How to learn to draw high-quality and fast sketches. Drawing lessons - motivation Focus on your surroundings
First, if you want to learn how to draw, don't be lazy, even if you are a beginner and think that you can't do it beautiful drawings, then do not rush and quit drawing, it is better to stop drawing a masterpiece and start drawing something simple, but for example, when I can't get anything, I start drawing abstractions with a pen, so you don't quit drawing and also train a brush and
Drawing perfect lines, I think it's better than drawing figures say that in order for you to have a beautiful line, draw even squares and circles, all this is formulaic and no longer new. That's who right now will be surprised by a portrait, landscape or still life, studied for a year or two at the school of drawing and now you can paint portraits in the park for 50 rubles. Now you can't surprise a person, for example, by the fact that you have a cool phone, the same with drawing, 90 percent of artists paint according to a template all their lives, maybe they make good money by painting portraits and a beautiful painting in the living room to order, but there is one big but , such an artist will not recognizable artist with a unique style. The second thing an artist needs is criticism. Criticism is needed so that the artist does not become conceited, or so that he does not kill himself with self-criticism, these two things can ruin the artist's abilities, since if an artist while drawing considers his work to be better than others, then in the first place he will not improve his style, and secondly, without noticing some problems in his drawings, he will get a bad reputation among artists-masters and people who understand art, but that's just among them, since for most people to copy Naruto from the TV screen or monitor they are already shouting to the top: “Yes, you have talent, you draw great, but you can draw a portrait "(Oh, and again, I'm talking about portraits, you probably tell me that I just don't like pontret and that's why I slander, partly I really don't like portraits), most people just see if a person draws something, then usually ask about portraits, more it is considered something like a standard in drawing. Now back to criticism, in order to improve your style you will have to take criticism into account. Criticism can be broken down into 2 categories, positive and negative. Each one is unique in itself, positive feedback strengthens and gives an outside opinion, and this is very important, and negative feedback shows problems and disadvantages with work. I think negative feedback is more important because it gives you more experience and makes your job more professional. But there are also bad critics who criticize that they just write or say that this work is not good or that they do not like the style. I usually don’t listen to such people at all, and I don’t advise you. So do not think that criticism is something that needs to be turned a deaf ear, especially if a professional criticizes your style of drawing, accept any criticism and make corrections in your works, any except the last of which I have described to you. Well, the third thing you need is to be able to stop and draw only what you like, for example, if you have been drawing a drawing for about 3 hours and you understand that there is nothing sensible from it, then it is better to stop and wait a while for an idea to appear without having an idea you will simply lose your time, although there are cases that they draw in the blind, but in most cases it happens that the drawing is not successful. Also one of the important things is to paint only in the styles that you like. Otherwise, you will simply get lost and you will no longer want to draw any more.
Now we repeat, the most important thing is that there is a desire to draw, sometimes you need to draw simple karinka like abstractions, to perceive criticism correctly. Well, the most important thing is to use only what you like and not others.
Paint! How to motivate yourself to learn?
It's a strange question, isn't it? Since you have decided that you will draw at all costs, why should you additionally motivate yourself?
In fact, it turns out that the question hits the very spot. Man, after all, a lazy creature ... well, you know. Indeed, instead of making sketches ("sharpening" the eyes, "filling" the hand), we can .... for example, do not do them.
That is, the desire to learn to draw, it turns out, is not such a strong motivation. You need a goal. Namely, close and accessible, tangible, a goal that we just need to achieve any decent result. Under the phrase tangible I do not mean that you should set yourself the task of earning a thousand dollars from your drawing skills. Although such a goal is fine too. But not everyone. Not always a person who is tired of making money at work will want to turn even his hobby into a means of earning money.
If we were to learn to swim, a completely tangible goal would be to swim, for a start, one hundred meters. Then two hundred, then a crawl, then a brace, then five hundred, and so on. At the same time, the main criterion to determine that you have swum a hundred-meter distance will be that you have swum!
So is drawing! Set yourself a goal. Here, of course, the option "I want to be able to draw" is not quite the goal that is required. After all, 3-year-old children also draw. (And not the fact that it is worse than adults). Picasso, at one time, set himself the goal of drawing like children:
« When I was their age, I could paint like Raphael, but it took a lifetime to learn how to paint like them.» .
You will have to strain your imagination in order to set a correct, tangible and accessible goal. For example:
Write five oil paintings.
