The social status of Pechorin. Grigory Pechorin from the novel by M. Yu. Lermontov "A Hero of Our Time": characteristics, image, description, portrait. "Taman". Investigation romance

Mikhail Yuryevich Lermontov, a poet and prose writer, is often compared to Alexander Sergeevich Pushkin. Is this comparison a coincidence? Not at all, these two lights marked the golden age of Russian poetry with their creativity. Both of them were worried about the question: "Who are they: the heroes of our time?" Brief analysis, you must admit, will not be able to give an answer to this conceptual question, in which the classics tried to thoroughly understand.

Unfortunately, early on from a bullet the lives of these the most talented people... Fate? Both of them were representatives of their time, divided into two parts: before and after. In addition, as you know, critics compare Pushkin's Onegin and Lermontov's Pechorin, presenting the readers comparative analysis heroes. "A Hero of Our Time", however, was written after

The image of Grigory Alexandrovich Pechorin

Analysis of the novel "A Hero of Our Time" clearly defines its main character, which forms the entire composition of the book. Mikhail Yuryevich portrayed in him an educated young nobleman of the post-Decembrist era - a person stricken by unbelief - who does not carry good in himself, does not believe in anything, his eyes do not burn with happiness. Fate carries Pechorin like water autumn leaf, along a disastrous trajectory. He stubbornly "chases ... life", looks for it "everywhere." However, his noble notion of honor is more likely associated with selfishness, but not with decency.

Pechorin would be glad to gain faith by going to the Caucasus - to fight. He has a natural spiritual strength. Belinsky, characterizing this hero, writes that he is no longer young, but he has not yet acquired a mature attitude towards life. He rushes from one adventure to another, painfully wanting to find an "inner core", but he does not succeed. There are always dramas going on around him, people are dying. And he rushes on like the Eternal Jew, Agasfer. If for Pushkin's the key word is "boredom", then for understanding the image of Lermontov's Pechorin the key word is "suffering".

Composition of the novel

Initially, the plot of the novel brings the author, an officer sent to serve in the Caucasus, together with a veteran who has passed and now a quartermaster Maksim Maksimovich. Wise with life, scorched in battles, this man, worthy of all respect, is the first, according to Lermontov's plan, to start analyzing the heroes. The hero of our time is his acquaintance. The author of the novel (on whose behalf the narration is being conducted), Maxim Maksimovich, tells the story of a "glorious fellow" twenty-five-year-old ensign Grigory Alekseevich Pechorin, a former colleague of the narrator. Bela's narrative follows first.

Pechorin, having resorted to the help of the brother of the highland princess Azamat, steals this girl from her father. Then she bored him, tempted in women. With Azamat, he pays off with the hot horse of the horseman Kazbich, who, angry, kills the poor girl. The scam develops into a tragedy.

Maksim Maksimovich, remembering the past, became agitated and handed over to his interlocutor the travel diary left by Pechorin. The following chapters of the novel represent individual episodes of Pechorin's life.

The novel "Taman" brings Pechorin together with smugglers: a flexible, like a cat, a girl, a pseudo-blind boy and a "smuggler" sailor Yanko. Lermontov presented here a romantic and artistically complete analysis of the heroes. "A Hero of Our Time" introduces us to a simple smuggling trade: Yanko crosses the sea with a load, and a girl sells beads, brocade, ribbons. Fearing that Gregory will reveal them to the police, the girl first tries to drown him, throwing him off the boat. But when she fails, she and Yanko swim away. The boy, on the other hand, remains beggarly without a livelihood.

The next fragment of the diary is the story "Princess Mary". Bored Pechorin is being treated after being wounded in Pyatigorsk. Here he is friends with the cadet Grushnitsky, Dr. Werner. Bored, Gregory finds the object of sympathy - Princess Mary. She is resting here with her mother - Princess Ligovskaya. But the unexpected happens - Pechorin's long-standing sympathy comes to Pyatigorsk, the married lady Vera, together with her aging husband. Vera and Gregory decide to meet on a date. They succeed in doing this, because, fortunately, the whole city is on the show of a visiting magician.

But the cadet Grushnitsky, wishing to compromise both Pechorin and Princess Mary, believing that it was she who would be on a date, is following the main character of the novel, having enlisted the company of a dragoon officer. Without catching anyone, the cadets and dragoons spread gossip. Pechorin "according to noble concepts" calls Grushnitsky to a duel, where he kills him by shooting the second.

