Oblomov characterization of the image of Olga Sergeevna Ilyinskaya. Characteristics of the hero Olga Ilyinskaya, Oblomov, Goncharov. Character image Olga Ilyinskaya The life of Olga Ilyinskaya's parents

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The image of Olga Ilyinskaya stands out noticeably against the general background of the characters in the novel. Thanks to her honesty, sincerity and nobility, many associate the girl with an angel who descended from heaven to earth.

The origin of Ilyinskaya and her family

Olga Sergeevna Ilyinskaya was a hereditary noblewoman. Her parents died, and her aunt took her up. The author does not tell at what age Ilyinskaya became an orphan. The only thing that is known: it happened after the girl was 5 years old. (When Olga was 5, her father left their estate with her).

Olga's estate was on bail for some time, but at the moment when the main events unfold, all the documents were put in order, and the girl could already live on her estate. The Ilyinsky estate was not in good condition, but had an advantageous location, which was promising for its restoration and development.

We suggest that you familiarize yourself with a person who is distinguished by laziness and apathy for life in the novel by I. Goncharov “Oblomov”.

Olga's family is not numerous - she was the only child in the family, so she has no brothers or sisters. The girl's only relative is her aunt, Marya Mikhailovna. The aunt has neither a husband nor her children - Olga has replaced her family.

A trusting relationship arose between aunt and niece, but Olga is not always and not ready to discuss everything with her aunt. So, for example, she hides the details of their relationship with Oblomov, but does this not because she does not trust Marya Mikhailovna, but because she is not ready to discuss this situation with anyone.

Leisure

The role of women in society at that time was limited. For female representatives of noble birth, the road to any service was closed. Women at that time were engaged in household chores and raising children.

Like all women, Olga is actively involved in needlework - she often embroiders, she likes this activity, because she is fascinated by the process of creating unusual patterns.

Olga's leisure time is not limited only to needlework: in her free time, the girl does not neglect books. She likes to learn something new, but Olga loves listening to stories and retellings of books even more.

It is because of this that Oblomov begins to actively read books - thanks to the retelling of the plot, he manages to attract the attention of his beloved to his person and hold him for a long time.

Ilyinskaya also loves theater - she is fascinated by the play of actors. The girl never misses the chance to see the performance.

Olga, like the bulk of the nobles, knows how to play on musical instruments... In addition to this, she has developed ear for music, the girl sings well, accompanying herself on the piano.

Ilyinskaya's appearance

Olga Sergeevna is a girl with a pleasant, attractive appearance. People around her consider her a beautiful and sweet girl. Olga has pleasant gray-blue eyes, in them you can always find something kind and affectionate.

Olga has eyebrows of different shapes. One of them is always curved - just in this place a small fold is noticeable - according to the author, this indicates the girl's stubbornness. In general, her eyebrows were not generally accepted - a thin arched, shape, they did not frame her eyes. Olga's eyebrows were fluffy and looked more like a straight line. Her face was oval, it was not distinguished by classical beauty - it was not immaculately white, and her cheeks were not ruddy, her teeth did not look like pearls, but she could not be considered unattractive.

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Olga always tilted her head a little, which gave her some nobility. This image was enhanced by the neck - beautiful and thin. Her nose "formed a slightly noticeably convex, graceful line."

The girl had beautiful curly hair, which she tied in a braid at the back of her head, which further enhanced her noble image.

The girl's lips were thin and always tightly compressed. One got the impression that her lips weren't laughing, even when her whole face was laughing.

Ilinskaya's hands were of normal size, a little damp and soft.

Olga was beautifully built - she had a good figure. Her gait was light and beautiful. The people around her considered her like an angel.

Olga's clothes do not differ in anything unusual. Her dress is always clean and tidy. The girl does not pursue fashion trends; when choosing clothes, she is guided by personal preferences, and not by the postulates of fashion. In her wardrobe, you can find clothes for any occasion - there are both light silk dresses and exquisite, lace, and warm ones, on a cotton lining for the cold season. During hot days, Olga Sergeevna uses a decorative umbrella, and in cold days she dresses in a mantle with a kerchief or a hat and cloak.

Characteristics of personal qualities

Olga has always been a "wonderful creature." She was active and quick-witted in childhood. Even in her childhood, Olga was noticeably distinguished by her sincerity and emotionality.

Olga does not know how to lie and deceive - the concepts of falsehood and deception are alien to him.

Olga is not like most girls of high society - her hallmark there was an inability to flirt and flirt. She never purses her lip, like most cutesy girls in case of indignation, does not stick out her leg while playing the piano in order to attract the attention of the male half of the listeners, does not pretend to faint and does not play ghostly soreness in order to draw attention to her person.

Olga - ordinary girl... Her speech lacks learned philosophical sayings. She never uses overheard judgments about anything for selfish purposes and does not pass off anyone's opinion as hers. Based on this, many consider her a simpleton and not shrewd and narrow-minded.

In general, Olga was a timid girl. She rarely intervened in the conversation, not so much because she knew little about the subject of discussion, but because by nature she was a taciturn person.

Olga is a sincere and emotional girl, she rarely remains indifferent to current events, but tries not to advertise her feelings. Her calm nature allows her to do this.

Olga is a very curious girl, she likes to listen different stories like from real life people and literary stories... From time to time, the girl likes to fall into thoughtfulness.