Learn to portray nature better than a friend (who is also learning to draw).
To paint a picture for the mother-in-law.
Bring a mountain of watercolors from your trip, invite your friends for wine and watercolors. (decorated under glass, hung on the walls)…. This option is called, by the way, open studio ... Sounds fashionable, right? To invite friends, it means, to open studio.
Arrange a real exhibition in a real gallery. This is really cool.
Make postcards or cups with reproductions of your better work and give to friends and acquaintances. In order to choose the best one, you need to have plenty to choose from, you understand - another additional incentive ...
In short, I wanted to give coal to your burning desire to learn how to draw. Hope I got it.
http://larins-art.blogspot.com/ - drawing studio, painting, concept art
Art has been a huge gift to me, and I am grateful to my past for taking the chance to follow it. I didn’t try to make a career in art until I was 30, and I wasn’t able to get into people until I was 33. Because I considered this to be my limit, I didn’t use the convenient case for granted. I was pretty fearless because I felt I had nothing to lose. It was a difficult road filled with self-doubt.
I believe that most of my growth as an artist has come to me not only through practice and study. art technician but also through analyzing my thinking during this process: looking at why being an artist was so attractive; where is my motivation and drive from; and how this motivation and drive continues to evolve.
While some of these tips may seem basic, I am still revisiting them to understand why they work so well for me at a time when I myself am in a state of creative crisis. These tips are the basis for gaining clarity on how to motivate yourself to create new creations for longer periods of time and enjoy it. I hope they are as helpful to you as they were to me.
01. Formulate goals and objectives for yourself
Mel Milton set himself the task of drawing several images of Wonder Woman over the course of a monthYou will need two things to achieve your goal: a starting point and a destination. Leaving one of them out, and you end up feeling frustrated, believing that all your efforts were pointless. Set goals for yourself - The best way start to set the direction for improvement.
For many years I just wanted to get better. The problem was that I didn’t take the time to define what the very concept of "getting better" really means - it’s such a vague concept. Having small, medium and long-term goals gives meaning to your work.
One of the principles that helped me personally is to limit the main goals to a time frame of about 30 days each. The thirty-day limit on one task tends to become a habit that stays with you on other tasks as well. Turn your first few assignments into something like fun activities and link them to a topic that you really like (I, for example, spent a whole month drawing different images Wonder Women). Eventually, the habit of doing work for 30 days will become natural. Then you can move on to solving problems that are related to your weak points. For me this is working with flowers. Do a little research and learn one new aspect of the subject every day. In 30 days you will have a deep knowledge of this area.
02. Understand why
When I was younger, I loved being told that I was good at art because in all other aspects of my life I was a failure. My "why" I painted was easy to understand and the results were enough to make me feel happy in the art field I was in.
When I met my wife, my "why" changed to "I want to take care of my wife and family." Until this moment, I had never tried to become professional artist... This new "why" took over and I started doing things that I never thought I could do, but now, in my subconscious, I had to do it. This helped me to identify previously unseen opportunities. It helped me pay less attention to obstacles and more to finding solutions. The easiest way is to say, "I want to be a good artist"However, the very existence of a meaningful reason why you want to be a good artist will help you achieve this goal much more easily.
03. Take time to paint
Drawing without any restrictions or pressure can help you create a piece of art. The practical skills of specific subjects or techniques can be depleted over time. Therefore, when I am in a crisis situation and I have no motivation, I spend 15 minutes drawing. This is a chance to experiment with shapes, sizes, colors and other things that I usually don't come across in my life. There is no pressure here when you want to learn something new, and I usually go over the results of my work on the days when I am in the mood to paint to see if I can take anything from them.
I paint both traditional and digital. Sometimes I challenge myself by deliberately making mistakes on things I don't think are attractive and then laughing at them. Days like these give me the opportunity not to take things seriously enough. They are reminders that it's okay to be dirty, make mistakes, and expose yourself to punishment and ridicule. You never know what you will come back with.
04. Create brainstorming days
Make a list of everything that might interest you. It can be anything from movies, video games, books, animals and food to your favorite vacation spots, sports, people and locations that inspire you. Movies, books and video games alone provide a variety of genres and characters from which to draw inspiration.
I usually do this at the beginning of the week to be consistent throughout the week. Making brainstorming a habit in the long run will force your mind to look into areas you never thought of, and also give you a library of topics to work with when you feel motivated.
