Wool painting for winter theme mk. Wool painting - winter landscape. Making a picture of wool "Winter"

Wool painting is another fun and very creative type. visual arts... It is becoming more and more popular, and now master classes on hand-made wool paintings appear on the Web, creative schools are opening, and needlework circles introduce this type of creativity into their program. Let's keep up with fashion trends and try to join the creation of paintings using colored wool.

"Winter evening"

This MK is designed for beginners, for everyone who wants to get acquainted with the technique of felting pictures, so everyone who has a sufficient share of perseverance and patience can cope with the work.

To create this picture, we need:

combed wool ribbon, colors: white, blue, dark blue, light blue, turquoise, dark brown, brown, yellow, orange, red;

non-woven fabric 18 * 24 cm for the substrate;

scissors;

tweezers;

picture frame;

glass.

We fix each stage, leaving the work with sweat glass. However, this applies only to the "dry" technique: wet felting does not require such anchorage.

1. Pulling strands of wool from the tape, we cover the surface of the substrate with them. We lay them in different directions, the ends of the threads should go to the limits of the non-woven fabric by 1-2 cm. Having applied the glass, we cut off the excess.

2. By pinching the wool, we form cotton wool for work. Create a background with layers, stacking from a dark shade to a light one. We control the quality of laying the material, still applying glass.

3. Create snowdrifts using white strands, laid parallel to the horizon. This technique can often be seen when looking at landscapes made of wool.

4. Pull the strands out of the dark blue ribbon and twist them a little. Thus, we draw the silhouettes of the trees.

5. Add some white wool trees.

6. We collect a fluffy woolen mass and, giving the desired shape, we thus make the crown of the tree.

7. We mark the contour of the moon with a thin ring of wool. We fill it with woolen fluff, cut as small as possible. Wool paintings for beginners often use this technique.

8. From dark brown and brown wool, cut and lay the wool for the house. Note that the part on the right is darker than the left.

9. We "make" the roof for the house from a dense white strand, carefully wielding with scissors. Here you need to take into account the direction of the fibers.

10. We cover the lower part of the house with snowdrifts, made invariably of white wool.

11. We continue felting. Cut out the windows, add the finest strands of turquoise and blue to the snow. A few of them should also hit the roof.

12. Add some light pouring from the windows using yellow, orange and red strands. They should slightly overlap the house, which is why the windows will need to be clarified: we cut the fluff again and put it with tweezers.

13. We muffle bright colors with translucent white strands. The result can be seen in the photo. Let's add some beauty with turquoise fibers placed on the trees and across the horizon.

The picture is ready! It remains to cover it with clean glass.

A Few Tips

1. Try to apply glass to the painting as often as possible. The end result of the work will be located under the glass, so it will serve as an indicator of the correct stacking of layers, their density, and the size of parts.

2. Warm pictures are easy to fix. The work is done in layers, so the wrong layer can simply be carefully peeled off. However, do not get too carried away with this - the picture will lose its freshness.

3. If you put off work to finish later, cover it with glass. The work will become much more comfortable when the picture is "laid down" under pressure.

Required tools and materials

1. Wool (combed ribbon) in the following colors: white, light blue, blue, turquoise, dark blue, brown, dark brown, orange, yellow, red.

2. Scissors, tweezers, photo frame 18x24cm (hardboard + glass), non-woven 18x24cm as a backing.

Do not forget to apply glass at each new stage of laying out the picture in order to see the final result of your actions.

1. We cover the surface of the non-woven with strands of white wool. We work in different directions. We pull the strands out of the combed tape and lay them out in such a way that their ends extend beyond the picture by 1-2 cm. Then we apply glass and cut off the wool that goes beyond the edge of the picture.

2. By pinching, we form wool wool, with the help of which we form the background for the winter scene. We work from dark to light. First blue, then blue and a little bit of white. We apply glass in the process of work as often as possible in order to assess how well the layers of wool are laid.

3. Draw snowdrifts with white strands. To do this, draw out dense strands of wool and lay them parallel to the horizon.

4. Pull thin strands out of the dark blue combed ribbon. We twist them slightly so that they become thinner and denser. Draw trees with these strands.

5. Draw the dark blue silhouettes of trees and bushes with additional strands of white wool.

6. By plucking a combed ribbon we gain a mass of white wool. At the same time, we try to get a very dense fluffy lump. With our hands we give this lump the desired shape. And with such cotton balls we draw the crowns of trees and bushes.

7. With a thin strand, rolled into a ring, we outline the outline of the full moon. Then we fill the resulting contour with woolen fluff (to get fluff, cut a strand of wool as finely as possible).

8. We draw a house. To do this, from a strand of brown and dark brown wool, cut out the base of the house in detail, as shown in the photo. The right side of the house is darker than the left. It turns out pretty rude and even messy. This is fine

9. From a dense and wide white strand, cut out the roof for the house according to the details. We work carefully. When cutting out details, take into account the direction of the wool fibers.