In relation to others, Olga Sergeevna is kind and patient. She is a gullible person. Ilyinskaya has long awaited decisive action on the part of Oblomov, even in those cases when it was easy to indicate her neglect by Oblomov. However, she cannot be called spineless - after being convinced of Oblomov's deception, the girl follows the dictates of her pride - she breaks off relations with Ilya Ilyich, despite the fact that her affection for him is still strong.

Despite the fact that Olga is a dreamy girl, she is not devoid of a pragmatic and clear mind. Ilyinskaya is an intelligent girl, she often becomes Oblomov's advisor, the solutions she proposed surprise Oblomov with their simplicity and at the same time effectiveness.

Olga has perseverance and perseverance, she is used to following her goal in life, and not waiting for what she wants to come true by itself.

Ilyinskaya is a gentle and sensual person. She is gentle and affectionate with the person she loves.

She is highly moral and faithful. Ilyinskaya does not recognize treason and does not understand such a relationship between beloved people or spouses.

Undoubtedly, Olga has decisiveness - she is always open to change and is not afraid of them. Ilyinskaya is not used to going with the flow of life, she is ready to radically change her life.

The relationship between Olga Ilyinskaya and Ilya Ilyich Oblomov

Olga and Ilya Ilyich Oblomov met at the initiative of their mutual friend, Andrei Stolts. Andrei Ivanovich, in one of his regular visits to Oblomov, decides to actively tackle the modernization of his friend's life.

One evening he brings him to the Ilyinsky house. The eccentric and simple-minded Ilya Ilyich became the subject of Olga's interest. At the time of their acquaintance, the girl was still very young and inexperienced, so she completely surrenders to the feeling of sympathy that has arisen, allowing her to develop into love.

Ilya Ilyich also fell in love with a girl. Since he was the same age as Stolz, he shared a rather large age interval with Olga Oblomov - 10 years, but in the case of Oblomov this was little noticeable. Ilya Ilyich was an extremely unadapted person for life, and his ascetic, lazy lifestyle completely deprived him of the opportunity and ability to communicate with people. Ilya Ilyich had no experience yet romantic relationship, therefore, he is in some way frightened by the feeling that has arisen in relation to Olga, he is embarrassed and ashamed of his feelings and does not know how he needs to behave correctly.

One evening Olga, in prison, performed the aria "Casta Diva", which was Oblomov's favorite work. Oblomov's unexpectedly frustrated confession became the reason for the active development of relations between these heroes.

Ilya Ilyich noticeably changed under the influence of the feeling that had arisen - he gradually began to abandon his usual Oblomovism, began to monitor his wardrobe, the state of his housing. Oblomov actively reads books and constantly makes appearances.

In a word, he leads the usual life of an aristocrat. However, such a change was not truly his desire - he does it for the sake of his love and in the name of Olga. Oblomov completely surrenders to love, he is a very sentimental and romantic person. It is difficult for Ilya Ilyich to understand other manifestations of love, different from this. He is very demanding of Olga, he wants her love to be identical to his love for the girl, and having found various features, he questions the girl's love. In this regard, Oblomov writes a letter to the girl in which he reproaches her for the lack of true feelings towards him and announces to her about the separation.

After reading the letter, Olga is very upset, she does not understand why her feelings were questioned, because she did not give Oblomov a reason to think that his personality was unpleasant to him. Oblomov, who saw the girl's reaction to the message about the breakup, understands the erroneousness of his actions, he is ashamed of his act. Lovers explain and reconcile - their relationship continues to evolve.

Oblomov proposes to Olga, and the girl agrees. The only thing left is to publicize their relationship (which until that time were in secret) and announce the engagement, but Oblomov does not dare to start such actions - he has changed, but not so much. Drastic changes frighten Ilya Ilyich and he is wasting time. By this time, Oblomov is tired of Olga's activity and determination, an active life position, a willingness to change his life and develop as a person are alien to him. His relationship with Olga is more and more often associated with work. Oblomov does not dare to break up with the girl, but he has no desire to develop a relationship longer. He takes a wait and see attitude. At first, Olga does not care much about such lack of initiative of her lover.

She believes that Oblomov needs some time to take action, but the more time passes, the more girl realizes the ghostly feelings of her beloved.

The apogee of the relationship is the exposure of Oblomov's deception with his invented illness. The upset girl decides to break off relations with Oblomov.

This event has a depressing effect on Olga - despite the secrecy of their relationship, everyone around has already started talking about them as future spouses, and this further hurts the wounded Olga.

The relationship between Olga and Andrei Stolts

Olga Sergeevna and Andrei Ivanovich were old acquaintances. A significant difference in age (Stolz was 10 years older than Ilyinskaya) did not allow them to create a romantic relationship at the beginning of their communication - in the eyes of Andrei Ivanovich, the girl looked like a child.

For a long time, their communication did not go beyond the framework of friendship, although it was impossible to deny the presence of sympathy. Andrei Ivanovich's behavior prompted Ilyinskaya to think that he was indifferent to her as a woman. This state of affairs increased significantly after Stolz introduced the young girl to his friend, Ilya Ilyich Oblomov. Andrei Ivanovich was able to present even the most unattractive features of a person in a favorable light, which happened in the case of Oblomov. This fact does not come from selfish goals, but became the fault of the positive and optimistic beginning of Stolz, who knows how to consider positive, attractive character traits in a person. Olga turns her attention to Oblomov and falls in love with him.

