The world should be. What would an ideal world be like? International Day of Neighbors was first celebrated in Tyumen

I think about it a lot. I try to imagine it, that is, to create a thought-form, as everyone advises. And nothing comes of it. These are the criteria that we see in the concept of "Ideal world"

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The ideal world is a world where only good people live, where only healthy people live, there are no sick, no poor. Everyone is equal.

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An ideal world assumes a very high level of morality among the inhabitants of this world, that is, they must also be ideal. Nobody hurts anyone. Before doing anything, everyone thinks if such an action will harm someone. There is no deception in this world, truth prevails. The highest degree of patience and kindness.

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The main thing that can unite all people for an ideal person is that there must be love in him. freedom and kindness.

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The ideal world can be seen through the eyes of a child - a feeling of love, security and safety, sincere smiles of loved ones and those around them, praise for merits and achievements, opportunities for revealing talents.

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An ideal world is when there is no war, sorrow, tears, pain, death, when everything is interconnected, when the inhabitants of the world feel this world as themselves, when everything and everything is ... harmonious

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Part of the ideal world is clarity and orderliness - the consequence depends on the action and is corrected by it, positive emotions - freedom and understanding of the environment - negative - tight control and, first of all, self; everything in its own cycle, without failures in the weather and nature, each in its place and people are not characterized by envy and regret, thoughts relate to specific problems and their solutions, and do not slip into unnecessary reflection. The instincts of life are realized, but so as not to cause serious harm.
Partly for me, the environment of such an ideal world is Nature

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What should be perfect world? Probably, one where there will be no wars, violence, hunger and unemployment, where people will help each other and receive help without expecting anything in return. In such a world, ecology will occupy a much larger place in life than in this one. It will be a world without human indifference to people and to everything that surrounds us. Citizens of an ideal world will strive to become better, develop spiritually, and lead other people with them.

You can try to imagine an ideal world as much as you like, but nothing will come of it. Everything will remain only in words. Because for this you must first change physical conditions living on planets of 3D density like our Earth at softer ones.

Secondly, birth control will have to be established so that there is no overpopulation, which means there would be no hunger and disease. Who will determine when and to whom it will be possible to give birth to a child?

Third, it will be necessary to establish control over the thoughts, emotions and behavior of a person - until humanity is completely changed or zombified. The question arises who will do this?

Fourthly, to abolish monetary relations, that is, to simply abolish money: the distribution system will remain (if your pants are torn - write an application). But who will distribute? :-D General work in factories and in agriculture for the good of all.

And no supervision? But then how do you know how much product needs to be produced?

It turns out some kind of eerie world in which you do not want to live at all.

You can still fantasize a lot on this topic, but you don't want to. It is unlikely that in such an ideal world all those qualities that we dream of are possible.

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The ideal world is possible only in the more Subtle worlds. Where you do not need to provide your physical body with everything you need. That is, it will be the world of God.

International Day of Neighbors was first celebrated in Tyumen

Older residents of Tyumen probably remember how they were friends with the whole yard. Why not revive a good old tradition? After all, friendship helps to solve any problems. Interestingly, the well-forgotten old meets the goals of the new federal projects "Administrative House" and "School of the Literate Consumer".

Neighborhood Day originated in France at the end of the 20th century, soon the idea was picked up in other countries. The initiative of the United Russia party to celebrate such a holiday in the regional capital was supported by the Tyumen City Duma, administrations of administrative districts, territorial self-government bodies that are actively operating in Tyumen, and ordinary residents.

Pies, relay races, checkers ...

The first festivities began on Friday evening in the trans-river part of the city. The courtyard of house no. 4 on Vatutin Street was filled with music. “Draw the world in your window as it should be,” the girl sang, and it was clear that the people who organized the meeting of neighbors were of this kind. The main instigator was the TOS body of the microdistrict. Its chairman, Irina Lokteva, lives in this house. Unusual figures under the windows are the fruit of her imagination. The well-crane hides a bucket that looks out on one side, a wattle fence has grown in the middle of the flower beds, making you smile ...

We have been living in this house for 33 years, - says Irina Mikhailovna. - Previously, everyone knew whose children were walking in the yard, together they followed public order. I would like to revive the tradition of good neighborliness so that the grandchildren can play on the court without fear. Let's try to do better life each other.

She also opens the holiday, and then gives the floor to the regional coordinator of the projects "School of the literate consumer" and "Administrator", adviser to the chairman of the City Duma Yuri Budimirov. He explains that the meaning of projects is to unite and live more amicably, to learn how to competently manage their own property, to become responsible users of housing and communal services.