05. Explore a topic that will stimulate you
Milton focuses on getting the female anatomy correct I usually paint female portraits(see Tip # 6) and I've been working on this topic for about 18 years now. It had nothing to do with work or making money. This has become a kind of long-term challenge. I have always felt that I was not smart enough to understand anatomy. Therefore, I hid this weakness from everyone, drawing monsters, creating my own anatomy.
Then I settled on portraits because I thought that if I could grasp the subtleties female face and shapes, I would have more control over lines and shapes. All my artistic heroes could draw women well and make them inherently strong while maintaining their feminine appeal. What I have learned (and still learn) from just one subject is that over time I may have a better understanding of it, but I know that I will never fully learn everything about it.
It helped me realize that I wouldn't have to look for things that I didn't know about when I first started. I now apply these observational skills to other areas of research that stimulate me to explore topics that I would not normally explore before.
06. Start working from big to small
Milton tweaks the look in three steps When I have motivation, it is extremely difficult for me not to go straight to the finalization stage. And yet, if I hold back as long as possible, I can get more done in less time. Note the three images above.
As in the first image, when doing big strokes, I usually take tint combinations and apply abundant strokes that indicate the location of key features such as lighting direction, extensive shadow shapes, and warm / cool areas. It was difficult for me to work this way early on because it was difficult for me to see through all this ugliness.
In the second drawing, I am already starting to refine the facial features. I start blending colors, softening the edges. I also add some slightly smaller shapes, making others more graceful to further emphasize facial features such as the eyes and nose. At this stage it is possible to get bogged down in details, but it is easier for me to make major changes if necessary at this stage.
Finally, I start to dive into details. Everything that I will add now will be done for one purpose only - to awaken the interest in the viewer to explore the entire image. I am not going crazy and I do not think that everyone only supports those elements that are important to the picture. If at this stage you already have a clear decision about which image you want to draw, then the details will only be a pleasant bonus.
07. Disassemble pictures and links
Viewing reference work is not "cheating". Eventually you will learn how to use your own promotion in reference images. When I first started out as an artist, copying other people's works or references was prohibited. So I tried to avoid it. But when I started my first studio work, I noticed that there were many references to it. My colleagues collected the pieces of inspiration from them, remodeled them, and then came up with something new. I felt betrayed because I thought that everything they did was done without reference to my work!
Ability to access jobs a large number great artists these days can seem astounding, making you feel like you can never leave your mark on the art world. Nevertheless, correct execution Working with links and imitations of your favorite artist can give you some kind of inner deep understanding of the creative process. Especially when you put the original piece aside and apply techniques that you've learned in your own way. You will achieve the right results by realizing that this is all your work.
08. Meet like-minded people
Meeting fellow artists can be a great source of inspiration. There were days when I wondered if anyone else had gone through the same hardships that I had. It was difficult because I had few like-minded colleagues involved in art. I have always had the feeling that it should be easier for others. As soon as I decided to become an artist, I began to communicate with many creative individuals, met with them at lunch to gain experience with them.
I wasn't looking for technical advice - instead I wanted to know how they deal with mental issues and see what they were like as people, not as artists. I am lucky to have so many creative people in my life. I usually host weekly lunches at the local mall. It's nice to be able to see the many problematic situations that life throws at an artist in different areas and at different stages of a career. This is a great way to become more educated, build relationships, teach yourself, and gain experience from others.
09. Remember to dream globally
Don't stop dreaming ever I've been a dreamer all my life. I guess this is the reason why I got stuck in art. I would imagine all kinds of grand events that I could afford as an artist. But as soon as I made art my career, I noticed that I stopped dreaming the way I once did. The spark that I had as a budding artist was lost. It was getting harder to find the dreamer within. I didn't want him to get hurt. Sometimes it's easier to just walk by and avoid risky actions.
The birth of my daughter challenged this approach to life. I realized that it is the dreamer inside me that holds me, even when I do not like everything that I create. This dreamer gives me the opportunity to move forward in my work in a positive way. This dreamer's imagination gives some idea of the artist you want to become and feel the joy of it now. Take a chance to nurture this dream.
10. Keep a diary
A diary is a great way to understand what's on your mind before you start drawing. For example: "I didn't sleep well last night and had a lot of things to finish. Dude, I'm annoyed today!" I noticed that inadvertently this aggressive attitude would slip through my artwork.