The development of romantic relationships was not long in coming - Olga's feelings were mutual. However, Oblomovism and Oblomov's suspiciousness did not allow this relationship to develop and create a family - the engagement of Olga and Oblomov was terminated. This incident caused Olga's blues. The girl was disappointed in love and men in general.

Soon Olga and her aunt are going abroad. For some time they lived in France, where they met Andrei Stolz. Andrei Ivanovich, who knew nothing not only about Olga's engagement to Oblomov, but also about the romantic relationship between them, becomes an active guest in the Ilyinsky house.

After some time, Stolz notices affection for the girl - he realizes that his life is no longer conceivable without Olga. Andrei Ivanovich decides to explain himself to the girl.

Some time ago, Olga would have been happy to hear this, but a bad relationship experience changed her position. Olga decides to open up to Stolz and tells him all the details of her relationship with Oblomov. Andrei Ivanovich is unpleasantly struck by the behavior of his friend, but he is unable to change anything. Stolz does not intend to give up his intention and proposes to the girl. Olga does not feel passion or love for Stolz - a feeling of affection and sympathy connects her with Andrei Ivanovich, but the girl agrees to become his wife.

The marriage of Olga and Andrei did not become unsuccessful - Olga was able to find harmony in marriage and become a happy mother.

After the marriage with Andrei Stolts, Olga was transformed, she was able to abstract herself from the negative impressions that arose after breaking up with Ilya Ilyich Oblomov, but on this their relationship cannot be called complete.

Despite such a sad experience, Olga does not remain indifferent to the fate of Oblomov, and after his death she brings up his son on an equal basis with her children.

Summarize. Olga Ilyinskaya - positive character novel by Goncharov. It embodied best features and characteristics - she is romantic, gentle and dreamy in nature, but at the same time has a cold mind and prudence. Olga is noticeably different from the image of cutesy girls, which has taken root in society. In her actions, she is guided by morality and humanity, and not by personal gain, which also distinguishes her from society.

Olga Ilyinskaya in the novel "Oblomov": analysis and characteristics of the heroine

4 (80%) 5 votes

In the novel "Oblomov" I.A. Goncharova, the main female character is a young girl named Olga Ilyinskaya. This is an extraordinary woman with a complex strong character and destiny. Her image is a vivid and complex character at the same time.

The description of Olga's life in the work "Oblomov" begins at an early age. Throughout the novel, there is a maturation and formation of a personality. the main character... Young girl gets mature and strong spirit a woman, her children are born, her view of many moments that occur throughout her life is changing.

Olga was raised by her aunt who replaced her parents. She is well brought up, educated, well versed in art, constantly engaged in self-development and learning new things. Olga Ilyinskaya with early childhood possesses strong. An assertive character. If she sets a goal for herself, then, no matter what, she succeeds. The girl loves books, is drawn to various sciences.

Her appearance is the piercing gaze of blue-gray eyes, constantly drawn to the bridge of the nose of the eyebrows, which is why she has a small crease between the eyebrows, and thin, pursed lips. The girl's gait speaks of her self-confidence and inner strength of mind. Olga has slim figure, with a straight, proud posture, every step of the girl is light and weightless.

The turning point that changed the view of many things is a sudden and strong feeling to a young man named Ilya Oblomov. Their feeling was strong and deep, but due to their own character and position in life, they did not find a continuation. Young people, due to their ardor and different views on life, did not want to accept each other with all their shortcomings. Each of them had their own image " ideal hero of its time ".

Oblomov wanted Olga to treat him with all her feminine softness and tenderness. Olga, on the contrary, considered it her goal to change the inner world in Ilya, make it more decisive, overcome laziness and add to reading and science.

In fact, Olga did not like the young man, having set a goal for herself, she tried, by all means, to achieve a positive result. Ilya's feelings for her were not as important as her own self-assertion from what would eventually turn out. As a result, not having achieved what she wanted, the girl broke up with the young man.

A completely different relationship arose between Olga and her friend Andrei Stolts. At first they were just friends, their relationship was tender and reverent. Andrei was a teacher and mentor for the girl, he admired her sharp mind and strong character. The marriage helped Olga to overcome her love for Oblomov, to survive a painful separation. At first, their happiness was calm and cloudless, since young people had similar views on life and characters in general. But gradually, after a few years life together they began to drift apart.

Stolz began to notice that it was difficult for him to keep up with the activity of his wife; for him, marriage was something calm, measured. Olga, on the other hand, began to be burdened by the routine life with Andrey, she wanted knowledge and development. Olga did not want to put up with her destiny as a faithful and calm wife, she began to doubt the correctness of her choice. How the fate of this strong and intelligent woman developed further is unknown. It can be assumed that Olga still left her husband, or maybe, regardless of her judgments and views, she remained with him.

Olga Ilyinskaya is an unusual woman who is constantly fighting against the centuries-old way of thinking that a woman's destiny is to raise children and run a household. Olga's position is constant self-improvement, knowledge and development of her own personality. Love for her is a secondary, insignificant feeling, for the sake of which one cannot act with one's inner world.