These projects are designed to educate competent managers of apartment buildings who know the rights and obligations of residents, and demonstrate competence when concluding agreements with management companies. Training and professional development of house managers has been organized, - stressed Yuri Budimirov.

Residents who were actively involved in organizing the holiday, he presented diplomas and Thanksgiving letters... Another stack of diplomas is still on the sidelines - they will be signed by the winners of games and competitions.

It was evident that the neighbors were happy to spend time together, and even so unusual and interesting. Someone baked pies, someone printed out photos of everyday life in the courtyard for the "Find out who's in the frame" competition, someone arranged fun for children, someone held a quiz on the history of the city with adults. Pensioners just sat down in a row, observing and communicating with each other, sharing memories. Since it was a weekday, there were not many neighbors, but in the evening there were more participants.

Sports yard

On Saturday, it was noisy, fun and crowded in several courtyards of the regional capital.

Residents of the house 6/2 on Valeria Gnarovskaya Street went to the holiday at ten in the morning. Volleyball competitions unfolded on the playground, men pulled 16 kg kettlebells, and children checked their accuracy with darts and drew on the asphalt. The tenants went to the holiday with families.

I am very glad that I live in this courtyard, the tenants are good, friendly. I know almost all the neighbors. Our yard is very sporty. Ivan Yamov is the soul of our company, he organizes sports events, both in winter and in summer, you never get bored, - says Dmitry Levonyuk, a participant of the action.

Thanks to the initiative of the residents, playground for playing beach volleyball. The residents themselves prepared the place, brought in the sand, and only then turned to the administration for help to purchase the fence. Now residents from neighboring yards also come here to participate in volleyball competitions.

Closer to dinner, there were even more residents on the festive site. While the kids were swinging on the swings and playing in the sandbox, the parents had time to try their hand at sports. The boys were greatly interested in the exhibition of weapons organized by the Union of Veterans of the Border Troops.

As Yuri Budimirov noted, important tasks of the sphere of housing and communal services are realized through play and creativity. In his opinion, the holiday turned out to be wonderful and, most likely, will become traditional. Would you like to arrange something like this, dear readers?

November 18 on stage drama theater Vladimir Zeldin, People's Artist of the USSR, Patriarch of Soviet and Russian theater and cinema, performed in the name of Griboyedov. This is one of the few people over whom time has no power to such an incredible degree - at 96 he is graceful, elegant, witty and surrounded by beautiful women. "Yes, I would agree to any role, even without words, just to stand on the same stage with him! This is great happiness, this is a gift of fate for me," says Maria Orlova, a young artist of the Moscow Drama Theater "Modern". And the audience agrees with her: when they saw Zeldin on stage, they realized that they still did not know much about the theater.

The most striking thing is that Vladimir Mikhailovich still goes on tour, and not with his native Central academic theater Russian Army, and with the theater "Modern", in the performances of which he participates as a guest "star". Why would he? Probably, it is not difficult for the master to answer this question with some kind of on-duty phrase, because journalists throughout the country have asked him about this for all these years, probably thousands of times. But Zeldin is a patriarch and considers it necessary to answer questions seriously and deliberately.

Due to the material problems that theaters face, there are almost no tours now, - says Vladimir Mikhailovich. - It is connected with money, it is expensive ... And in my understanding, this is a terrible omission! Culture is of paramount importance in the life of a country, culture is the soul of a nation. Do you think that during the war we won by force of arms? No, by fortitude! Some of our statesmen believe that when distributing finances, it is permissible to remember culture in the last place ... We will not defeat corruption, crime, and all other negative phenomena in our life by renaming the police into the police, but only by culture! Civilization destroys the world, and only culture prevents it!

It seems to be not the essence of the answer, but it was necessary to be in the hall of the Smolensk Drama Theater named after Griboyedov last Friday and see the eyes with which people looked at the stage. To be honest - this scene in last years sees more chanson and entreprise than theater, and here - and scenery, and music, and light, and costumes, and Dostoevsky, and ... Zeldin! And it seems to be not the most difficult, not the most serious play - "Uncle's Dream", and they staged it in "Modern" in an unusual way, creating a comedy instead of all over the drama that suggested itself, but the effect is amazing! And somehow I want to rouse myself, to remember something bright, long forgotten ... After all, it was, it was! And the general exhalation on exhalation: "Incredible!" This is, of course, about Zeldin. And the memory of this performance will not be erased, and the people who were able to see it became a little better ...