Lermontov's analysis introduces us to pseudo-decency in the officer environment and frustrates Grushnitsky's dastardly plan. Initially, the pistol handed to Pechorin was unloaded. In addition, having chosen the condition - to shoot from six steps, the cadet was sure that he would shoot Grigory Alexandrovich. But excitement prevented him. By the way, Pechorin offered his opponent to save his life, but he began to demand a shot.

Verin's husband guesses what the matter is, and leaves Pyatigorsk with his wife. And Princess Ligovskaya blesses him to marry Mary, but Pechorin does not even think about marriage.

The action-packed novel "Fatalist" brings Pechorin together with Lieutenant Vulich in the company of other officers. He is confident in his luck and on a bet, fueled by a philosophical dispute and wine, plays "hussar roulette." Moreover, the pistol does not fire. However, Pechorin claims that he has already noticed the "sign of death" on the lieutenant's face. He really dies senselessly, returning to his post.

Conclusion

Where did they come from Russia XIX century "Pechorina"? Where has the idealism of youth gone?

The answer is simple. The 30s marked the era of fear, the era of suppression of all progressive III (political) gendarme police department. Born by the fear of Nicholas I of the possibility of a remake of the Decembrist uprising, it “reported on all matters”, was engaged in censorship, perlustration, and possessed the broadest powers.

Hopes for the development of the political system of society have become seditious. The dreamers were called "troublemakers." Active people aroused suspicion, meetings - repression. The time has come for denunciations and arrests. People began to be afraid to have friends, to trust them with their thoughts and dreams. They became individualists and, in the Pechorin style, painfully tried to gain faith in themselves.

"A Hero of Our Time" is the most famous prose work of Mikhail Yuryevich Lermontov. In many ways, it owes its popularity to the originality of the composition and plot and the contradictory nature of the image of the protagonist. We will try to figure out what is so unique about Pechorin's characteristic.

History of creation

The novel was not the first prose work of the writer. Back in 1836, Lermontov began a novel about the life of St. Petersburg high society - "Princess Ligovskaya", where the image of Pechorin first appeared. But due to the poet's exile, the work was not completed. Already in the Caucasus, Lermontov again took up prose, leaving the former hero, but changing the place of action of the novel and the name. This work was named "A Hero of Our Time".

The publication of the novel begins in 1839 in separate chapters. Bela, Fatalist, Taman were the first to appear in print. The work has received many negative reviews from critics. They were primarily associated with the image of Pechorin, which was perceived as slander "against a whole generation." In response, Lermontov puts forward his own characteristic of Pechorin, in which he calls the hero a collection of all the vices of the modern author of society.

Genre originality

The genre of the work is a novel that reveals the psychological, philosophical and social problems Nikolaev times. This period, which began immediately after the defeat of the Decembrists, is characterized by the absence of significant social or philosophical ideas that could inspire and unite the advanced society of Russia. Hence the feeling of uselessness and inability to find their place in life, from which the younger generation suffered.

The social side of the novel already sounds in the title, which is saturated with Lermontov's irony. Pechorin, despite his originality, does not correspond to the role of a hero, it is not for nothing that he is often called an antihero in criticism.

The psychological component of the novel is in the enormous attention that the author pays to the inner experiences of the character. Through various artistic techniques the author's characteristic of Pechorin turns into a complex psychological portrait, which reflects all the ambiguity of the character's personality.

And the philosophical in the novel is represented by a number of eternal human questions: why does a person exist, what he is, what is the meaning of his life, etc.

What is a romantic hero?

Romanticism as a literary movement emerged in the 18th century. His hero is, first of all, an extraordinary and unique personality who is always opposed to society. A romantic character is always alone and cannot be understood by others. He has no place in the ordinary world. Romanticism is active, it strives for accomplishment, adventure and unusual scenery. That is why the characteristic of Pechorin is replete with description unusual stories and no less unusual actions of the hero.

Portrait of Pechorin

Initially, Grigory Aleksandrovich Pechorin is an attempt to typify the young people of Lermontov's generation. How did this character turn out?