Option 2

In the novel by Ivan Aleksandrovich Goncharov, there are two female characters, one of the characters is Olga Ilyinskaya. Olga is a girl of ordinary appearance without graceful, beautiful facial features. Ilyinskaya knows what she wants from life, so she tries in every possible way to achieve this.

When Olga meets Oblomov, it seems to her that she can fall in love with him and wake him up from many years of hibernation. Ilyinskaya is trying in every possible way to stir Oblomov and for a while she even succeeds. Olga asks the impossible from Oblomov, he is a homely man, and she strives for the light.

Olga appreciates that there is no cynicism and pretense in Oblomov, but she wants him to be like Stolz. Ilyinskaya is more even a teacher for Oblomov than a beloved woman. She is trying in every possible way to remake it, not realizing that then it will no longer be Oblomov.

She is assertive and stubborn and always knows what she wants, Ilyinskaya does not want to sit at home next to Oblomov and devote her whole life to him. On the contrary, she wants them to go together towards the same goal, but, alas, this is not given to happen. Olga Ilyinskaya created for herself the image of Oblomov, whom she would like to see, but she did not take into account that then Ilya would have to sacrifice himself, and he is not ready for this either.

Olga Ilyinskaya is demanding of others, but she herself is ready to make a lot of efforts for her self-development. A very intelligent and self-sufficient woman who believes that everyone should take the maximum from life. Ilyinskaya never wasted her time and strove for comfort and coziness for herself.

Realizing that they are too different with Oblomov, she no doubt decides to part with him, but soon realizes what he is good man... Olga Ilyinskaya is getting married best friend Oblomov Andrey Stolts, she chose for herself suitable man... Stolz, like Olga, knew what he wanted and his life was like a stormy river, so they got together. In a marriage with Stolz, Olga finds the happiness she dreamed of so much, finally she looks with her beloved in one direction and he can become the head of the family and take responsibility for her, which Oblomov could not give her.

This is not to say that Olga was calculating and cold, just each person has their own views on life and priorities in life.

Composition Characteristic and image of Olga Ilyinskaya

The well-known Russian critic N.A. Dobrolyubov believed that a writer like Goncharov was a connoisseur of women's hearts. Goncharov successfully created the image of Olga in his creation "Oblomov". According to the description, Olga was not beautiful. She had no white skin, scarlet cheeks and lips. She had no inner fire. It combines harmony and grace. According to the critic, Olga had all the qualities that attracted other writers. The heroine had a natural living beauty. Olga was simple and had her own outlook on life.

In society, Olga was perceived as a stranger. Due to her intelligence and determination, the girl defended her rights to behavior, life position. The girl did not adhere to generally accepted norms. The main character Oblomov considered Olga to be the real ideal of the female image. In relations, Olga saw in Oblomov gullibility, simplicity and the absence of all conventions. She does not see cynicism in Ilya and finds in him a constant desire for sympathy. The heroine constantly reflected on how she influences Ilya. Love has become for Olga the most important goal in life. For the sake of love, Olga was ready to sacrifice everything. Olga and her lover demanded too much from each other. Olga wanted Oblomov to be like Stolz. The heroine deceived herself and knew that their relationship would soon come to an end.

Olga loved that Ilya, whom she created in her thoughts and diligently tried to change him. The end of the relationship between Olga and Oblomov Goncharov portrayed as a tragedy. The heroine married Stolz. After marriage, Olga realized that reason and common sense are the most important in life. She was happy. Stolz became a real support and a good husband for her. In marriage, Olga began to feel melancholy. The business life and activities of the spouse did not provide an opportunity for the development of the soul. Olga still loved Oblomov in her heart. She was often tormented by mental anguish.

If the author had continued the novel, then at the end, due to Stolz's strong character, Olga would have divorced him. The Russian critic described Olga as a modern woman and emphasized in the heroine the desire for selfish and noble goals. Olga has always strived for the ideal. The girl did not particularly like her husband. The heroine could fall in love with a person if he developed every day and made her happy with something new. And Stolz chose a measured, calm and stable life. Without Olga's female image, the book "Oblomov" would not have been so bright. Olga's image fully complements the main character of the novel.

Option 4

Many excellent works came out from the pen of Alexander Ivanovich Goncharov, which, even after so many years, remain recognized by the Russian literary society. One of them is the novel Oblomov.

Olga Sergeevna Ilyinskaya is the main heroine of the novel, a young beauty, which will now be discussed.

At the beginning of the novel, Olga is a twenty-year-old noblewoman, landowner and orphan. She lives with her aunt on a small estate. The author openly speaks of Ilyinskaya as a person with a far from ideal appearance: tall, without the whiteness of her cheeks and with uneven eyebrows, because of which a wrinkle appeared on her forehead, but with such a sparkle in her eyes that the first beauties do not have. This is what distinguishes her from other girls and Oblomov liked this, as well as her simplicity, sincerity and inexperience. She's also smart. Received a good education and does not stand still. Olga is engaged in self-development, reads books and has a passion for science. In the novel, she turns from a young naive girl into an adult lady with her own point of view and attitude to life. Always bringing the plan to the end is a trait that does not leave Ilyinskaya with age.