Now Vladimir Mikhailovich plays in five performances. Chief among them is "The Man from La Mancha", an American musical of the 60s, staged by Yuliy Gusman at the theater of the Russian Army for the artist's 90th birthday. Nobody believed in the success of this amazing project, the rehearsals were hard, some actors left the race, but the result exceeded all expectations - the success was deafening!

That's why? But because this performance, this hero speaks of humanity, kindness, beauty, mercy, - explains Vladimir Mikhailovich. - There are commandments: do not kill, do not steal, do not commit adultery, and so on. Don Quixote also has commandments. So he says: "Don Quixote, breathe in the life-giving air of life and think about how you should live it. Do not call anything yours but your soul, love not what you are, but what you want and can become ! ". Do you understand? Now the world is like Nabokov's: "And we have come to an ominous age." If there is magic in the world, then it is in the theater, in the cinema. People come, see the scenery, set design, hear the words of the actors, laugh, cry ... If you want the audience to cry, you must accumulate thousands of tears in yourself. If you want him to laugh, you have to accumulate thousands of smiles in yourself. We are wizards! The spectator comes to the theater for magic! Miracles from the Lord God are rare, but in theater and cinema they happen every evening. My monologue ends like this: "Who will answer what madness is, when the whole world has gone mad, when people have forgotten about compassion, about helping each other ... Looking for treasures where there is only rubbish is probably madness, but throwing away the pearl just because that she is from a dung heap is also madness. But the worst madness is to see the world as it is, not noticing how it should be! " That is why the audience comes to this performance. And for me this role is happiness.

In Smolensk "Modern" showed two adults ("Uncle's Dream" by Dostoevsky and "Once in Paris" by Valentina Aslanova) and two children's performances (both based on plays by Sergei Mikhalkov - "Cowardly" and "Bunny-Zaznayka"). In addition to Vladimir Zeldin, they shone People's Artist Russia Natalya Tenyakova and People's Artist of the USSR Vera Vasilyeva. The tour was exchange, and this, by the way, is also a real event - for the first time in long years the troupe of the Smolensk Drama Theater in February will go on tour to Moscow - with a return visit, to the territory of "Modern".

The ancient hero is active and effective. He least of all resembles a "passive" person, over whom the arbitrariness of fate rules. Although he is subordinated to necessity and sometimes even unable to prevent his death, he fights, and only through his free action does necessity manifest. The ancient hero differs from the hero of the art of the Middle Ages. Characteristic are the similarities and differences between the image of Aeschylus' chained Prometheus and the image of Christ in medieval art... Both the one and the other endure torment in the name of people, both the one and the other are immortal gods, both the one and the other know how to foresee the future and know in advance about the torments that are in store for them, and both can evade their sufferings, but accept them. However, these are deeply different images. Hephaestus says about Prometheus:

You are so hungry for philanthropy! God himself, despising the threatening wrath of the gods, You honored mortals above all measure. For this you will guard the rock, Stand awake, without bending your knees

Prometheus confesses: "In truth, I hate all the gods." Prometheus is a titan, a God-fighter, and in this he is more likely to resemble the later romantic theomachist - a demon, than to a medieval humble Christ-lover of God. An indomitable, revolutionary-heroic spirit distinguishes the image of Prometheus from the martyr's image of Christ. Prometheus is not inherent

neither humility, nor penitent longsuffering, nor forgiveness, nor acceptance of the imperfection of earthly and heavenly existence. He says to the messenger of the gods Hermes:

Be sure that I would not trade

My sorrows for slave service.

Christ, however, martyrically atones for human sins by his sufferings. The image of Christ in medieval art is endowed with courage and readiness to accept death for people, but devoid of heroic features.

Prometheus gives people new knowledge and pays for it. The image of Prometheus - the image romantic hero sacrificing himself for the knowledge and well-being of mankind. It seems strange that Aeschylus in "Oresteia" and other works, acting as a mythological realist, in "Prometheus Chained" appears as an artist of mythological romanticism. It is no coincidence that A.F. Losev and A. A. Taho-Godi argue that the tragedy "Chained Prometheus" was not written by Aeschylus.

4. The mythology of everyday consciousness (the world, as many people say and think about it): heroism is ridiculous; a quiet life with quiet joys, fun, contemplation of beauty, love joys.