A brief description of Pechorin begins with a description of his social position. So, this is an officer who was demoted and exiled to the Caucasus because of some unpleasant story. He is from an aristocratic family, educated, cold and calculating, ironic, endowed with an extraordinary mind, prone to philosophical reasoning. But where to apply his abilities, he does not know and often exchanges on trifles. Pechorin is indifferent to those around him and to himself, even if something captures him, then he quickly cools down, as it was with Bela.

But the fault is that such an extraordinary person cannot find a place for himself in the world, lies not with Pechorin, but with the whole society, since he is a typical “hero of his time”. The social environment gave birth to people like him.

Quotation characteristics of Pechorin

Two characters speak out about Pechorin in the novel: Maxim Maksimovich and the author himself. Also here you can mention the hero himself, who writes about his thoughts and experiences in a diary.

Maksim Maksimych, a simple-minded and kind person, describes Pechorin as follows: "Nice guy ... just a little strange." All Pechorin is in this strangeness. He does illogical things: he hunts in bad weather and sits at home on clear days; goes to the wild boar alone, not valuing his life; can be silent and gloomy, or can become the soul of the company and tell funny and very interesting stories... Maxim Maksimovich compares his behavior with the behavior of a spoiled child who is used to always getting what he wants. This characteristic reflected mental rushes, experiences, inability to cope with their feelings and emotions.

Author's quotation characteristic Pechorina is very critical and even ironic: “When he sank onto the bench, his camp bent ... the position of his whole body depicted some kind of nervous weakness: he sat like a thirty-year-old coquette of Balzakov sits on her downy armchairs ... In his smile there was something childish ... "Lermontov does not in the least idealize his hero, seeing his shortcomings and vices.

Attitude to love

Belu, Princess Mary, Vera, "undine" made Pechorin his beloved. The characterization of the hero would be incomplete without a description of his love stories.

Seeing Bela, Pechorin believes that he has finally fallen in love, and this is what will help to brighten up his loneliness and relieve him of suffering. However, time passes, and the hero realizes that he was mistaken - the girl is only for short time entertained him. In Pechorin's indifference to the princess, all the egoism of this hero, his inability to think about others and to sacrifice something for them, manifested itself.

The next victim of the character's restless soul is Princess Mary. This proud girl decides to step over social inequality and is the first to confess her love. However, Pechorin is frightened family life that will bring peace. The hero does not need this, he longs for new experiences.

A brief description of Pechorin in connection with his attitude to love can be reduced to the fact that the hero appears as a cruel man, incapable of constant and deep feelings... He causes only pain and suffering for both girls and himself.

Duel of Pechorin and Grushnitsky

Main character appears as a contradictory, ambiguous and unpredictable person. The characteristic of Pechorin and Grushnitsky indicates another striking feature of the character - the desire to have fun, to play with the fate of other people.

The duel in the novel was Pechorin's attempt not only to laugh at Grushnitsky, but also to conduct a kind of psychological experiment. The main character gives his opponent the opportunity to do the right thing, to show his best qualities.

The comparative characteristics of Pechorin and Grushnitsky in this scene are not on the side of the latter. Since it was his meanness and the desire to humiliate the main character that led to the tragedy. Pechorin, knowing about the conspiracy, tries to give Grushnitsky the opportunity to justify himself and retreat from his plan.

What is the tragedy of Lermontov's hero

Historical reality dooms to collapse all Pechorin's attempts to find himself at least some useful application... Even in love, he could not find a place for himself. This hero is completely alone, it is difficult for him to get close to people, to open up to them, to let them into his life. Sucking melancholy, loneliness and the desire to find a place in the world - these are the characteristics of Pechorin. "A Hero of Our Time" became a novel, the embodiment of the greatest human tragedy - the inability to find oneself.

Pechorin is endowed with nobility and honor, which manifested itself in a duel with Grushnitsky, but at the same time selfishness and indifference dominate in him. Throughout the entire story, the hero remains static - he does not evolve, nothing can change him. Lermontov seems to be trying to show that Pechorin is practically half-corpses. His fate is a foregone conclusion, he is no longer alive, although he is not yet completely dead. That is why the main character does not care about his safety, he fearlessly rushes forward, because he has nothing to lose.

Pechorin's tragedy is not only in the social situation, which did not allow him to find use for himself, but also in the inability to simply live. Introspection and constant attempts to comprehend what is happening around have led to throwing, constant doubts and uncertainty.