The love that she experienced in relation to Ilya Ilyich turned out to be key point in the life of Olga Sergeevna. This feeling arose in a moment. She learned about Oblomov from the stories of her friend, Stolz. Ilyinsky imagined herself a savior, an angel that would direct Ilya Ilyich on the right path of self-development and eternal movement along which she walked, made Oblomov himself believe in this, and she almost succeeded. They called it love. However, the man's nature defeated his love for her. She gave up for the first time in her life.

Later, Olga finds the ideal man in Stolz. He became her friend, mentor and husband. And he saw in her a partner and student, a wife who also loves to learn, to discover something new. Andrei Stolts makes an offer to Olga immediately after parting with Oblomov. Largely thanks to her new love, she quickly forgot Ilya Ilyich.

The image of Olga Ilyinskaya is something new and unusual, which does not fit into the ideal of a woman of that time. She is not used to closing herself off from the world and sitting quietly at home, taking care of children and baking pies, Olga is not a shadow of her husband. She is on her own. Smart and independent. For her, love is far from the first place and comes from friendship. Unfortunately, the society of the 19th century was not ready to accept the image of such a woman.

Look 5

The image of Olga Ilyinskaya is one of the central female images the novel "Oblomov" by I.A. Goncharova.

At the beginning of the novel, we see her very young. Goncharov warmly paints a portrait of Olga, noting that she is not a beauty, but she can be compared with a statue of grace and harmony. Olga attracts with her simplicity, naturalness. She is educated, brought up, versed in art and sciences, reads a lot and develops all the time. She has a constant desire to be active.

Love for Ilya Ilyich Oblomov, the protagonist of the novel, arose out of the desire to re-educate Oblomov. Stolz pointed out to her and at the same time revealed his dignity. Oblomov has enough positive qualities: he is smart, educated, kind. If not for Stolz, Olga would not have paid any attention to Oblomov. She decides to experiment, hoping to awaken Oblomov from laziness. Olga likes the role of "ray of light" for Oblomov. Very quickly, the game develops into a true feeling. Love filled Olga's life with new content.

Olga is thoughtfully fighting Oblomov's habits. She always knows exactly what she wants. Olga did a lot to change Oblomov, and achieved some success. She didn’t take into account only that she was struggling with traditions that had been taking shape over many generations. Oblomov is unable to take care of himself or others. When he pushes the question of the wedding aside, Olga stops believing him. Oblomov's soul does not lie in the life that Olga offers him. She understands that his laziness has won.

Olga grows up, gaining experience after the story with Oblomov. Abroad, where she goes for treatment, she meets Andrei Stolz. Stolz does not recognize her as a former young girl. She is very changeable, but always frank with Andrey. He falls in love with the "new" Olga, she becomes his wife. Stolz meets her ideals of a husband, he created a comfortable life for her. But Olga is not satisfied with the calm personal life... She dreams of another life and almost regrets her choice, she lacks Oblomov. According to the critic N. Dobrolyubov, Olga will also leave Stolz when she stops believing in him.

In the image of Olga Ilyinskaya Goncharov solved the problem of the equality of women in rights with men. Dobrolyubov saw in her an advanced Russian woman.

Composition 6

Goncharov wrote a large number of different works... But the most interesting is the work "Oblomov". There is one bewitching hero here and it is a girl named Olga. Many men like her, but she does not want to give her heart to the first person she meets, and he must first achieve it. The author managed to fit into this image the most beautiful and valuable traits that exist in a person.

Although Olga is very few years old, but God did not deprive her of intelligence and beauty. In addition, she is also a proud and proud girl. In order to describe it, just a few phrases will be enough. She does not have the lies that many other people have, she also sincerely worries about each person and tries always and in everything to help him, even if he does not ask for it. But despite all this, she appears in this world an extra person... And this is not considered a negative point, but on the contrary positive, because it was about such a woman that the author of the work dreamed of, and Stolz always admired such women.

More than anything, she likes to study what has not yet been studied by her. If you have a free minute, then the girl will either read a new book, or listen to songs and sing along to the singers. Olga had never experienced a feeling of love before, but one day she covered her with her head. She fell in love with Ilya. She so wanted to change everything in his life and return to normal life, and so that he understood what it was like to live a normal life. If others saw him as a cynical person, then our main character did not see anything like that or simply did not want to see.

Of course, changing a person is very difficult and she will need to spend not only energy, but also show perseverance, but for a girl nothing is impossible, and after a while she still manages to do it, and Olga is very pleased with herself. Oblomov suddenly realized that there is another world and it is much more interesting to live in it than in the one that he invented for himself. Now he does not just sit at home, but visits not only museums, but also theaters. And the clothes now correspond to where he decided to go. In addition, Olga always reflects on how Oblomov is changing and at the same time growing spiritually. Gradually, practically nothing remains of that Olga, because love completely changes her. Now she is not cute and not touching as she used to be. She created for herself an ideal man who would fit her perfectly and did everything in order not to be disappointed in him.

While the girl believed in him, then there was love between them, but one day she was disappointed in him, because he did not justify her hopes and love somewhere incomprehensible where had gone.

Now she realized that if a person does not want to change, then it will be very difficult or almost impossible to change him. And then the girl found herself another ideal man who was real and loved her very much.

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The novel demonstrates character development. Having met Olga as a young girl, the reader observes her becoming as a person, growing up and changing her status. Constantly striving for self-development, the ambitious Olga Sergeevna Ilyinskaya awakens love in Oblomov, which is not destined to have a continuation.

