do", and after a closer one. And then cruelly ...
No, better in order. So, they are getting closer: Lensky and Onegin. Comparative characteristics of these two, so characteristic of your, Alexander Sergeevich, time of heroes, can be complete only when describing their friendship.
So, contradictions are encountered, as he claims. At first, they are boring to each other due to the dissimilarity of judgments. But a little later this difference turns into a magnet attracting opposites. Each thesis becomes the cause of lively disputes and discussions between friends, each dispute turns into a subject of deep thought. Perhaps none of them accepted the position of a comrade, but they also retained interest and respect for the flow of someone else's thought. Listening to Lensky, Onegin does not interrupt him with youthful naive judgments, poems and ancient legends. Disappointed realist, he is in no hurry to reproach Vladimir for idealizing people and the world.
Similarity of heroes
Daily joint horse rides, dinners by the fireplace, wine and conversations bring young people closer together. And at the same time, over time, similarities between Onegin and Lensky are revealed. By endowing them with such striking features, you, the lord of the pen, pull them out of the usual circle of rural communication, with boring conversations about the kennel, your own relatives and other nonsense. The education of the main characters, which is one of the few common traits for both of them, makes them yawn in the circle of the rural nobility.
Two destinies, two loves
Onegin is five or six years older than Lensky. This conclusion can be reached, proceeding from the precious Alexander Sergeevich, indicated by you, his twenty-six years at the end of the novel ... When, kneeling, he cried for love at her feet ... at Tatyana's feet ... But, no. Everything in order.
Oh, the great connoisseur of the human soul, oh, the subtlest psychologist of deep feelings! Your pen reveals to Onegin's dead soul the bright, pure ideal of the young maiden - Tatyana Larina. Her young, tender passion is poured out before him in a frank letter, which you ascribe to him to preserve for the rest of his life as evidence of the possibility of sincerity and beauty of feelings in which he no longer believed. Alas, his moping, callous heart was not ready to reciprocate. He tries to avoid meeting Tatiana after talking with her, in which he denies her high feelings.
In parallel with this discordant love, you develop the feelings of Vladimir Lensky for Tatiana's sister - Olga. Oh, how different these two loves are, like Lensky and Onegin themselves. A comparative description of these two feelings would be superfluous. The love of Olga and Vladimir is full of chaste passion, poetry, and youthful inspiration. The naive Lensky, sincerely wishing his friend happiness, is trying to push him into Tatyana's arms, inviting him to her name day. Knowing Onegin's dislike of noisy receptions, he promises him a close family circle, without unnecessary guests.
Revenge, honor and duel
Oh, how much effort Eugene makes to hide his mad indignation when, having agreed, he gets to a provincial ball with many guests, instead of the promised family dinner. But more than that, he is outraged by Tatyana's confusion when he sits in a place prepared for him in advance ... opposite her. Lensky knew! Everything is rigged!
Onegin, really, did not want what your implacable pen, Alexander Sergeevich, prepared when he took revenge on Lensky for his deception! When he carried his beloved Olga into his arms in a dance, when he whispered his liberties in her ear, he portrayed a gentle look. Cynically and shortsightedly appealing to the jealousy and contempt of the young poet, he obediently followed the fate destined by you for both of them. Duel!
In the morning at the mill ...
Both have already moved away from stupid grievances. Both were already having difficulty finding a reason for a duel. But nobody stopped. Pride is to blame: no one intended to be considered a coward by refusing to fight. The result is known. The young poet was defeated by a friend's bullet two weeks before his own wedding. Onegin, unable to indulge in memories and regrets about the death of the only person close to him, leaves the country ...
Upon his return, he will fall in love with the matured and blossoming Tatiana, only now the princess. Kneeling before her, he will kiss her hand, pray for love. But no, it's too late: “Now I have been given to another and I will be faithful to him forever,” she will say, crying bitterly. Onegin will be left completely alone, face to face with memories of love and a friend killed by his own hand.