Conclusion

An interesting, ambiguous and very contradictory characterization of Pechorin. "A Hero of Our Time" became Lermontov's iconic work precisely because of such a complex hero. Having absorbed the features of romanticism, social changes of the Nikolaev era and philosophical problems, Pechorin's personality turned out to be out of time. His throwing and problems are close to today's youth.

The image of Pechorin, depicted by Mikhail Lermontov, is, first of all, the personality of a young man who suffers from his restlessness and is constantly captivated by questions: “Why did I live? For what purpose was I born? "

What is he, a hero of the XIX century?

Pechorin is not at all like his peers, he has not a single drop of desire to move along the beaten path secular youth that time. The young officer serves, but does not seek to curry favor. He is not fond of music, philosophy, does not want to go into the intricacies of studying military craft. But the reader immediately becomes clear that the image of Pechorin is the image of a person who is head and shoulders above the people around him. He is smart enough, educated and talented, he is distinguished by energy and courage. Nevertheless, Pechorin's indifference to other people, the selfishness of his nature, the inability to empathize, friendship and love repulses. The controversial image of Pechorin is complemented by his other qualities: the thirst to live in full force, the ability to critically assess their actions, the desire for the best. The "pity of the actions" of the character, the senseless waste of energy, his actions that cause pain to others - all this makes the hero look not in the best light. However, at the same time, the officer himself is experiencing deep suffering.

The complexity and contradictions of the protagonist of the famous novel are especially vividly represented by his words that two people live in it at the same time: one of them lives in the full sense of the word, and the second one thinks and judges the actions of the first. It also tells about the reasons that laid the foundation for this "duality": "I spoke the truth - they did not believe me: I began to deceive ..." A young and full of hope youth in just a couple of years turned into a callous, vindictive, bilious and ambitious person; as he himself put it - "a moral cripple." The image of Pechorin in the novel "A Hero of Our Time" echoes the image of Onegin, created by Alexander Pushkin: he is an "unwillingly egoist", disappointed in life, prone to pessimism, experiencing constant internal conflict.

30s XIX century did not allow Pechorin to find and reveal himself. He repeatedly makes attempts to forget himself in petty adventures, love, exposes himself to the bullets of the Chechens ... However, all this does not bring him the desired relief and remains only an attempt to distract himself.

Nevertheless, the image of Pechorin is the image of a richly gifted nature. After all, a sharp analytical mind is inherent in him, he unusually accurately evaluates people and the actions they perform. He developed a critical attitude not only in relation to others, but also in relation to himself. In his diary, the officer reveals himself: a warm heart beats in his chest, able to deeply feel (the death of Bela, a meeting with Vera) and be extremely worried, although it is hidden under the mask of indifference. However, this indifference is no more than self-defense.

"A Hero of Our Time", the image of Pechorin in which is the basis of the narrative, allows you to see one and the same person from completely different sides, to look into different corners of her soul. Simultaneously with all of the above, in the guise of an officer, we see a strong-willed, strong and active person in whom "vital forces" are dormant. He is ready to act. Unfortunately, almost all of his actions end up hurting both Pechorin himself and those around him, his activity is not constructive, but destructive.

The image of Pechorin strongly resembles Lermontov's "The Demon", especially at the beginning of the novel, when something demonic, unsolved, remains in the hero. The young man, by the will of fate, becomes the destroyer of other people's lives: it is he who is guilty that Bela died, that Maxim Maksimovich was finally disappointed in friendship, in how much Vera and Mary suffered. From the hand of Pechorin, in turn, Grushnitsky dies. Pechorin played a role in how another young officer, Vulich, died, as well as in how "honest smugglers" were forced to leave their homes.

Conclusion

Pechorin is a person who no longer has a past and has only hope for something better in the future. In the present, he remains a perfect ghost - this is how Belinsky described this contradictory image.

A short essay on literature on the theme "A Hero of Our Time: the Image of Grigory Pechorin in the Composition of the Novel" with quotations from the text for the 9th grade. Pechorin in the system of images: how does he compare with other characters?

"Hero of Our Time" - one of the first Russians psychological novels... Appearing in print, he immediately made a public outcry. The main task of the novel is to reveal the soul of the protagonist, Grigory Pechorin, in relations with various personalities, in acute conflict situations. This is the reason for the special composition of the novel: it is not chronological accuracy that is important here, but the recognition of the character by the readers.