Biography and plot

Olga Ilyinskaya is an attractive girl living in St. Petersburg. She is positive, optimistic and not prone to the mannerisms traditional for the era described. The girl's family is noble. Parents died early, and as a child, the heroine ended up in the house of her aunt, Marya Mikhailovna. There she was given upbringing, allowed to openly express her opinion. Olga's self-sufficiency can also be explained by the fact that he was her close friend. The girl is a fan of his views and brings to life the ideas that her friend favors.

Olga's image is not typical for a woman of the 19th century. Its characteristic excludes a tendency to coquetry and pretentiousness, secrecy and greed. The girl is not worried about decency and someone else's opinion. Ilyinskaya society is avoided by champions of the traditional social order and etiquette. Olga is educated and reasonable. Describing the character, the author does not pay attention to appearance, noting that the heroine lacks whiteness of the skin, blush and sophisticated outlines. Graceful and elegant Ilyinskaya from a good-natured child turns into a woman whose face loses its carefree expression and acquires a painful pensiveness.

The feelings that Olga awakened in Oblomov's heart ennobled the hero and allowed him to start new stage life. The hero was unable to match the girl, and they had to break off the relationship. The parting crippled both. Ilya Oblomov fell ill in a fever, and Olga Ilyinskaya left for Paris to heal broken heart... Six months spent in France, she maintained a close relationship with Stolz and came to her senses. Having accepted a marriage proposal from Oblomov's friend, Olga married him.

Combining simplicity and naturalness, Olga Ilyinskaya was different from the fair sex in St. Petersburg. , which occupied Oblomov's thoughts after Olga's departure, was not distinguished by her broad outlook or lofty ideals. Her simplicity and desire to lead a familiar way of life made the hero think that the similarity gives rise to feelings.

Olga's personal growth, described on the pages of the work, occurs at a rapid pace. This conquered Oblomov. Later, realizing that he was not ready for such a rhythm of life and had other ideals, the hero gave up trying to be on a par with Ilyinskaya. The love story did not take place.

Compared to Olga Pshenitsyna, she looks modest. Her main concerns are housekeeping and finding opportunities to please Oblomov. For her, he plays the role of Ilyinskaya, so the lazy landowner thinks that marriage with Pshenitsyna is a successful scenario.

Accustomed to home life, lavish feasts, the quiet fluidity of time, Oblomov and Pshenitsyna are content with what fate presents them. At the same time, Ilyinskaya and Stolz are accustomed to creating their lives in spite of circumstances. The plan for the re-education of Oblomov, which Ilyinskaya developed, would never have occurred to Pshenitsyna, who believed that her husband was perfect man... The feelings that Olga took for love were rather a pleasure from the results demonstrated by Ilya. Olga's main purpose is to constantly search for herself and improve herself, which is impossible next to Oblomov.

Actresses

The novel "Oblomov" was filmed. The audience remembered two films, worthy of analysis and distinguished by interesting acting works. In 1966, a series, created by Italian directors, was released. The role of Olga was played by Juliana Logodice, and Alberto Lionello acted as Oblomov.

The Soviet audience was able to appreciate the director's interpretation in 1979. Feature film “A few days in the life of I.I. Oblomov ”was received warmly and benevolently. Critics noted the game, which embodied Ilyinskaya on the screen.

The meek and sophisticated actress faithfully portrayed the features that the author described in the novel. The appearance of the actress gracefully complemented the image she created. The role brought the performer great success in cinema. In a duet with Elena Solovey, she presented a unique tandem outstanding personality and her ward.

Literary critics are looking for a prototype of Olga Ilyinskaya, noting her resemblance to the main character of the novel "". resembles Ilyinskaya. Writers characterize girls as simple characters with no interest in social life. modern society... In working on the image, Goncharov went further, depicting a woman who was attracted by her natural beauty and serious demands. It's not enough for Olga to be a happy lady, she feels the need to show character.

Ilyinskaya is one of the classic female images of Russian literature. Olga is an authentic heroine, a whole nature that is unmatched.

Quotes

The author puts into the mouth of the main character the words that he expects to hear from the public. The middle of the 19th century was a time of troubles when people like Oblomov were not counted. Few wanted to leave their comfort zone in order to take decisive action, and in the image of a woman, the writer gives the strongest motivation to Oblomov and people like him. The feminine principle is a collective image of the achieved height:

“I am your goal, you say, and you walk towards it so timidly, slowly; and you still have a long way to go; you have to get taller than me. I expect this from you! " - Olga says to Oblomov.

Despite her prudence, Olga is no stranger to heartfelt impulses:

"The heart, when it loves, has its own mind ... it knows what it wants and knows in advance what will happen."

This is how the girl, who does not fully understand, explains that, unwittingly, she replaced love with excitement. Deep down, Olga understands that the feelings she experiences have no chance:

"Yes, in words you punish yourself, rush into the abyss, give up half your life, and then doubt will come, a sleepless night: how you become tender to yourself, careful, caring, how far you see ahead! .."

The girl sees who Oblomov is and realizes that he will never decide on a serious act and will not change his essence.