Duels of the creator Onegin and quite pertinent parallels
You were reproached, my dear Alexander Sergeevich, for insufficient grounds for a duel between your heroes. Funny! Didn't your contemporaries draw parallels between these two youths with yourself? Didn't they note the similarities of such opposite Onegin and Lensky with your contradictory, dual nature? This borderline bifurcation into Lensky - an inspired poet, superstitious lyricist - and a secular rake, cold, tired Onegin ... did they not find it? To one you give your fiery genius, love, cheerfulness and, without knowing it, your own death. Wandering, alienation and, in the end, a long trip abroad, which you yourself dreamed of, are given to the other. The characteristic of Onegin and Lensky is a comprehensive disclosure of yourself, isn't it? And if such an obvious similarity of both heroes with you, dear classic, was exposed by your contemporaries, did they not know what light, insignificant reasons for duels were enough for you yourself? And how many times in each week of your life have you played with death, fearlessly and indifferently gazing at the cold barrel in the hands of your enraged adversary?
In the work of A.S. Pushkin's "Eugene Onegin", besides Onegin himself, there is another main character. Such is the author of the novel in verse himself. Throughout the entire narrative line, Pushkin is in free conversation with the reader, every now and then interrupting this or that plot sketch with his comments.
It may seem that Pushkin is present wherever Onegin is; as if watching down on his hero. Therefore, speaking about Pushkin and Onegin, some literary scholars put an equal sign between them, while others argue that these figures are absolutely opposite.
So, from the novel in verse about Pushkin, we learn almost as much as about Onegin. When the author at the beginning of the work talks about his hero, the reader understands that these two personalities are in many ways similar. Both are of noble origin, they have become disillusioned with the current reality, have lost interest in life:
“We both knew the passion of the game;
Weighed down the life of both of us;
In both hearts, the heat died away ... "
This is where their similarities end. Much more can be said about the differences between the personalities of Pushkin and Onegin.
Pushkin was brought up in a family, and in the summer he was visiting his grandmother, Maria Hannibal. The poet had a good, bright childhood. Onegin, on the other hand, grew up without a mother, and his father, a frivolous official, did not pay any attention to his son, entrusting his upbringing to French teachers, who taught young Onegin almost nothing. It is quite possible that it was childhood that laid the foundation in the hero for the development of such qualities as contempt for everything around him, anger, harshness and composure.
Pushkin, in turn, received a quality education, developed poetic principles in himself. For Pushkin, poetry was the destiny, the duty of a man of art, he called it "high passion." Initially, Onegin was not involved in anything high, therefore “he could not distinguish iambic from chorea,” and he was very indifferent to poetry.
If we talk about the theater as a kind of tall, then Pushkin attended concerts with the aim of spiritual enrichment of the inner world and self-development, which cannot be said about Onegin: “He enters, ... walks on his feet ... lorgnette leads to the ladies ... then, barely glancing at the stage ... turned away and yawned. " For Eugene, such an event is nothing more than an extra way of interacting with the noble society.
The two compared figures also fundamentally differ in their attitude to work and any purposeful activity. If A.S. Pushkin could sit day and night, choosing the clearest and most appropriate word that would allow him to create a vivid, memorable image in a poem or other work, while Eugene Onegin, who got everything ready-made from childhood, on a silver platter, did not want and did not know how to work: "Hard work was sick to him." He was only able to consume life, people, and feelings.
Feelings, another aspect in the comparison of A.S. Pushkin and his hero Eugene Onegin. The meaning of love for Pushkin cannot be expressed in words, although he succeeded. Under the rule of love, Pushkin wrote many wonderful poems that made up the poet's love lyrics. Pushkin speaks of love as a heavenly, omnipotent thing that can make people do incredible, sometimes impulsive acts.
Onegin, on the other hand, has a consumer attitude towards love, as well as towards everything. He plays novels for one day and is unable to distinguish true love from love for people and in public. For Onegin, love is "the science of tender passion." The key word here is science. For Pushkin, and according to generally accepted unwritten norms, love does not tolerate a scientific approach, and exact laws are not applicable to it. In love, everything is more complicated than it seems. But Onegin initially formed a wrong idea of love and feelings in general. Thus, Onegin does not even take friendly relations seriously and is convinced that friends are not needed for a good life. When Yevgeny is overcome by the blues, he is "tired of friends." In Pushkin, such an expression would cause bewilderment and regret, because who, if not Pushkin, knows how to value his friends! "To Kaverin", "To Chaadaev", "Pushchin", "October 19" - all these poems were written in honor of those without whom Pushkin would not have become what he became.