By writing them down before starting to paint, I learned to be less critical after finishing work. It was clear that when I was annoyed, I could not do the same quality work compared to when I was in a good mood. I could show a little compassion, as if my friend was going through a difficult time.
After a while, I learned to look for things that could increase my chances of getting a rewarding experience - to get into the right state. Another benefit is if you've been journaling for a long time. You can go back and see how different your thought process is and find out what was successful and what negative patterns came up that you didn't notice before. As I write down my thoughts before drawing, I warm up my hand. But it also helped me make smarter decisions, boosting my self-confidence.
11. Set time limits for yourself
Sometimes, with less time, you can create more, or create better. When I decided to stay at home and raise my daughter, I limited my time to art, allowing myself to be a real father. I've always felt guilty about doing art. Short-term impulses during breakfast or sleep have become the norm for me. The benefit of this was that my inner critic told me phrases ranging from "Your art will never be good enough" to "Come on! Fifteen minutes? You can do more than that! I have a lot of amazing ideas, which you can try if you can find some time! "
My desire to fit into the limited time frame for painting continued to grow and became quite visible. The sudden stop also helped me to transfer this excitement to the next period. I noticed that I don't suffer from artistic burnout very often, and that my mind is working on so that I can do something even easier the next day. Now I have a little more time to devote to my art, but most of the time I divide in short intervals, being extremely excited every time I pick up a pencil.
12. Understand your feelings.
Learning to express emotions through shapes, colors, and composition can help you create and use art. Most of my advice is related to mental activity. Emotions determine for us how we make decisions. Not only as artists, but also as people. See how many artists are unsure of their art! I know that I am one of them.
I thought that everything will pass as soon as I become a professional ... but no! Being able to express emotions through shapes, colors, composition, and more, helped me see both sides: the creation and use of art. As you work on the basics, take some time to understand why you are in a particular state. When you work for someone, they are the ones who dictate to you what they want from the final product. Sometimes it can be hard enough to create our own path because we really can't feel what the other person is thinking and we tend to make assumptions based on what they say. Therefore, when we create a large library of knowledge to express ourselves in our minds, we have a better chance of achieving the intended goal for someone else's vision.
13. Don't be afraid to do the basics (again)
Don't feel like you're too experienced for the basics. This is not true In my quest to become better at art, I missed the basics. My mind would say, "Yes, yes, I know that." Thus, I realized that you cannot be completely sure of the knowledge that you cannot apply properly - and more than once. The more I study, the more I realize that I know nothing. This is the global thinking of a creative person. In the beginning, everyone wants to become a master of their craft. This is where I got my inspiration. In the end, this becomes the destination we want to come to as artists.
I realized that magic does not come from achievement, but from all the things it took to get to this place. When you keep the student mindset and are still eager to learn, you can get back to basics with a certain degree of excitement. From there you can grow into different directions gaining the confidence to turn the basics at will.
14. Be calm about failure.
Bad days for drawing are actually good ... honestly Sometimes there are bad days for drawing. Since I had such days, over time, I realized that my biggest creative leap came precisely these days, especially when I looked at them properly. As an artist, you may be your worst critic, but in reality you are not. We just think so.
When we have bad days, we tell ourselves how terrible everything is and that we will never achieve anything. As they say, it's good where we are not. This critic's voice just wants you to be the artist you dreamed of being. If your goal is to become better at what you do, then dissatisfaction is a ruler against which to measure your progress. Take some time to watch how the path you have traveled affects you in times of disappointment.
I think that all my work is not where it could have been - more than when I first decided to become an artist. I am grateful for this feeling. I worry about my failures because I know that each one is a lesson that I need to grow and improve.
15. Have a hobbyist mindset
Thinking of your art as a hobby can give you a different perspective on your work. I know that when I decided to make art my profession, I took it seriously ... too seriously, to be honest. As a kid, I loved toys, Saturday morning cartoons, video games, and comics. When I got tired of all this, I started to draw.
Starting late in my career, I spent early years excited about what the end result will be. Soon, however, I began to see it as a job. I never imagined that I would think about it in this vein. Especially because I never thought I would get such an opportunity. I did enough to get my job done, but I lacked the love to push me towards self-improvement.