Grigory Pechorin is a Russian officer serving in the Caucasus. It represents the image " extra person": Lonely, misunderstood, not finding his own way, and therefore unhappy.

The character is revealed gradually, his features are not on the surface. That is why at first we see the hero with “alien” eyes: his colleague Maksim Maksimych and the narrator-traveler, from the external image we pass to the secrets of the soul. Pechorin is not deprived of his appearance: he is not puppetly handsome, but interesting ("... he was generally very good-looking and had one of those original physiognomies that women of society especially like ..."), the facial features are correct. Everything - from hands to hair color - expresses the hero's pedigree and aristocracy ("Despite the light color of his hair, his mustache and eyebrows were black - a sign of the breed in a person, just like the black mane and black tail of a white horse ..." and " ... his soiled gloves seemed to be deliberately sewn on his small aristocratic hand, and when he took off one glove, I was surprised at the thinness of his pale fingers "). The eyes immediately reflect Pechorin's personality: they never laugh, they have a steel shine, an attentive, studying look.

In the presentation of Maxim Maksimych, the main character appears as a cold, calculating person who destroys other people's lives at his own whim. So he stole the beautiful Bela from his native aul, fell in love with himself, then she got bored, he began to neglect his previously beloved girl. As a result, Bela died, and Pechorin did not shed a single tear. Of course, we understand that the difference between the characters of the simple-hearted Maxim Maksimych and the restrained Pechorin, who suffered silently and deeply, plays a role here. After all, as we learn later, Bela was the last thread connecting the hero with the world, his last hope.

In "Pechorin's Journal" we are transported into the thoughts of the hero, we see everything through the prism of his perception. In "Taman" we see the adventurous beginning of Pechorin's character. His thirst for adventure and desire to overcome boredom overrides even his keen mind and observation, which is why he sets off with a mysterious girl, wittily named by him Undine, on a night walk. Pechorin almost dies, because he finds out that he got to the smugglers. The hero stirred up a nest of criminals, destroyed a long-term way of life. For the first time, the motive of fatality sounds.

"Princess Mary" is the most ambitious part of the novel. Several incarnations of the hero are shown here. Pechorin is a friend in relations with Dr. Werner (the protagonist does not believe in friendship, therefore he distances himself from Werner, despite his internally friendly attitude). Pechorin is a rival in a conflict with Grushnitsky (the protagonist values ​​honor, does not allow himself to be laughed at, he is immeasurably stronger and higher than the enemy, but also ruthless). Pechorin is a conqueror of hearts in a relationship with Princess Mary (he decided to seduce the girl in order to annoy Grushnitsky, amuses and laughs at her, soon imbued with sympathy for the heroine, but cannot lose his freedom and ruin Mary's life with his presence). Pechorin is passionately loving in relations with Vera (it is in front of her that he does not play a role, she knows and understands him for a long time, the loss of Vera is the main and most serious shock in the hero's life). In all his guises, Pechorin is an "ax of fate", he left a tragic mark in the life of every hero (and he cut off Grushnitsky's life altogether).

The Fatalist is the most philosophical chapter of the novel, in which the hero asks the eternal questions of fate, predestination, his place in the world. It is the latter that he does not find. His large-scale personality does not find real meaning in his entire life, he needs great accomplishments, and all around him is routine. Awareness of his own uselessness leads Pechorin to his own death in the future, he has no reason to live.

The protagonist of the novel "A Hero of Our Time" really reflected the era: this generation is lost, disappointed, its best representatives have died out, not finding their way. A personality like Pechorin is rare. He really charms and can lead him, his nobility, subtle mind, observation - these are the qualities that readers should learn.

The very title of the novel suggests that Lermontov wanted to delve deeper into social life of its time. the main problem this novel is the fate of a thinking, talented person who could not find an application for himself in conditions of social stagnation.

In the image of his protagonist, Lermontov embodied the features inherent in the younger generation of that time. In this way, the author raised the question of the fate of an extraordinary human person in that era. In the preface, he noted that the "hero of our time" is not a portrait of one person, but a portrait of the vices of the entire generation in their full development.

The main task of the novel is to reveal the depth of Pechorin's image. There is no visible plot connection between the stories. Each of them is a separate episode of the hero's life, which reflects different traits of his character.