Let's imagine for a moment that we are working not with a lock of wool, but with a regular sheet of paper. After all, it is easy and simple to cut any figures out of paper! It will be a little more difficult to work with wool, since it is a bulky fibrous material. You just need to get used to it.

10. We hide the lower part of the house under the snow (we lay it horizontally with strands of white wool, imitating snowdrifts). Be sure to control all our actions by applying glass to the picture. It is glass that teaches us to work correctly with wool, showing the result of our efforts.

11. Cut out the windows from the white strand. Add turquoise to the snow (with thin transparent strands) and blue (see next photo).

Please note that some of the blue-turquoise falls on the roof of the house, shading it.

12. Create warm light on the snow pouring from the windows of the house. For this we mainly use yellow wool. And add just a little bit of red and orange fibers. We lay thin strands, going into the house. As a result, it becomes yellower and windows almost cease to be visible. Additionally, we clarify them in white. We cut the fluff and put it with tweezers, as shown in the photo.

13. Draw out wide, translucent strands of white wool and lay them on top of the yellow snow. Thus, the brightness of the previously used shades of wool is muted and the snow surface is evened in color.

For picturesqueness on the crowns of trees and along the horizon, we add turquoise in thin strands, even with separate fibers.

14. At the end of the work, we visually evaluate the painting - do we like everything, correct it, if something is wrong, and then cover it with clean glass (glass washing liquid and paper napkins / toilet paper are useful here).

Pay attention - the picture looks more contrasting under the glass than without it.

The picture is ready! Can be framed.

Advice:

Glass needs to be applied to the painting very often. So you can find out the flaws in your work in a timely manner and quickly fix them. After all, the end result is a picture under glass, therefore, you need to orient yourself in the process of working with wool exactly on the image that you see under glass. Glass serves as a kind of indicator. By attaching it to the already laid out layers, you will see how well these layers of wool lie (you can see, for example, that the layer is not dense enough and does not cover the work surface well) or you can see how small details look under glass (usually with glass and everything looks different without it). Wool is voluminous, when you press it with glass, the details of the picture are "flattened" and due to this increase in size. It often happens that you put a thin stalk, and when you attach the glass, you realize that it turned out to be too big for this flower and you have to reduce it.

Wool paintings are fairly easy to fix. You can rewind the process as you work with wool and lay it out in layers; you just need to carefully (!) remove part of the layer or remove those details that you did not succeed. You will waste a little time, but gain invaluable experience. Do not be afraid to dare - you always have a chance to redo everything. Just do not overdo it with "alterations", otherwise the picture will lose its freshness and lightness, it will become "tortured".

If the painting was postponed to be finished tomorrow, or just went somewhere, you need to cover it with glass (under the weight of the glass, it will lie down and settle, which will make further work with the painting more comfortable).

Good luck in working with wool!

Best regards, Alexandra Fedorova

I invite you to my group.

Olga Melnikova

It will take:

Picture frame;

White non-woven;

- Wool of different colors;

Scissors;

Take the backing out of the frame. Cut out a rectangle from the non-woven fabric to the size of the substrate and stick it on it. This is the "canvas" for the painting. We apply simple pencil drawing on non-woven fabric. We will "write" starting from the background. We tear away from woolen ribbons very thin multicolored (yellow, pink, purple, white, lilac) strands and lay out on the background so that they overlap each other. The paints are mixed, the colors flow smoothly into each other and it turns out very beautifully.

We spread yellow shades around the sun.Let us form the sun from strands of white wool.

Lay out from white, blue and lilac wool drifts in the foreground. Perspective is also created by varying layer thicknesses.

In the foreground, lay out a path with traces of lilac wool.

The main background is almost ready, we move on to the image of tree trunks. Roll up from brown wool the threads are different in thickness and lay out the trunk and branches.

So that the trees are covered with snow and frost, we take small strands of lilac, pink and white wool and finely tune directly to the branches.

Well, the picture is almost ready, it remains make huts... We take brown wool... Let's cut a strand wool into small pieces, we will not make them small details. Take small pieces with tweezers wool and we lay out from them houses lost in the snow. From white wool lay out the roofs of the huts. Let's make the roof blue. From a piece of yellow wool let's make a glowing window in the house.

The landscape is ready... Cover it with glass and cut off the protruding edges. wool... Carefully insert the picture into the frame. Now winter landscape can be hung on the wall or donated to someone.

As you can see, felting out wool paintings are a rather painstaking process, but very interesting and creative. Agree, the result is worth the effort. Dry felting perfectly calms the nerves and allows you to create real masterpieces.

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Making a picture of wool "Winter"

Necessary materials:

• Frame,
• wool of different colors,
• non-woven fabric.

Tools and fixtures:

• ruler,
• pencil,
• scissors,
• tweezers,
• plate.

Preparation for work.

To make a picture, prepare the necessary materials and tools.

Follow the right organization workplace.

2. Prepare the framework for work.
Be careful when removing glasses from frames.

3.Pick up color range wool for making a painting, according to the conceived sketch. Make sure there is enough wool.