Embracing the stereotypical mindset of a hobbyist helped me treasure the time I had to “create art”. Even when I work with clients, I try to come in that kind of mood. I have trained myself to worry at the thought of art. This made me more productive and ready to explore new directions that could benefit my creative process. This is the basis of why I keep holding on! "
Our world is full of colors and magic. Sometimes, walking around the city, you want to leave an imprint of this atmosphere. The best option is to create it yourself, on paper. Or rather, make a sketch. In order to start drawing sketches, you don't need any special skills, you just need a desire.
Sketchbook
First, you need to buy the right sketchbook. Ideally, this is an A5 or A6 size notebook that fits in any bag. The A6 can even fit into your pocket. Density should be from 90 g / m ^ 2. You can draw with anything: ballpoint pen, liner, regular pencil. The album is a kind of diary. Sketches and differ in that you have a certain connection with what you draw.
Inspiration
Where do you get the inspiration for the drawings? My advice to you: get out of the house more often. Every day something interesting happens in the city, not necessarily large-scale. Try to perceive in a different way what you have already seen. At any time you can sit on a bench or go to a cafe with large windows and recreate what you saw. With a strong desire at home, you can paint on some details that come to mind.
Never be afraid to get started. In fact, speaking of the fear of ruining a new notebook, first of all, we are afraid to be disappointed in ourselves, because I had already imagined how beautiful it would be, and how I started drawing, I realized that it was absolutely wrong. But the sketchbook is there to try, make mistakes, and learn. It is not necessary to start drawing from the first page. You can start from the middle or even from the end. Drawing will become much easier. After all, the essence of a sketch is a record of ideas, not a creation of art.
Notes give a special style to the drawings. Notes create a new level, carry additional information, because some things, for example, music or smell, cannot be drawn, and the inscriptions will very much complement the big picture and will bring even more emotions into it.
In addition to notes, you can add various elements to drawings, such as tickets, restaurant receipts, or postage stamps. After a period of time, they will complement your story in a way that photography will not.
Thoughts on paper
Fill the blank sheets with different patterns from time to time. You’ve heard about the so-called "telephone drawings", when you are focused on the conversation, and the hand itself draws whatever it wants. Don't let your drawing be planned. This is how you can achieve freedom of expression. Believe in yourself, in your perception, and every time you will be amazed at your capabilities.
Idea and implementation
As a child, we had a lot of fantasies. Especially those who were not destined to come true. Fortunately, such fantasies can easily appear on paper. Indeed, the drawing does not have to contain only what exists in reality.
According to the way you see things, what feelings are behind your drawings, you change. Feel free to paint the way you feel. Your drawing should show your personal view of things. The brighter the emotions in the picture, the more interesting it is.
Of course, in fact, there can be no rules in such drawings. Draw whatever you want. But, nevertheless, there are small tips on how to make the drawing as close as possible to the drawing in the head.
Basic tips:
Think ahead about the size and location of the details Practice calligraphy and create your own special "style" Do not complicate Draw only the elements that are important to you The drawing does not have to be perfect
Most importantly, all you need is a notebook, a pen, and a stream of imagination to convey thoughts on paper. Turn this world upside down if you so desire. Paper will accept absolutely everything. We must learn not to be afraid to start and express thoughts. This process made a lot of people wonder about their capabilities.
Two quick sketch problems: how and where to start?
Probably every novice artist was given advice: "It's time to make quick sketches." Indeed, in the life of any painter there comes a moment when the need arises to go beyond the apartment, studio, courses and try a radically new way of depicting the world. And if it is still clear what to do with landscapes and architecture, because houses and trees do not strive to escape, then with living nature things are much more complicated.
Of course, the creative process is a very personal, even intimate matter, and for everyone it proceeds in its own way, however, surely everyone at first faced at least two problems.
The first is psychological
Imagine, you boarded the subway / bus / tram, arrived at a museum / zoo / cafe, took out a specially purchased cute sketchbook, a pencil and ... just petrified with horror: the hand does not obey, the eye has nothing to catch on, it seems that people around you from all sides they look over your shoulder, and the chosen model stares into your eyes or completely retreats. It immediately becomes too crowded, or vice versa, too empty. This is how for many aspiring artists their first attempts at sketching in public places ended in failure.
What if this happened to you?
Relax. Take a look around: people are stuck in smartphones, newspapers, books. No one cares about a man with a pencil and a notebook. Moreover, experience shows that if someone notices that he has become the object of close attention of a draftsman, then he himself begins to worry terribly: at best, pose tensely, at worst, blush and hide his eyes. Conclusion: people are more afraid of you than you are of them.