Introduction

Olga Ilyinskaya in Goncharov's novel Oblomov is the most striking and complex female character. Getting to know her as a young, just developing girl, the reader sees her gradual maturation and disclosure as a woman, a mother, an independent personality. Wherein full characteristic The image of Olga in the novel "Oblomov" is possible only when working with quotes from the novel, which convey the appearance and personality of the heroine as capaciously as possible:

“If she were to be turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to the somewhat high growth, the oval and the size of the face strictly corresponded to the size of the head; all this, in turn, was in harmony with the shoulders, the shoulders - with the camp ... ".

When they met Olga, people always stopped for a moment "before this so strictly and deliberately, artistically created being."

Olga received a good upbringing and education, is versed in science and art, reads a lot and is in constant development, knowledge, achievement of new and new goals. These features of her were reflected in the girl's appearance: “Lips are thin and for the most part compressed: a sign of continuous thought directed at something. The same presence of a speaking thought shone in the sharp-sighted, always vigorous, never letting through the gaze of dark, gray-blue eyes, "and unevenly spaced thin eyebrows created a small crease on the forehead" in which it seemed to say something, as if a thought rested there. " Everything about her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, so gracefully, nobly resting on her thin, proud neck; she moved with her whole body evenly, walking lightly, almost imperceptibly. "

Love for Oblomov

The image of Olga Ilyinskaya in "Oblomov" appears at the beginning of the novel as a still very young, little-known girl, with wide-open eyes looking at the world around her and trying to cognize it in all its manifestations. The turning point, which became for Olga a transition from childish shyness and some kind of embarrassment (as it was when communicating with Stolz), was the love for Oblomov. A beautiful, strong, inspiring feeling that flashed with lightning speed between the lovers was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for the semi-ideal prototypes of real heroes.

For Ilyinsky, love for Oblomov was not associated with those feminine tenderness, gentleness, acceptance and care that Oblomov expected from her, but with a duty, the need to change the inner world of her beloved, to make him a completely different person:

“She dreamed of how she would“ order him to read the books ”that Stolz had left, then read the newspapers every day and tell her the news, write letters to the village, finish the plan of the estate, prepare to go abroad - in a word, he would not sleep with her; she will show him the goal, make him fall in love again with everything that he has stopped loving. "

“And all this miracle will be done by her, so timid, silent, to which no one has obeyed until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, it is difficult to name her feelings for Ilya Ilyich true love- it was a fleeting love, a state of inspiration and rise in front of a new peak that she wanted to reach. For Ilyinskaya, Oblomov's feelings were not really important, she wanted to make her ideal out of him, so that she could then be proud of the fruits of her labors and, perhaps, remind him afterwards that everything he has owes to Olga.

Olga and Stolz

The relationship between Olga and Stolz developed from a tender, quivering friendship, when Andrei Ivanovich was a teacher for a girl, a mentor, an inspiring figure, in his own way distant and inaccessible: “When a question, bewilderment was born in her mind, she did not suddenly dare to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their mind and years. "

The marriage with Stolz, which helped her to recover after parting with Ilya Ilyich, was logical, since the characters are very similar in character, life orientations and goals. Olga saw a quiet, calm, endless happiness in her life with Stolz:

"She felt happiness and could not determine where the boundaries are, what it is."

"She, too, was walking alone, an imperceptible path, he also met her at the crossroads, gave her his hand and led her not into the shine of dazzling rays, but as if to the flood of a wide river, to vast fields and friendly smiling hills."

Having lived for several years together in cloudless, endless happiness, seeing in each other those ideals that they always dreamed of and those people who appeared to them in their dreams, the heroes began to seem to move away from each other. It became hard for Stolz to reach for the inquisitive, continuously striving forward Olga, and the woman “began to sternly notice herself and realized that she was embarrassed by this silence of life, her stopping at minutes of happiness,” asking questions: “Is it really necessary and possible to wish for something ? Where to go? Nowhere! There is no further way ... Really not, have you made the circle of life? Really everything here ... everything ... ". The heroine begins to become disillusioned with family life, in a woman's destiny and in the fate that was prepared for her from birth, but continues to believe in her doubting husband and in the fact that their love will keep them together even in the most difficult hour:

“That unfading and unfading love lay mighty, like the force of life, on their faces - in the time of friendly sorrow it shone in a slowly and silently exchanged glance of collective suffering, was heard in endless mutual patience against life's torture, in restrained tears and muffled sobs.”

And although Goncharov does not describe in the novel how Olga and Stolz's further relationship developed, it can be briefly assumed that after some time the woman either left her husband or lived the rest of her life unhappy, sinking more and more into disappointment from the unattainability of those lofty goals, oh whom I dreamed of in my youth.

Conclusion

The image of Olga Ilyinskaya in the novel Oblomov by Goncharov is a new, somewhat feminist type of Russian woman who does not want to close herself off from the world, limiting herself to her household and family. a brief description of Olga in the novel is a woman-seeker, a woman-innovator, for whom “routine” family happiness and “Oblomovism” were indeed the most terrifying and frightening things that could lead to degradation and stagnation of her forward-looking, cognitive personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and even less the meaning of life, as in Agafya Pshenitsyna's.

The tragedy of Olga's image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities who could change the world on an equal basis with men, so she would still expect the same soporific, monotonous family happiness that the girl feared so much.