So, comparing Pushkin and Onegin, you can see that, despite the fact that they are both nobles, Pushkin's lifestyle corresponds to his personality - he develops spiritually, creates selflessly, and does not follow the lead of the crowd. On the contrary, Onegin's personality is strikingly different from the “menu” of life according to which she lives. Onegin does not know where to go, what to do. But he feels that there is potential in him, but only the readers of the novel know its true scale. The author himself sees this, but he treats the hero ironically, I do not want to impose my point of view in any way.
Finally, we come to the question of freedom. Which of the heroes is truly free? The answer is obvious.
Onegin possesses external freedom - he is his own master, owes nothing to anyone, goes wherever he pleases. But he does not have the main thing - inner freedom, understanding of himself, harmony with himself. He is trying to find his place in this life, but inside him contradictions are overwhelmed. And when Onegin begins to analyze his actions in the past, he experiences nothing more than disappointment, regret and comes to the realization of the meaninglessness of his actions. This makes Onegin unhappy.
Pushkin, on the contrary, although physically constrained (constant links, threats of censorship), but spiritually - free. He realized his purpose, figured out himself and, most importantly, learned to be independent. Pushkin called this state - inner freedom. It is a pity that Eugene Onegin is not able to comprehend it.
(411 words)
Lensky and Onegin are opposed to each other throughout the novel, which is deliberately and frankly emphasized by the author himself:
They got along. Wave and stone
Poems and prose, ice and fire
Lensky is a romantic, idealist. He poeticizes his beloved Olga, friendship with Onegin, and indeed life, which he sees only in an ideal light. He is pleasant to talk to, helpful with the ladies and free to deal with men. Studying in Germany radically influenced his worldview. His head is full of philosophical dogmas of German romanticism, which he does not think to doubt. He sees poetry as his calling, he chose his beloved as his muse. However, he does not have sufficient insight, sobriety and at least some kind of life experience, therefore, he does not notice the slight recklessness, the narrow-minded mind of Olga and his too mediocre, imitative rhymes, perceiving them as quite serious literary creativity.
Lensky has a lot of vital energy, an ardent imagination and an enthusiastic attitude towards the world, he is cheerful and harmonious. Not yet fully matured, he is childishly hot-tempered, spontaneous and firmly convinced of his righteousness regarding any issue and in an adult manner is serious in his intentions, daring in decisions.
Onegin, his complete opposite, is devoid of any idealism, his cold mind is rather pessimistic and sarcastically negative. He, unlike Lensky, is fed up with the world around him, he is not worried about anything and touches him, he hardly finds sources of pleasure, or even suffers from the dullness of life. Having received abrupt knowledge from various fields in childhood, he continued his studies already at balls and receptions, learned the skillful art of communicating with ladies, the art of seduction, witty small talk and acquired a delicate taste and ability to recognize newfangled tendencies.
This life experience, albeit very specific, shaped his character and worldview. He is not able to admire coquettes, seeing their feigned seriousness and emptiness, he cannot admire life, knowing that there is a lot of deceit and pretense around. All this led to absolute laziness of the body and mind, to complete indifference to everything in the world, to cruelty and coldness of the heart.
It would seem how two such different young people could become good friends.
Why did they become friends? Perhaps such different views on life provided a huge field for discussion and debate, and they, as you know, gathering in the evenings, stayed late in conversations. The narrow village circle of contacts also contributed for sure. With whom else to talk in the wilderness, what else to do in the evening. At the same time, both young people, due to their youth, had a common need - the need to reason and reflect, it does not matter whether these are Lensky's romantic thoughts or Onegin's arrogantly mocking views. Finding an interlocutor who can understand what you are talking about, challenge or agree with you is no less important, if not more important, than finding your like-minded person.
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