If the problem of the psychological block is left behind or did not arise at all, then problem number two appears:
Model does not pose
As soon as you chose a colorful character in a picturesque pose, he immediately changed it, and then left altogether. Obviously, there is simply no time for drawing according to the rules, when it is necessary to select the center of the composition, build a figure, etc.
There is a great trick: you need to start not with a gradual construction, but with a general silhouette. Thus, you solve two problems at once: compositional arrangement and general image. Notice, having outlined only the silhouette, you have already betrayed a certain character to the figure.
By the way, about the character. Some creative universities give this exercise: students paint portraits of each other, but each time they do it in less time and with fewer details. Thus, they bring out the brightest and specific traits a person's appearance. Essentially, we are facing the same challenge.
If a quick sketch in public places is difficult and stressful, you can start with special meetings where artists draw invited models for a fee. In such places, a calm working atmosphere always reigns, and at the end a viewing is arranged, where everyone can present their work to a general court and listen to constructive criticism from the pros.
Like any other technique or exercise, a quick sketch takes time to master. At first it can irritate, tire, cause discomfort, but gradually the hand will begin to move more relaxed, and the eye will notice and remember interesting details... New ideas for more serious work will appear, and besides, sketches for these ideas can be done in any place and position.
It's foolish to think about how high your level is to allow yourself to paint in public. Firstly, because most passers-by see you at first and in last time and their opinion does not play any role, and secondly, they themselves are unlikely to be able to do the same. To go beyond the usual framework, be it even the walls of a native artist, is already an act, a movement forward.
So, next time you leave home, don't forget to bring everything you need for a quick sketch:
The first is a sketchbook or just small paper, up to A4.
The second is a simple pencil, maybe a mechanical one, which does not need to be sharpened. As soon as the hand begins to move quickly and confidently enough, you can switch to a liner or marker, some even manage to use charcoal.
The third is a nag, which will not cover everyone around with pellets.
Seeing an interesting composition, pull yourself together and focus on work, try to sketch the general silhouettes, noting and focusing on the most interesting and characteristic details and features - it will be more convenient to finish the work at home.
Do not be discouraged if, after a tiring day of drawing, there are almost no successful sketches. It is the matter of time. With regular practice, the result will be noticeable within a few days.
However, just waiting for inspiration to start moving forward is not enough. You must act, and not assume that everything will happen somehow by itself. Just one action can bring results, even small ones, and give you new experience... The only question is how to force yourself to act, and how to find motivation?
1. Simplify your life. Get creative with planning your life. Refuse those activities that you do not like and take too much time and energy. It is very difficult to find motivation when your mind is overwhelmed with thoughts about the tasks you need to accomplish. Hence, keep it simple. One way to simplify is to start combining different activities. Think about which ones you can boil down to one action. This way you have more time and a sense of contentment, which in turn increases your motivation.
2. Set achievable goals. Remember that we must always set ourselves specific goals that can be achieved within a very real period of time. This is good for helping the brain focus only on the things that are achievable. When we make visible progress towards our goals, we become much happier, and as a result, we have the motivation to move on.
3. Develop new habits. Sometimes the smallest changes in life produce the biggest results. When you start going to the gym, recording videos, or practicing singing, consistency and repetition are key factors in performing these activities. If you can't seem to finish the project, just start doing some small steps every day, even if it only takes you five minutes. Remember that small steps can lead to meaningful results.
4. Work with your subconscious. The human brain is a fantastic problem-solving tool. If you have questions you're looking for answers, take a few minutes before bed to rethink everything. Imagine what the solution might be. Visualize goals and ways to achieve them. After sleeping, write down whatever comes to mind and take action.
5. Focus on your surroundings. The people you spend time with influence and change your life in one way or another. Surround yourself with people who support and motivate you. We can always choose who we will spend the day with and what we will spend our time on. You can always decide for yourself: stay with the person who sucks the energy out of you and morally puts pressure on your personality, or stay with the person who inspires you to be creative and is happy with your success.
6. Visualize your ideal future. If you are lacking in motivation, try focusing on a goal leading to what you want to achieve in the future. A great way to increase your motivation is to think more about your ideal future. Where would you like to be in 5 years? What is your main goal? What needs to happen to make you very happy with your accomplishments?
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