4. Develop sketches for the seasons.
Keep track of the seasons.

5. Measure the dimensions of the substrate.
Keep track of the exact measurement.

6. Cut the base to the size of the substrate.
Monitor the accuracy of cutting.

7.Apply the base to the backing.
Keep track of the alignment of the substrate and base.
Implementation of the "Winter" plot.
1.Pull the fibers into thin strands from the combed ribbon.

Follow uniform strands.

2.Place thin, almost transparent strands on the base, filling in the background.
Make sure that the strands of wool are approximately the same.

3. Lay out the sky in different shades of blue.
Follow the shade creation.

4. Finely cut the wool for small details of the picture.
Make sure to match the required length.

5. Lay out the Christmas trees, in small pieces of chopped wool, using tweezers.

6.Cut white wool finely. Make sure to match the desired length.

7. "Sprinkle" the Christmas trees with white fine-clipped wool.

Monitor the accuracy of the work.

8. Lay out a small house, lost in the snowdrifts, with finely clipped wool using tweezers.
Keep track of the compliance of the sketch.

9. Lay out the trees in thin strands. Make sure that the work is done neatly.

10. Wrap a thin strand of white wool around your finger several times - this is a ball for a snowman (make 2 "snow" balls in the same way).
Monitor the accuracy of the work.

Assembling the painting "Winter"

1. Cover the image with glass, cut off the wool that goes beyond the borders of the picture.

Make sure that the drawing under the glass does not go astray.

2. Carefully insert the finished painting into the frame.

Monitor the accuracy of work.

Painting "Winter" ready.

Paintings dedicated to other seasons are made in the same way.

It is quite easy to lay out this pacifying (as it seems to me) landscape from wool. And now I will tell you how to do it.

The technique used was the so-called woolen painting when strands of wool are applied to the base like dabs of paint. At the same time, nothing is glued, it is not lying around with water or a needle. The laid out picture is fixed with glass superimposed on top and fixed with a frame.

So, you need to take a 30x40 white frame with glass. I do not advise you to take a smaller size, it will be difficult to lay out small details.

On the base (which comes with the frame, as a rule, it is either thick cardboard or plywood), put (without gluing) thin felt or a cloth blue... Size - 30x40. The main thing is that the base provides adhesion to the wool.

As you can see, in my work I used wool from the Trinity Factory. It separates well into strands and fits well without tangling.

First we need light blue, dark blue, blue, dark blue.

Cover the entire surface of the base with the lightest shade of blue. All strands are laid out horizontally, preferably from left to right. The goal is uniform coverage. But even if something did not work out, then everything can be corrected by reporting the strands.

Now we need the wool a little darker (a tone or two, no more).

We draw a sketch of the mountain. We spread the strands from the peak of the mountain downward in the form of a triangle.

Lay out the foot of the mountain with blue wool.

Shade the right and left sides of the foot with a rich blue. I want to say right away that at this stage you can already start forming the branches of the tree, but it's still better to work a little more with the foot, to give it a natural look.

As you can see, I have applied a few strands of lilac along the edges of the mountain. It is not very noticeable in the photo, but in real life the picture benefits from this. But, again, you can do without it.

In this photo, you can better see what color the coat is.

We proceed to toning the foot with strands of blue.

Add a strand of white in the middle, and cut some light blue wool along the light strands. For this we take in left hand a thin strand of light blue wool (a long thin sausage) and begin to trim from the edge about 2-3 mm. The cut pieces of wool should immediately fall onto the painting. If it fell in the wrong place, carefully, for example with tweezers, you can take a naughty piece and put it in the right place.

Put some more white strands at the bottom. And we move on to the formation of the peak of the mountain. To do this, we separate the strands of white wool of different lengths and, one after another, gradually spread it from top to bottom from the peak of the mountain. Note that the peak is not sharp but rounded. I propose just such an option, it looks more natural and disposes to calmness, that is, it supports the general theme of the picture. You can shade the peak in some places with blue strands, superimposing them on top of the white ones.

We put on left side mountains are a little blue.

We proceed to the branches of the tree. First, we separate the rather thick sausage strand and form the trunk. From it, in random order, we first "draw" the largest branches, then gradually move on to small ones. Before placing the strands on the painting, roll the sausages between your palms so that they take on clear shapes.

It's time to shape the crown of the tree. I used three shades of pink. Later they will be joined by another shade of pink, very light, almost white.

Something like this will need to cut off the wool. Only the cut pieces should immediately fall onto the branches. If you first cut somewhere (for example, on paper), and then start transferring, it will take longer. In addition, it will be more difficult to achieve naturalness (at least for me, this is the case. Although I do not exclude that you might like the option with manual layout more).

Here are the first pieces fell on the branches. As you can see, using three shades at once, we achieve natural overflows.

On the left at the base, I cut a little more dark. And on the right above the branch, I cut very small pieces that do not even touch the branch. It seemed to me that this way you can add volume to the picture.

Not very noticeable in the photo, but the branches are drawn with thin strands of white wool.