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Introduction

Olga Ilyinskaya in Goncharov's novel Oblomov is the most striking and complex female character. Getting to know her as a young, just developing girl, the reader sees her gradual maturation and disclosure as a woman, a mother, an independent personality. At the same time, a complete characterization of the image of Olga in the novel "Oblomov" is possible only when working with quotations from the novel, which convey the appearance and personality of the heroine as capaciously as possible:

“If she were to be turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to the somewhat high growth, the oval and the size of the face strictly corresponded to the size of the head; all this, in turn, was in harmony with the shoulders, the shoulders - with the camp ... ".

When they met Olga, people always stopped for a moment "before this so strictly and deliberately, artistically created being."

Olga received a good upbringing and education, is versed in science and art, reads a lot and is in constant development, knowledge, achievement of new and new goals. These features of her were reflected in the girl's appearance: “Lips are thin and for the most part compressed: a sign of continuous thought directed at something. The same presence of a speaking thought shone in the sharp-sighted, always vigorous, never letting through the gaze of dark, gray-blue eyes, "and unevenly spaced thin eyebrows created a small crease on the forehead" in which it seemed to say something, as if a thought rested there. " Everything about her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, so gracefully, nobly resting on her thin, proud neck; she moved with her whole body evenly, walking lightly, almost imperceptibly. "

Love for Oblomov

The image of Olga Ilyinskaya in "Oblomov" appears at the beginning of the novel as a still very young, little-known girl, with wide-open eyes looking at the world around her and trying to cognize it in all its manifestations. The turning point, which became for Olga a transition from childish shyness and some kind of embarrassment (as it was when communicating with Stolz), was the love for Oblomov. A beautiful, strong, inspiring feeling that flashed with lightning speed between the lovers was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for the semi-ideal prototypes of real heroes.

For Ilyinsky, love for Oblomov was not associated with those feminine tenderness, gentleness, acceptance and care that Oblomov expected from her, but with a duty, the need to change the inner world of her beloved, to make him a completely different person:

“She dreamed of how she would“ order him to read the books ”that Stolz had left, then read the newspapers every day and tell her the news, write letters to the village, finish the plan of the estate, prepare to go abroad - in a word, he would not sleep with her; she will show him the goal, make him fall in love again with everything that he has stopped loving. "

“And all this miracle will be done by her, so timid, silent, to which no one has obeyed until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, her feelings for Ilya Ilyich can hardly be called true love - it was a fleeting love, a state of inspiration and rise in front of a new peak that she wanted to achieve. For Ilyinskaya, Oblomov's feelings were not really important, she wanted to make her ideal out of him, so that she could then be proud of the fruits of her labors and, perhaps, remind him afterwards that everything he has owes to Olga.

Olga and Stolz

The relationship between Olga and Stolz developed from a tender, quivering friendship, when Andrei Ivanovich was a teacher for a girl, a mentor, an inspiring figure, in his own way distant and inaccessible: “When a question, bewilderment was born in her mind, she did not suddenly dare to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their mind and years. "

The marriage with Stolz, which helped her to recover after parting with Ilya Ilyich, was logical, since the characters are very similar in character, life orientations and goals. Olga saw a quiet, calm, endless happiness in her life with Stolz:

"She felt happiness and could not determine where the boundaries are, what it is."

"She, too, was walking alone, an imperceptible path, he also met her at the crossroads, gave her his hand and led her not into the shine of dazzling rays, but as if to the flood of a wide river, to vast fields and friendly smiling hills."

Having lived for several years together in cloudless, endless happiness, seeing in each other those ideals that they always dreamed of and those people who appeared to them in their dreams, the heroes began to seem to move away from each other. It became hard for Stolz to reach for the inquisitive, continuously striving forward Olga, and the woman “began to sternly notice herself and realized that she was embarrassed by this silence of life, her stopping at minutes of happiness,” asking questions: “Is it really necessary and possible to wish for something ? Where to go? Nowhere! There is no further way ... Really not, have you made the circle of life? Really everything here ... everything ... ". The heroine begins to be disappointed in family life, in female destiny and in the fate that was prepared for her from birth, but continues to believe in her doubting husband and that their love will keep them together even in the most difficult hour:

“That unfading and unfading love lay mighty, like the force of life, on their faces - in the time of friendly sorrow it shone in a slowly and silently exchanged glance of collective suffering, was heard in endless mutual patience against life's torture, in restrained tears and muffled sobs.”

And although Goncharov does not describe in the novel how Olga and Stolz's further relationship developed, it can be briefly assumed that after some time the woman either left her husband or lived the rest of her life unhappy, sinking more and more into disappointment from the unattainability of those lofty goals, oh whom I dreamed of in my youth.

Conclusion

The image of Olga Ilyinskaya in the novel Oblomov by Goncharov is a new, somewhat feminist type of Russian woman who does not want to close herself off from the world, limiting herself to her household and family. A brief description of Olga in the novel is a woman-seeker, a woman-innovator, for whom “routine” family happiness and “Oblomovism” were indeed the most terrifying and frightening things that could lead to the degradation and stagnation of her forward-looking, cognitive personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and even less the meaning of life, as in Agafya Pshenitsyna's.

The tragedy of Olga's image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities who could change the world on an equal basis with men, so she would still expect the same soporific, monotonous family happiness that the girl feared so much.

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