The deep inner world of Grigory Alexandrovich, his negative traits most vividly revealed in the story "Princess Mary". The plot here is the meeting between Pechorin and Grushnitsky, a familiar cadet. And then the next "experiment" of Pechorin begins, the purpose of which is to comprehend the truth and nature of man. The protagonist plays the role of an observer and character simultaneously. It is not enough for him just to observe the behavior of people, he pushes them against each other, forcing their souls to open up and manifest themselves in full: to love, hate, suffer. This is what makes the people he is "experimenting" with to dislike and even hate him.

This is exactly what happens in the case of Grushnitsky. This young army officer from the petty nobility was placed next to Grigory Alexandrovich not by chance. The image of the cadet is very important in the novel, it is a distorting mirror of Pechorin - it emphasizes the truth and significance of this "suffering egoist", the depth and exclusiveness of his nature.

Grushnitsky has a trait that especially annoys Pechorin: he is vain, seeks to play the role of a disappointed romantic hero... Pechorin clearly shows his posturing and desire to make an effect. Having replaced the coarse soldier's overcoat for a brilliant officer's uniform, Grushnitsky could not hide his delight.

Delving deeper into the plot, the reader understands that the young princess Ligovskaya was not interested in Pechorin, he is seeking her love only in order to annoy Grushnitsky, without even thinking about the fact that he condemns Mary to suffering. Later, this subtle, calculated move of the protagonist becomes clear, on the one hand does not decorate him, and on the other, reveals Grushnitsky, who, seized by jealousy and hatred, easily succumbs to the influence of others. He turns out to be capable of low and vile deeds and participates in an intrigue directed against Pechorin. The scene of the duel between Pechorin and Grushnitsky reveals the characters of the heroes. It is written brightly and impressively. Pechorin is cheerful and full of nobility, he is ready to forgive Grushnitsky for wanting to shoot an unarmed man, but Grushnitsky could not rise to nobility, plead guilty and ask for forgiveness.

Pechorin can be blamed for his indifferent attitude towards the young princess, but is it worth it? The princess changed after meeting him: she became smarter and wiser. This girl has matured, began to understand people. And we cannot firmly say what would be best for her: to remain the one naive girl or to become a woman with a very clearly defined character. It seems to me, the second is better... Pechorin in this case played a positive role in her fate.

The hero always hopes to find in people something for which they can be loved and respected, but he does not. I think that is why he despises others or is indifferent to them. It hurts him painfully.

Each story has one more separate goal - to show the loneliness of the hero, his alienation from people. The author achieves this by placing Pechorin in a different environment. The contrast of the hero against the background of other people, against the background of the highlanders helps to reveal to us as much as possible many of his character traits. We see that due to his alienation, the hero is not subject to the traditions or moral norms of the society in which he finds himself.

The image of Pechorin "as a hero of his time" is revealed in relationships with other characters who are not similar either in character or position to Pechorin. Of particular importance is the change of persons leading the story. First, Maksim Maksimych, a "passing officer", tells about Pechorin. Then the author-storyteller speaks about him, and then Pechorin is revealed in his diaries. Already the portrait of Pechorin itself characterizes him as an outstanding personality.

It is impossible not to note the skill with which Lermontov revealed his protagonist to us. Throughout the entire work, the author strives to reveal the inner world of Grigory Alexandrovich Pechorin as fully as possible. The compositional complexity of the novel is inextricably linked with the psychological complexity of the protagonist's image. The ambiguity of Pechorin's character, the inconsistency of this image was revealed not only in the study of his own the spiritual world, but also in the correlation of the hero with the rest of the characters. In the first part, we see Pechorin through the eyes of Maxim Maksimych. This man is sincerely attached to Pechorin, but spiritually deeply alien to him. They are separated not only by the difference in social status and age. They are people of fundamentally different types of consciousness and children different eras... For a staff captain, an old Caucasian, his young friend is an alien, strange and inexplicable phenomenon. Therefore, in the story of Maxim Maksimych, Pechorin appears as a mysterious and mysterious person.