Lyrics were a whole layer in the ancient art culture. The lyrics glorified and poeticized love joys (Sappho), inspired satire. Ancient satire acts as the artist's personal relationship to a phenomenon. The songs of the drunken crowd of villagers - komos - absorbed the motives of drunken fun and sensual images of sexual life that corresponded to the sacred meaning of the holiday. The action was accompanied by ridicule directed against individuals, which were personal in nature and going from person to person. At both poles of ancient satire - narrow-frequency, behind which only distantly shimmers the universal. This universal is what many say and think about the mocked phenomenon. This satire is lyrical. Criticism comes from the point of view of the author's "I", he is guided only by his direct impression and acts as goodie satire. The artist's "I" is individualized and appears as a type but it has not yet been developed as the subjective wealth of the spirit. The state of the world in the thinking of the satirist is absent. The oldest Greek satire "The War of Mice and Frogs" ("Batrachomyomachia" - the beginning of the 5th century BC) is written in a "lyrical" rather than "epic" key. The main thing in this work is not a story about the vicissitudes of battles, but a parody of the heroic epic. In Homer, the dying hero usually predicts the imminent and inevitable death of his murderer. Mortally wounded Patroclus foreshadows Hector:

Live, Priamid, and you will have a short time:

Almighty fate and death are already close before you,

You will soon fall by the hand of Eak's immaculate grandson.

Here the results of the battle between Hector and Patroclus are reported and future events are predicted. In "Batrachomyomachia", killed by the king of frogs Big-mouthed, the mouse also predicts death to its destroyer:

You, Blasphemer, do not think that you will hide an act with deceit

He lured me into the water ..

But the all-seeing god will punish.

The heroic theme of the Iliad is parodied here. A personal critical attitude is also manifested in the parody of the lament of the Trojan king Priam for Hector, who was killed by Achilles, and in the depiction of the council of the gods, in the story of the cloak of Athena gnawed by mice. The solemn hexameter of Homer's epic also sounds parody when depicting the battle of mice and frogs. The address of the oldest satire is not evil in general, not the structure of life, but a specific person with her specific actions. The starting position of satirical ridicule here is not an aesthetic ideal and not a social norm, but the artist's personal enmity, reflecting the opinion of “many”. This feature is inherent in even the most social in nature satire of Aristophanes. Gogol wrote: “There are traces public comedy the ancient Greeks, but Aristophanes was guided by a more personal disposition, attacked the abuse of one person(underlined by me .-- Yu. B.) and he did not always mean the truth: the proof is that he dared to ridicule Socrates. " Of course, through the personal attitude of Aristophanes, his democratic program is already clearly visible, but nevertheless, expanded positive social principles as the starting point of satire appear only at the next stage - with Juvenal. The ridicule of Socrates also reflects the opinion of many, because this philosopher was sentenced to death by a democratic vote of the citizens of the polis.

The developed statehood of Rome inevitably causes the normality of thinking and assessments, a clear separation of good and evil, positive and negative. At the turn of the 1st and 2nd centuries, in the era of Juvenal, in Rome, the imperial power muffles the feuds of various social groups. It was consolidation under the onslaught of the invasion of barbarian tribes, unrest in the provinces and the increasing resistance of the slaves. The social compromise of the upper classes under the auspices of the imperial power will, through many centuries, be repeated on a new basis in French absolutism and the art of classicism born on its basis. Roman literature of the early 2nd century is full of attacks on the past, and only Juvenal denounces the life of imperial Rome not as the past, but as the present. He exposes the contrast between wealth and poverty, arrogance and humiliation, shows dishonorable sources of enrichment - forgeries, denunciations, oppression of the inhabitants of the provinces. Juvenal speaks of "the corruption of the century." The positive position of Juvenal's satire is vague and is due to the inconsistency of historical circumstances: the forced consolidation of citizens with the deepening of their property inequality. This gave Juvenal a note of despair. His positive program is drawn to the past, to idealized pictures of the former simplicity of life of the ancient Italic tribes. Juvenal seeks a positive program of his satire - social harmony, peaceful labor and contentment with little - in the early period of the Roman Republic. Juvenal was influenced by Stoic philosophy (in particular, Di-

he Chrysostom), who developed the ideas of social peace, a purposeful world order and mutual love Researchers interpret Juvenal either as a supporter of a strong imperial power, then as a preacher of republican and even patriarchal antiquity. Literary critic M. Pokrovsky notes that Juvenal sharply attacked the mores of the empire, but was not a republican. The positions of the satire of Juvenal were modern, as they led to consolidation, that is, in the same direction in which the real political process in Rome. These positions made it possible to be critical of the imperial Rome, entangled in contradictions. The starting point of Juvenal's analysis of life: the position of an idyllic past and an abstractly expedient world order, expedient in the opinion of “many”.