There are qualities in Pechorin that attract people with whom he has to communicate. There are situations when he even compares favorably with others. Pechorin, whoever he communicates with, makes an impression on everyone, without making much effort. Werner is the only person with whom Pechorin is easy and simple. They understand each other perfectly, and Pechorin values ​​Werner's opinion. The history of their relationship is the history of the failed friendship of people who are spiritually and intellectually similar. Pechorin explains the impossibility of their friendship as follows: "I am incapable of friendship: of two friends, one is always a slave of the other." Throughout the entire novel, Pechorin does not have a single friend, but he acquires many enemies. In the duel between Pechorin and Grushnitsky, Werner acts as a second, but the outcome of the duel scares him, and Werner decides to say goodbye to Pechorin.

From the very first story "Bella" we discover the duality and contradiction of the hero. Maxim Maksimovich described Pechorin as follows: “He was a nice fellow, I dare to assure you; just a little weird. After all, for example, in the rain, in the cold all day long hunting; everyone will be chilled, tired - but he has nothing. " And the hero himself wrote in his diary: “I have an innate gift to contradict; my whole life was just a chain of sad and unsuccessful contradictions to my heart or reason. "

We see the duality of his nature in the fact that he is an extraordinary, intelligent person, but on the other hand, an egoist, breaking hearts, and at the same time a victim or hostage of society, to which he opposes himself.

A passion for contradictions and a split personality are the main character traits of the hero. Contradictions appear in the external circumstances of his life; skepticism and disbelief give rise to discord in his soul, feelings and thoughts.

Pechorin is a richly gifted nature, he strives for action, constantly feeling the need to search for a sphere of his activity. He creates adventures for himself, actively intervening in the fate and life of others, changing the course of things in such a way that it leads to an explosion, to a collision. Adding his alienation to people's lives, his craving for destruction, he acts without regard for the feelings of other people, not paying attention to them.

Grigory Pechorin is an energetic, intelligent person, but he cannot find application for his mind, his knowledge. Possessing effective energy, he directs it to ordinary circumstances for which it becomes destructive. His life does not correspond to the desire to surpass everyone, to exalt his will and desires, the thirst for power over people. The character of Gregory manifests itself in different situations, but a special feature for him is the desire for introspection. The hero contemplates his actions and condemns himself, fighting with himself. His nature needs this inner struggle, it contains the unity of the personality. The hero's reasoning about himself, his conviction that his "purpose is high", suggests that he dreamed of the fate of a person who could play a great role in the lives of many people. Not wishing any harm to anyone, but also not doing good, he destroys the well-established, calm life of those around him. Pechorin opposes other characters, as movement opposes rest. He interferes with the lives of other people.

Pechorin tries to explain why fate needs it, and comes to an unexpected conclusion, in which something irrational is felt: fate keeps him so that he drank the "cup of suffering" to the end.

The motive of fate grows towards the end of the novel. In the story "Fatalist" Pechorin tries fate and emerges victorious from this clash, but doubts his victory.

He cannot stay in one place, he needs to change the environment, the environment, so he cannot be happy with any woman. No deep love, Pechorin does not feel real affection for any of the women. He treats Bala like a boring toy. Playing on the prejudices and instincts of the mountaineers, Pechorin spends his mind and energy on a goal unworthy of a decent person. In his attitude to Princess Mary Pechorin looks even more repulsive.

After some time, Grigory Pechorin is overcome by boredom, and he rushes in search of novelty and change. Only the hero's tender relationship to Vera shows the reader that he loves her. This feeling is most pronounced at the moment when there is a danger of losing Faith: “Faith has become more dear to me than anything else ...”.

The plot of the novel tells the reader about the aimlessness of the life of the protagonist. Although Pechorin is cruel and indifferent, Belinsky called him “a suffering egoist,” because he condemns himself for his actions, and nothing brings him satisfaction. Pechorin has everything to achieve his goal, but he does not see this goal: “why did I live? why was born? " To find a goal, you need to stop, stop being free, give up some of your freedom. Pechorin does not do this. This, too, is the tragic inconsistency of his nature. Lermontov Pechorin Roman

All his life G.A. Pechorin can be called a tragedy. Lermontov showed the reader two main reasons explaining this tragedy. The first is Pechorin's personality trait. The hero's fate is not easy, he has gone through a lot, influenced many other people's lives, destroyed many human destinies.

The second reason for his tragedy is the unreasonable structure of society. From this point of view, Pechorin's tragedy is the tragedy of time. He dies, obviously, without resolving his contradictions.

Lermontov did not seek to pass a moral judgment. He only showed all the abyss with great power human soul devoid of faith, imbued with skepticism and disappointment.